Pink Floyd/England,UK 1972 Upgrade
Pink Floyd/England,UK 1972 Upgrade
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A historic night when the "Early DARK SIDE OF THE MOON" was played in its entirety for the first time. The legendary recording that has told the whole story has been brushed up. It has been decided to release it as a highest peak updated sound CD polished by "GRAF ZEPPELIN". What is engraved in this work is "Portsmouth performance on January 21, 1972". It is an exquisite audience recording. Speaking of "DARK SIDE OF THE MOON Tour", it is a monumental tour that shines specially in Floyd's history, and the degree of evolution of "Madness" that changed from time to time is also a highlight. First of all, let's organize the collection from the activity outline at that time and explore the position of this work. 1972 ・January 17-19: Rehearsals ・January 20-February 20: UK (16 shows) ←★Here★ ・March 6-13: Japan (6 shows) ←※SAPPORO 1972, etc. ・March 29+30: Manchester (2 shows) ・April 14-May 4: North America #1 (17 shows) ←※CARNEGIE HALL 1972 ・May 18-June 29: Europe #1 (5 shows) ←※BRIGHTON 28TH JUNE 1972 {May 31st: Recording of "Madness" begins} ・September 8-30: North America #2 (17 shows) ←※※HOLLYWOOD BOWL 1972, etc. ・October 21-December 10: Europe #2 (23 shows) ←※ZURICH 1972 MATRIX, etc. 1973 January 13-February 4: Paris (4 performances) {"Madness" completed on February 9th → released on March 1st} March 4-24: North America #3 (16 performances) ←※DEFINITIVE BOSTON 1973, etc. May 18 + 19: London (2 performances) ←※EARLS COURT 1973 2ND NIGHT, etc. June 17-29: North America #4 (13 performances) ←※TAMPA 1973, etc. October 12-November 4: Europe #3 (4 performances) ←※RAINBOW 1973, etc. *Note: Only representative titles for each leg. This is the whole picture of the "DARK SIDE OF THE MOON Tour". This work was the first act of "British" at the beginning. This period was also popular for being able to listen to the very early version of "Madness", and various masterpieces have been unearthed. Let's focus on the dates further here. Details of the "UK" leg * January 20th "BRIGHTON JANUARY 1972 REVISITED" * January 21st: Portsmouth performance ← ★ This work ★ ・ January 22nd-February 13th (10 performances) * February 17th "RAINBOW THEATRE 1972 1ST NIGHT" ・ February 18th: Rainbow Theater performance * February 19th "RAINBOW THEATRE 1972 3RD NIGHT" * February 20th "THE BEST OF TOUR 72" ... and so on. The Portsmouth performance of this work was the very early stage of the second performance of the tour. The first day's Brighton performance was the world premiere of "Madness", but during that, equipment trouble occurred. The performance stopped at "Money" (you can enjoy the pattern on our "Sigma 254"). And the next day in Portsmouth, the complete performance of "Madness" was finally realized. This work is a live album where you can enjoy the "world's first complete form". Such a historic show first became known with "ECLIPSED BY THE MOON", but this work updates the highest peak of that legendary recording. The base is the same 4th generation master as the previous edition, but it is a work that "GRAF ZEPPELIN" has polished once back to the source sound source. Some people may think "What, 4th generation?" here, but this is not to be underestimated at all. It is the famous "Marval Collection" among Floyd collectors, and is still the best master that cannot be surpassed. Currently, not only "ECLIPSED BY THE MOON" but also "2nd generation DAT" is on the market, but frankly speaking, this work sounds incomparably better. I have no intention of lying, so I will tell you "4th" as the public information, but if you listen to only the sound, you will believe it even if it is said to be 1st generation. Moreover, this work carefully polishes the highest peak master. Parts where the volume had changed in the previous album (such as the latter half of One of These Days) have been properly adjusted, and the balance has been adjusted based on the frequency band analysis. The somewhat harsh hiss noise has also been alleviated, making it much easier to listen to. Even more effective is the periodic "crackle" noise. In terms of volume, it can be heard by listening carefully with headphones, roughly once every three seconds. It is so subtle that it can be mixed in with the applause and performance sounds at the scene, but "GRAF ZEPPELIN" carefully examines each one. If it is a sound from the scene, it is left, and if it is noise, it is corrected with an obsession to remove it cleanly. With such a high-end sound, "The Original DARK SIDE OF THE MOON" is depicted, which is different from "BRIGHTON JANUARY 1972 REVISITED" on the first day of the tour. For example, "Any Colour You Like" has no synth solo and progresses with a talking modulator, so it's an early arrangement of "Madness", but it has already changed overnight since the premiere in Brighton the day before. The difference between "The Travel Sequence" and "Breathe (Reprise)" is particularly clear, each of which is nearly one minute shorter, and "Breathe (Reprise)" also has lyrics. And the must-listen is from "Money" onwards. In a complete reversal from the previous day, which was interrupted by equipment trouble, this work has been performed all the way to the end. The last "Eclipse" is not yet there, and the song collapses with sirens and sound effects and ends. You can experience the scene where such a dawn ending was played for the first time in the world. Truly a cultural heritage. This is the world's first "Madness". It is the original form of a great masterpiece that shines brilliantly in rock history. This is a live album where you can experience such a unique scene with the highest peak sound in history. A supreme two-disc set in which "GRAF ZEPPELIN" has polished the best master of the Marval Collection. A legendary audience recording of the "Portsmouth performance on January 21, 1972", where "The Dark Side of the Moon" was played in full for the first time. The best master excavated from the "Marval Collection" has been polished by "GRAF ZEPPELIN" to create the highest peak update. While faithful to the basics such as volume/balance adjustment, pitch correction, and various noises, it was carried out with unprecedented obsessive precision. This live album is nothing but a cultural heritage where you can enjoy the complete form of the earliest type of "The Dark Side of the Moon" in history. This is the best version of Marval's 4th Gen that is currently in circulation in terms of freshness. It is a live performance that appeared on the Highland album "Eclipsed By The Moon" in the late '90s, but the sound quality of this version is suddenly better. (By the way, the 2nd Gen version of the same sound source is also circulating among traders, but it is clearly a less fresh sound.) * The overall volume balance has been adjusted. * The previous version only had a large amount of freshness at the beginning of the live performance and in the second half of "Blow Wind", but the frequency balance has been corrected without losing that balance. The intense hiss has been somewhat alleviated (only to a certain extent). The crackling noise that was present throughout the album has been pinpoint removed. Guildhall, Portsmouth, UK 21st January 1972 PERFECT SOUND(UPGRADE) ★First complete performance of "Madness" Disc 1 (43:45) The Dark Side Of The Moon 01. Speak to Me 02. Breathe 03. The Travel Sequence 04. Time 05. Breathe(Reprise) 06. The Mortality Sequence 07. Money 08. Us And Them 09. Any Colour You Like 10. Brain Damage ★Eclipse was not played yet at this time Disc 2 (70:24) 01. Tuning Up 02. One of These Days 03. Set The Controls For The Heart Of The Sun 04. Echoes 05. A Saucerful Of Secrets
A historic night when the "Early DARK SIDE OF THE MOON" was played in its entirety for the first time. The legendary recording that has told the whole story has been brushed up. It has been decided to release it as a highest peak updated sound CD polished by "GRAF ZEPPELIN". What is engraved in this work is "Portsmouth performance on January 21, 1972". It is an exquisite audience recording. Speaking of "DARK SIDE OF THE MOON Tour", it is a monumental tour that shines specially in Floyd's history, and the degree of evolution of "Madness" that changed from time to time is also a highlight. First of all, let's organize the collection from the activity outline at that time and explore the position of this work. 1972 ・January 17-19: Rehearsals ・January 20-February 20: UK (16 shows) ←★Here★ ・March 6-13: Japan (6 shows) ←※SAPPORO 1972, etc. ・March 29+30: Manchester (2 shows) ・April 14-May 4: North America #1 (17 shows) ←※CARNEGIE HALL 1972 ・May 18-June 29: Europe #1 (5 shows) ←※BRIGHTON 28TH JUNE 1972 {May 31st: Recording of "Madness" begins} ・September 8-30: North America #2 (17 shows) ←※※HOLLYWOOD BOWL 1972, etc. ・October 21-December 10: Europe #2 (23 shows) ←※ZURICH 1972 MATRIX, etc. 1973 January 13-February 4: Paris (4 performances) {"Madness" completed on February 9th → released on March 1st} March 4-24: North America #3 (16 performances) ←※DEFINITIVE BOSTON 1973, etc. May 18 + 19: London (2 performances) ←※EARLS COURT 1973 2ND NIGHT, etc. June 17-29: North America #4 (13 performances) ←※TAMPA 1973, etc. October 12-November 4: Europe #3 (4 performances) ←※RAINBOW 1973, etc. *Note: Only representative titles for each leg. This is the whole picture of the "DARK SIDE OF THE MOON Tour". This work was the first act of "British" at the beginning. This period was also popular for being able to listen to the very early version of "Madness", and various masterpieces have been unearthed. Let's focus on the dates further here. Details of the "UK" leg * January 20th "BRIGHTON JANUARY 1972 REVISITED" * January 21st: Portsmouth performance ← ★ This work ★ ・ January 22nd-February 13th (10 performances) * February 17th "RAINBOW THEATRE 1972 1ST NIGHT" ・ February 18th: Rainbow Theater performance * February 19th "RAINBOW THEATRE 1972 3RD NIGHT" * February 20th "THE BEST OF TOUR 72" ... and so on. The Portsmouth performance of this work was the very early stage of the second performance of the tour. The first day's Brighton performance was the world premiere of "Madness", but during