It's finally here!! The finest AUD recording of the performance in Böblingen, West Germany on November 15, 1972 has been upgraded to a two-source stereo matrix and is now available!! The performance in Böblingen, West Germany on November 15, 1972, has been highly rated by fans for its sound quality and performance, even among the unofficial recordings of Pink Floyd. There were already multiple titles from the days of analog LPs, and in 2000, an overseas label released it as "THE GREAT GIG IN BOBLINGEN", which was one of the first to see the light of day in the early days of CDs and has been widely loved. It was previously released as "BOEBLINGEN 1972", which was the best version at the time, patching together multiple existing sources, but in terms of overall completeness, it was still a title that left some room for improvement. However, this time, it was carefully equalized and phase corrected for Disc 1, and for Disc 2 in the second half of the show, Recorder 1 and 2 were matrixed to correct the high-frequency defect in the right channel, and the best stereo matrix sound with "Set The Controls For The Heart Of The Sun" and the missing parts before and after this song were filled in, and the brilliant 1972 Böblingen, which combines the longest documentary nature, is finally born! [Disc 1] "1st set: Recorder 2 (The Great Gig In Boblingen) & Recorder 3" The upper feeling and completeness, and the renewed sense of the sound image are truly a comeback. "Speak To Me" is slightly inferior in sound quality for about 56 seconds at the beginning, but this is because the song was missing from the original GANJA source and was recorded with a fade-in, and this is compensated for by Recorder 3 (mono). However, since it is a compensation from the longest scene remaining as the sound of the same day, you are sure to be excited by the increased documentary nature that seeps out from the start of the disc. After 57 seconds, the song shifts to Recorder 2 and "Breathe" begins, and there is no one who is not amazed by the transparent and expansive sound from here. "On The Run" also has a bouncy bass and the busy drum beats not only appear with a special beat, but I am sure that you will be overwhelmed by the depth and massiveness of the low range. "Time" has a wonderful brilliance of tone that floats around until around 2 minutes and 13 seconds in the first half, and the contrast between the two voices of Gilmore and Wright and the instrument sounds is perfect as if it was arranged on a sound board, and "The Great Gig In The Sky" also has an even more dazzling brilliance leaking out from between the impulse and restraint. As you know, at this point, it is still an instrumental version without a female chorus, but if you listen to it with this sound, you will surely be able to grasp the beauty of the program composition of why this song exists in this position. Also, in "Us And Them," the movement and sound of the organ and bass are repeatedly radiating and fusing wonderfully in the midrange, so please pay attention to that as well. Similarly, in "Brain Damage," the sound and trajectory of the tone are beautiful visually, and in the second half, Gilmore's movement of playing the guitar with a different approach than usual, the change in the sound can be heard with even higher resolution sound. [Disc 2] "2nd set: Recorder 1 (Marbal's 2nd Gen) + Recorder 2 Stereo Matrix & Recorder 3" The sound quality of "Careful With That Axe, Eugene" is different only for the first 6 seconds, but this is because, like "Speak To Me" on Disc 1, the original sound that was originally faded in is supplemented with mono Recorder 3, and after that, the tremendous stereo matrix sound of Recorder 1 and 2 unfolds. The interweaving of mysterious sounds that spread in all directions and stretch out is just like the official version, and the vividness of the scream and the subsequent development have almost jumped up to the super quality of a sound board, and you can enjoy the long version of the sound drama that exceeds 14 minutes and 30 seconds (!!!) on this day with the best listening response ever. "Echoes" is a matrix of Recorder 1 and 2, which is also an extremely high quality sound. As you know, the title of the song on this day is introduced with a strange title that means "Looking Through The Knotholes In Granny's Wooden Leg", but the fact that this rare MC by Roger was recorded with the highest clarity ever is also a topic. Of course, the performance sound is also astonishingly high precision, and by carefully digitally restoring it, it is as close as possible to the original sound, and it is the strongest thick and transparent sound in the history of sound sources, and you can feel the power of the expression hidden in the performance of this day from an even closer position. The following "One Of These Days" will also amaze you with its thick, gritty, and direct ultra-high resolution sound. The extended scene in the middle (※ This day is unique!!) also suggests that there was still potential for the song, and the increase in the sense of drive after Nick's monologue also comes with a sharp high-resolution sound. "Set The Controls For The Heart Of The Sun" is a matrix of Recorders 2 and 3, and it also appears with tremendous sound clarity and full length as a record. The bass solo-like development that appears in the middle (※ Around 8 minutes 36 seconds) is also a big listening point, and the applause before and after the performance is also compensated for by the sound of the same position from Recorder 3, which is the only existing scene, connecting the flow of time that should be there with the best sound image. This is an exceptional upper feeling, and the power of the new stereo matrix sound. Not only has the sound quality been improved, but the texture has been reinforced to the point where you can feel the elegance of the music that was emitted by the live performance, which is truly dramatic. The way the sound you want to hear comes out firmly in front of you, and the careful matrixing of the two sources recorded on the same day delivers the subtleties of sound density to the finest detail, will surely be the deciding factor that makes you think, "I'm glad I bought it!!" The performance on this day is a 1972 Böblingen that jumps out with a bold attack and infinite precision never heard before. Live at Sporthalle, Boeblingen, West Germany 15th November 1972 PERFECT SOUND(UPGRADE) Disc 1 (50:59) The Dark Side Of The Moon 1. Speak To Me (R3+R2) 2. Breathe (R2) 3. On The Run (R2) 4. Time (R2) 5. Breathe (Reprise) (R2) 6. The Great Gig In The Sky (R2) 7. Money (R2) 8. Us And Them (R2) 9. Any Colour You Like (R2) 10. Brain Damage (R2) 11. Eclipse (R2) Disc 2 (65:52) 1. Careful With That Axe, Eugene (R3+R2+R1R2 Matrix) 2. Echoes (R1R2 Matrix) 3. One Of These Days (R1R2 Matrix+R2) 4. Set The Controls For The Heart Of The Sun (R2+R3) 1st set: Recorder 2(The Great Gig In Boblingen) & Recorder 3 2nd set: Recorder 1(Marbal's 2nd Gen) + Recorder 2 Stereo Matrix & Recorder 3
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