Paul McCartney/UK 2018 3 Days IEM Rec. Dual Layer Ver.

The three performances in his native England, where his collaborations with Ringo and Ronnie became a hot topic and became the highlights of 2018, are now reprinted as a set of the best footage. This work contains all the performances in his native England, "Liverpool on December 12, 2018", "Glasgow on December 14, 2018", and "London on December 16, 2018". This is a compilation of the "ORIGINAL VIDEO MASTER" series, which was a huge hit as a superb video of each show. This series is truly exquisite. It is an audience shot by a Japanese person who went to England, but it is synchronized with the superb sound of in-ear monitors (IEMs). It was a masterpiece trilogy that is in a different dimension from the many videos. This work is a re-press of the trilogy. It is a three-disc set that covers all the British highlights in one go. Let's introduce each one. [Disc 1: Liverpool performance on December 12, 2018] First of all, the first day of the triumphant return to his home country, the Liverpool performance. A superb audience shot from a diagonal angle looking down from the stand on the left side of the stage. There are many slightly pulled-back angles, and the image has a sense of scale that captures the entire spectacle of the venue. The superb sound of the IEMs instantly doubles the persuasiveness of the image. At the time, this image was introduced on DVD with the camera sound as it was, and although the outline of the performance was recorded, it was somewhat lacking in thickness. However, the upper feeling due to the ultra-clear sound of the IEMs in this work is intense. It is suddenly more impressive. The Liverpool performance depicted with such quality is the best. As mentioned above, there are not many images of the entire stage, but still, important scenes are firmly captured everywhere, and the zoom is excellent. For example, in "Come On to Me", when returning from the break of the performance, Paul's figure playing while always looking at the bass is displayed. I see, you decide the phrase while looking at the timing every time. And when it comes to the corner of acoustic songs, the zoom is much more stable and wonderful scenes can be seen everywhere. In the MC before "I've Just Seen a Face," Paul touches a board held up by a cool audience member who said, "I came all the way from Kansas City, Hey Hey Hey!", which is a reference to the Beatles song title, and the conversation escalates to the point where he says, "It's the best in Japanese!" During the next song, "In Spite of All the Danger," Paul tells us that Colin Hanton, the drummer of the band (the predecessor of the Beatles) that recorded the song, is coming to watch the live show. The drummer, Abe, is the focus of attention in this part. In the Beatles classic "From Me To You," which was the highlight of 2018, he harmonizes with Paul while playing the standing drums. In addition, "Dance Tonight," which was revived after the Japan tour, is not only performed in an unexpected formation with the standing drums set up, but Abe's brilliant dance has also been revived and upgraded for the first time in a long time, as he is no longer sitting at the drum kit. The audience was very excited. Harry Wyatt, who starred in the music video for "Fuh You", also came to watch the Liverpool show, and when Paul told him, he was caught on the screen. In addition, the encore "I Saw Her Standing There" also shows the two winners of the campaign to sing with Paul on stage, and it is amazing to see them singing on stage in front of Paul. [Disc 2: Glasgow performance on December 14, 2018] The second UK performance is Glasgow. The angle of this video is excellent. Definitely the best of the three performances. It was filmed from the front of the arena, and the power is worth seeing from the opening. The angle is reminiscent of the masterpiece "RYOGOKU KOKUGIKAN 2018 DEFINITIVE VIDEO MASTER" from last year's Japan tour. Because it is shot from such a position, the surroundings of the camera are not settled for a while after the start of the show, but it becomes easier to see at once from "Who Cares". From here, the whole Glasgow performance is documented from a magnificent angle that is not inferior to both countries. The reason why it became easier to see from "Who Cares" is because of the phenomenon unique to overseas performances, namely "a light reaction to new songs". Paul himself said during a recent live performance, "When we play Beatles songs, the lights of the mobile phones shine from the audience and it's beautiful like a galaxy, but when we play new songs, it gets dark and looks like a black hole", a familiar phenomenon that is also a MC's material. This is actually happening on this day, and because of that, the front of the camera is open. It becomes even easier to see from "My Valentine", and thanks to that, the exchanges in the acoustic song corner are a masterpiece with a splendid clear view. On this day, thanks to an audience member holding a signboard with "Ichiban" written on it just in front of the photographer, Paul introduced the "Japanese de saikō" episode