Paul McCartney/Tokyo,Japan 2018 3Days Upgrade

The upper version of "TOKYO DOME 2018 1ST NIGHT: DEFINITIVE VIDEO MASTER" and "KOKUGIKAN 2018: DEFINITIVE VIDEO MASTER", which recorded Paul's first day at Tokyo Dome and Kokugikan performance with shocking ultra-high quality shots, is now available. The audio for these two works was recorded from a video camera and microphone, and was of good quality, but this edition uses completely different high-quality original masters that are perfectly synchronized for both performances. Therefore, it was given the subtitle ``New Improved Audio Edition,'' which goes beyond ``DEFINITIVE VIDEO MASTER.'' By adding high-quality audio to the excellent video, its appeal is doubled! You can enjoy it from start to finish without any stress. Furthermore, the only shortcoming of “KOKUGIKAN 2018: DEFINITIVE VIDEO MASTER”, the missing intro of “Come On to Me”, was carefully compensated for from a separate video. Now it's in perfect condition. Furthermore, this time, the same photographer provided footage of the second day's performance at the Dome, which will be recorded on Disc 2. This is a 130-minute long take, but includes a 100-minute concert digest in addition to a 30-minute intro video before the concert starts. However, the almost frontal camera angle from the B10 block of the arena can be said to be the best shot of the three performances! The audio is from the video camera and microphone, which are also good enough. Please read the explanation below for the content of each performance shot, but in any case, this is an unprecedented ultra-high quality project, and it would be impossible for a Paul fan not to see it. This is a special title. (This is a super-large, high-quality project with 3 performances and a total of 420 minutes.) ?First day at the Dome Last week's "TOKYO DOME 2018 1ST NIGHT: DEFINITIVE VIDEO MASTER”. The powerful angle, worthy of the title Definitive, was very popular. The footage, which was filmed from the arena in such a difficult environment (the angle was on the right), was truly amazing, and many enthusiasts couldn't help but lean in to see the close-ups that were seen everywhere. As I mentioned last week, the best example of this was the close-up of Paul's profile as he sang "Nineteen Hundred And Eighty-Five" while playing the piano. ” But some wonderful close shots were taken. Another outstanding point of this video is that the angle does not always show Paul, but the facial expressions of the band members and the solos are captured from time to time. It must be attractive. As I mentioned last week, the culmination of this is the decisive moment when Brian finishes swinging the tambourine and throws it toward us during "Hey Jude," and no matter how many times I watch it, it's an extremely realistic and exciting scene. . It is a video that has great appeal, and has already become a bestseller, but if I had to pick a drawback, it would be the audio. The performance was clearly captured, but the sound quality was clearly picked up by the camera's microphone, which had a narrow range, and it also had a slightly crisp texture. However, this time, we reviewed the audio from the previous version, which was a speed release after the concert, and replaced it with an audience recording that was recorded at the same time by the photographer (how skillful!). As expected, the difference in sound quality is obvious. You can hear it with a clear and rich spaciousness that is incomparable to the audio of the original video. Regarding the tone of Paul's voice, it seemed to be at its peak on this day compared to other days, but when I looked at it again, it seemed like he wasn't at his best from around "Let 'Em In", and the show In the second half, it sounds like you're getting tired. As already proven by the prestigious masterpiece “CLOSED SOUNDCHECK AT TOKYO DOME 10.30.2018”, perhaps the over-excitement in the rehearsal the previous day has died down. Of course, it was recorded at the same time as the video was shot, so the boy's funny voice that you hear after "Fuh You" ("Ichiban!" etc.) is clearer (lol) It's really stressful. She's not that kind of person, but rather her adorable voice makes me feel warm. Regarding the sound quality this time, the sound of Abe's bass drum is a little strong, and the sound image itself is not in a state that can be compared to "as if it were a sound board." Rather, this recording that maintains a reasonable sense of distance is perfect for the video. The excitement of the first day at the Dome is even more realistic by adding the audio to the video, which is already filled with the feeling of ``as if you were watching the live performance'', which is the advantage of audience shot video. It has been reborn as an upper version that will revive you! ?2nd day at the Dome When releasing this upper audio version, the disc that was recorded or added as a bonus between the first day of Tokyo Dome and Ryogoku Kokugikan is the footage from the second day at Tokyo Dome. This is also an audience shot taken by the same person as the other two days. The reason why it is included as a bonus for this release is that some songs are not included. This was not due to a failure in filming, but rather, according to the photographer, the complete recording was successful on the first day and the composition of the set list was understood, so on the second day the aim was to film mainly the