that, equipment trouble occurred. The performance stopped at "Money" (you can enjoy the pattern on our "Sigma 254"). And the next day in Portsmouth, the complete performance of "Madness" was finally realized. This work is a live album where you can enjoy the "world's first complete form". Such a historic show first became known with "ECLIPSED BY THE MOON", but this work updates the highest peak of that legendary recording. The base is the same 4th generation master as the previous edition, but it is a work that "GRAF ZEPPELIN" has polished once back to the source sound source. Some people may think "What, 4th generation?" here, but this is not to be underestimated at all. It is the famous "Marval Collection" among Floyd collectors, and is still the best master that cannot be surpassed. Currently, not only "ECLIPSED BY THE MOON" but also "2nd generation DAT" is on the market, but frankly speaking, this work sounds incomparably better. I have no intention of lying, so I will tell you "4th" as the public information, but if you listen to only the sound, you will believe it even if it is said to be 1st generation. Moreover, this work carefully polishes the highest peak master. Parts where the volume had changed in the previous album (such as the latter half of One of These Days) have been properly adjusted, and the balance has been adjusted based on the frequency band analysis. The somewhat harsh hiss noise has also been alleviated, making it much easier to listen to. Even more effective is the periodic "crackle" noise. In terms of volume, it can be heard by listening carefully with headphones, roughly once every three seconds. It is so subtle that it can be mixed in with the applause and performance sounds at the scene, but "GRAF ZEPPELIN" carefully examines each one. If it is a sound from the scene, it is left, and if it is noise, it is corrected with an obsession to remove it cleanly. With such a high-end sound, "The Original DARK SIDE OF THE MOON" is depicted, which is different from "BRIGHTON JANUARY 1972 REVISITED" on the first day of the tour. For example, "Any Colour You Like" has no synth solo and progresses with a talking modulator, so it's an early arrangement of "Madness", but it has already changed overnight since the premiere in Brighton the day before. The difference between "The Travel Sequence" and "Breathe (Reprise)" is particularly clear, each of which is nearly one minute shorter, and "Breathe (Reprise)" also has lyrics. And the must-listen is from "Money" onwards. In a complete reversal from the previous day, which was interrupted by equipment trouble, this work has been performed all the way to the end. The last "Eclipse" is not yet there, and the song collapses with sirens and sound effects and ends. You can experience the scene where such a dawn ending was played for the first time in the world. Truly a cultural heritage. This is the world's first "Madness". It is the original form of a great masterpiece that shines brilliantly in rock history. This is a live album where you can experience such a unique scene with the highest peak sound in history. A supreme two-disc set in which "GRAF ZEPPELIN" has polished the best master of the Marval Collection. A legendary audience recording of the "Portsmouth performance on January 21, 1972", where "The Dark Side of the Moon" was played in full for the first time. The best master excavated from the "Marval Collection" has been polished by "GRAF ZEPPELIN" to create the highest peak update. While faithful to the basics such as volume/balance adjustment, pitch correction, and various noises, it was carried out with unprecedented obsessive precision. This live album is nothing but a cultural heritage where you can enjoy the complete form of the earliest type of "The Dark Side of the Moon" in history. This is the best version of Marval's 4th Gen that is currently in circulation in terms of freshness. It is a live performance that appeared on the Highland album "Eclipsed By The Moon" in the late '90s, but the sound quality of this version is suddenly better. (By the way, the 2nd Gen version of the same sound source is also circulating among traders, but it is clearly a less fresh sound.) * The overall volume balance has been adjusted. * The previous version only had a large amount of freshness at the beginning of the live performance and in the second half of "Blow Wind", but the frequency balance has been corrected without losing that balance. The intense hiss has been somewhat alleviated (only to a certain extent). The crackling noise that was present throughout the album has been pinpoint removed. Guildhall, Portsmouth, UK 21st January 1972 PERFECT SOUND(UPGRADE) ★First complete performance of "Madness" Disc 1 (43:45) The Dark Side Of The Moon 01. Speak to Me 02. Breathe 03. The Travel Sequence 04. Time 05. Breathe(Reprise) 06. The Mortality Sequence 07. Money 08. Us And Them 09. Any Colour You Like 10. Brain Damage ★Eclipse was not played yet at this time Disc 2 (70:24) 01. Tuning Up 02. One of These Days 03. Set The Controls For The Heart Of The Sun 04. Echoes 05. A Saucerful Of Secrets