while looking at the camera. This is nothing short of amazing. You can feel the realism as if you were witnessing the Glasgow stage with your own eyes and Paul was speaking to you. Also, "Blackbird" is where you can feel the power of IEMs sound. Before the performance, Paul explains the circumstances of the song being written, but when he gets fed up with the unexpectedly quiet venue and says "shut up!", his (for a moment) sulky expression is captured, which is unique to the video. This is quite an amazing scene. Furthermore, the reaction of Glasgow to "Queenie Eye" is much slower than the Japanese performance. After the song, Paul makes the self-deprecating MC "It's like a black hole," but he still has plenty of composure, like "Well, it can't be helped." Indeed, from these scenes, it can be seen that Paul has liked Japan in recent years, where new songs are always well received. Furthermore, when it comes to "Fuh You" and "Hey Jude," the angle is deliberately pulled, and the MV projected on the screen behind the stage and the enthusiasm of the audience are captured together, as if you were in the front seats of the arena in Glasgow. Moreover, it is also interesting to see the staff running around trying to calm the synth sound that does not stop even after the latter is over. [Disc 3: London performance on December 16, 2018] Of course, the show ends with London's O2 Arena. This is the ultimate show where a big surprise occurred during the encore. Like the Liverpool performance on Disc 1, it was shot from the stands, almost in the front position. Although the panoramic angle is somewhat noticeable, the image quality is extremely clear and gives you a realistic sense of presence as if you were watching from the stands of the O2 Arena. What's even more amazing is the sense of stability. The stability of this work's three performances is outstanding, and the screen is never blocked by the audience throughout the entire live performance. It is an exceptional shot that can be seen stably from the opening to the ending. On the other hand, the angle of the audience shot, which is effective in close-ups, tends to be biased towards Paul, but rather, thanks to the full view of the stage, the stage direction that is usually overlooked is rather fresh. For example, while playing "I've Got a Feeling", you can clearly see the production where a large number of speakers are projected on the stage screen. And from the acoustic song part, the frequency of close-ups increases, making it even more enjoyable. It is refreshing to see not only Paul, but also the band members who usually tend to be off the screen. In particular, Wicks, who plays the harmonica in "From Me To You", shows a rather funny movement when he is not on stage, which is a nice touch. However, when it comes to London, the surprise in the encore is the one. The opening song was "Wonderful Christmastime", but this time the Capital Children's Choir was asked to sing the chorus. The way the stage is filled with a choir of children is captured firmly with a composition unique to this angle, which is already spectacular. The lively chorus feels even more real with the IEMs sound, which is a world apart from the DVD with camera sound. And "Get Back" from Ringo and Ronnie Wood's appearance, which delighted enthusiasts all over the world, is interesting because it is like an isolated island on the stage, even though the whole picture shows that a drum kit for Ringo was specially installed on the stage. In addition, this disc includes a bonus video of the co-starring "Get Back" from a closer angle. You can experience the miraculous scene in detail from a closer perspective. The three UK performances were the highlights of 2018. This is a masterpiece that records the whole picture with the best original video and IEMs sound. Not only those who missed out on getting it at the time, but also those who were satisfied with only the final performance have a chance to complete the three performances at once. The ecstasy of the miraculous co-starring increases many times over by going through the three performances. A three-disc set that will forever preserve that climax. Echo Arena, Liverpool, UK 12th December 2018 The SSE Hydro, Glasgow, Scotland 14th December 2018 The O2 Arena, London, UK 16th December 2018 Original In-Ear Monitor Recording (from Original Masters) Disc 1(182:56) LIVERPOOL 2018 Live at Echo Arena, Liverpool, UK 12th December 2018 1. Intro 2. A Hard Day's Night 3. 's Farm 4. All My Loving 5. Letting Go 6. Who Cares 7. Got to Get You Into My Life 8. Come On to Me 9. Let Me Roll It 10. I've Got a Feeling 11. Let 'Em In 12. My Valentine 13. Nineteen Hundred and Eighty-Five 14. Maybe I'm Amazed 15. I've Just Seen a Face 16. In Spite of All the Danger 17. From Me to You 18. Dance Tonight 19. Love Me Do 20. Blackbird 21. Here Today 22. Queenie Eye 23. Lady Madonna 24. Eleanor Rigby25. Fuh You 26. Being for the Benefit of Mr. Kite! 27. Something 28. Ob-La-Di, Ob-La-Da 29. Band on the Run 30. Back in the U.S.S.R. 31. Let It Be 32. Live and Let Die 33. Hey Jude 34. Birthday 35. I Saw Her Standing There 36. Wonderful Ch