Earl's Court in 1994, which concluded PINK FLOYD's last world tour and produced "P.U.L.S.E." Introducing the best soundboard album that conveys the truth. At Earl's Court in 1994, 14 performances were held in 16 days from October 13th to October 29th, but this work includes "October 20th, 1994". This is the 7th concert, right in the middle. This show featured "Shine On You Crazy Diamond," "Breathe (In the Air)," "The Great Gig in the Sky," and "Comfortably Numb" in "P.U.L.S.E," as well as "High Hopes" and "Time / Breathe (Reprise)." Partially used in "Money" and "Us and Them". Furthermore, it was made into a video version of “P.U.L.S.E”, and it was a stage that could be said to be a symbol of “THE DIVISION BELL TOUR 1994”. However, these official works were "works" that had undergone numerous overdubbing and editing, and were different from the "truth." This work is the definitive soundboard that approaches that “truth”. [BBC FM broadcast that preserved the truth about Earl's Court] The soundboard that recorded the "truth" is a radio broadcast that was broadcast in 1994. This show was simultaneously broadcast on TV and radio on the prestigious BBC, and this work is an FM stereo broadcast on “BBC RADIO 1” (TV broadcasts at that time were monaural), which is full of the times for DJs. Of course, many air check masters have been known since that time, but this work is the highest master among them. We have previously introduced a number of top titles supervised by overseas FLOYD researchers, and this is the latest installment. It is a live album that has been remastered by the researcher himself after comparing many masters and selecting the master that was the best. The sound is iron-clad official grade, yet completely natural. There is actually an official work "P.U.L.S.E", but not only the CD version edited from multiple performances, but also the DVD version compiled on the same "October 20th" as this work, the sound is gorgeous with overdubs. It was decorated and the mix emphasized the three-dimensional effect. In contrast, this work is exactly as it was back then. Since it was broadcast immediately after the show, it had a freshly recorded feel, and the sound had a strong band feel. Best of all, there are no overdubs at all, and the balance and mix enhance the live feel and sense of the times because it is in real time, which is different from thinking it over later. Of course, it would be pointless if the result was a shoddy sound, but there is no need to worry about that in this work. After all, since it was a hugely successful tour by a hugely popular band that Britain is proud of, the prestige of the BBC was at stake in the mix and recording of the broadcast version, and it was one of the best in all music broadcasts in 1994. Furthermore, the finishing touches by researchers are backed by their deep knowledge and understanding of PINK FLOYD, and their taste is exquisite because they are familiar with the songs, history, significance, individuality, and taste. Although the broadcast itself was sufficiently official, the "real feeling" that emanates from this work is at a level that is full of elegance and dignity. [Live album that will be the real version of P.U.L.S.E] That “real feeling” doesn’t stop at the sound. As mentioned above, the CD version of "P.U.L.S.E" is just an edited work. Multiple performances from Earl's Court were used and even combined within one song, and performances in other countries such as Rome, Modena, and Hannover were also mixed in. On the other hand, this work is a single live show. Although it is comparable to the official work in terms of quality, the unaltered real live performance runs through the entire story. Of course, even compared to the video version of “P.U.L.S.E”, the mix of the scene itself is overwhelming and there are no overdubs. Since it is a radio broadcast, there are slight omissions between songs and overlapping DJs, but it also brings out the mood of 1994, and the important performance is exactly live. The first part (Disc 1), which depicts the most representative songs of all time, and the second part (Disc 2), which is a complete reproduction of "Madness" which was only performed 8 times worldwide, are full of once-in-a-lifetime brilliance, and are the "live version of P.U.L.S.E. ” I have no choice but to call it. It is a live album where the on-site PA sound of Earl's Court flows directly from the speakers. “THE DIVISION BELL TOUR” ended with these 14 performances at Earl’s Court. After that, there were some limited stages such as 1996 and 2005, but PINK FLOYD went into an eternal sleep without ever performing a huge full show again. This is an ultra-excellent stereo soundboard album that allows you to fully experience their final brilliance with a "real feeling". It is a great masterpiece of cultural heritage level that can be said to have the same value as "Tai" and "P.U.L.S.E." Live at Earls Court, London, UK 20th October 1994 STEREO SBD(BEST EVER!!!) BBC Radio 1 broadcast on 15th November 1994.Taken from the original off-air master cassettes. Disc 1 (73:03) 1. DJ Intro .2. Shine On You Crazy Diamond (Parts I-V) (and part VII, Recorded for "Pulse (Live)" album) 3. Learning to Fly 4. High Hopes (Recorded for "Pulse (Live)" album) 5. Take It Back 6. Coming Back to Life 7. Sorrow 8. Keep Talking 9. Another Brick in the Wall Part 2 10. One of These Days Disc 2 (73:18) The Dark Side of the Moon 1. Speak to Me 2. Breathe (Recorded for "Pulse (Live)" album) 3. On the Run (Recorded for "Pulse (Live)" album) 4. Time (Recorded for "Pulse (Live)" album) 5. Breathe (Reprise) (Recorded for "Pulse (Live)" album) 6. The Great Gig in the Sky (Recorded for "Pulse (Live)" album) 7. Money (Recorded for "Pulse (Live)" album) 8. Us and Them (Recorded for "Pulse (Live)" album) 9. Any Color You Like 10. Brain Damage 11. Eclipse 12. Wish You Were Here 13. Comfortably Numb (Recorded for "Pulse (Live)" album) 14. Run Like Hell 15. DJ Outro. STEREO SOUNDBOARD RECORDING
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