daily songs. In other words, it was not assumed that it would be completely recorded from the beginning. On the other hand, on this day, the venue before the performance was recorded for 30 minutes. He continues to capture the images shown on the screen next to the stage. If you were at the venue on the day of the event, you would probably be distracted by this video, but you would probably not look at it closely, so this is surprisingly interesting. Starting from the 1967 Sgt Pepper's release party, from the Beatles era to Paul after the group disbanded, you will be captivated by the collages of rare photos taken by Linda throughout. There's even a rare photo of John during the recording of the White Album. On the other hand, although the live performance is "missing", it is still 100 minutes long and is definitely worth watching. Besides, the angle is really great. The shot taken from Arena B block was an excellent angle that captured Paul and the band members from the front of the stage. Even if it doesn't reach the shocking close-ups like the previous day, you can still enjoy it without getting tired of watching it. For example, the “pole kick” scene in the break of “Love Me Do” is perfect. It's also fun to be captivated by the richness of Abe's facial expressions as he plays the drums behind Paul throughout the video. The best part is the scene where part of the drum set seems to have become unstable while playing "Who Cares", and he calls a roadie to fix the broken part. What's amazing is that Abe continues to play a perfectly accurate rhythm while conveying the problem in Rhodey's ear, and Rhodey is also shown responding extremely calmly to his report. amazing. On the day of the live performance, everyone focuses on Paul, and it is only through video that you can see these happenings again. On this day, there was a funny incident in which Paul also sang "Eleanor Rigby" again, but that part was missing due to the digest shooting concept, so the now familiar gift DVD-R "TOKYO DOME" Patch from 2018 2ND NIGHT: THE VIDEO. It quickly returns to the original image, but the angle there is also excellent. It captures the Japanese translation of the excuse for redoing the pole displayed on the screen. If you were watching the live performance that day, you'll feel like you're experiencing a flashback. And, including the part before the performance, it is a total of 130 minutes of footage, and the scenes of “Junior’s Farm” and “Got To Get You Into My Life”, which were the highlights of the day, are all included. Furthermore, if you compare the song “Let 'Em In” with the first day, it is clear that the pole is in better shape on the second day. Rather, it is a video packed with charm that is different from other days. ?Kokugikan ``KOKUGIKAN 2018: DEFINITIVE VIDEO MASTER'', released last week, recreates the most talked-about gig of this visit to Japan with a single camera but with a powerful angle, and the audience shot video that left enthusiasts stunned. It is a shocking video that deserves the word "definitive" more than the first day of Tokyo Dome, which was released at the same time. You will feel as if you are watching from the front of the first floor of the Kokugikan, with an amazing sense of realism and amazing close-ups. However, it was a clear and excellent video that let those who couldn't attend or the maniacs who were listening to the sound leak outside the venue (unlike Budokan, it didn't leak as expected) to relive it. As I mentioned at the time of last week's release, he immediately caught the scene when the horn group appeared in "Letting Go"...This kind of sense of angle is different from other videos of Paul's visit to Japan. He has a clear sense of line. This video was also the same as the audio that was recorded when the video was recorded when it was released last week, and although the clarity of the venue was not that great, perhaps due to the smallness of the Kokugikan venue, it was recorded with quite a powerful sound. I was there. Although that audio was at a level that was sufficient to withstand viewing, I replaced it with an audience recording that was recorded at the same time as the photographer was shooting, just like the upper version of the first day of Tokyo Dome that was released at the same time. It's true that I was able to enjoy the sound from that camera, but this separately recorded sound has added clarity and spaciousness that wasn't there before, making it an absolutely superior version. Due to the nature of the camera audio, last week's version had a slightly lumpy texture (which resulted in poor clarity), but with the replaced audio, the result is suddenly much clearer. At the same time, a shocking earphone sound source from the Kokugikan gig will be released, and this one has a realism that can only be achieved by audience recording, and it fits the video very well. The biggest drawback of this amazing audience shot video is that I missed the beginning of “Come On to Me”. Because of this, he couldn't see the repeated chants of "Ichiban!" that were the intro to Japanese Special. Therefore, for this week's release of the upper version, we have smoothly patched the take of "RYOGOKU KOKUGIKAN 2018: THE VIDEO", which was released a little earlier and became a bestseller, so that you can finally watch it without interruption! It can be said that it is essentially an edit that combines the best parts of the two audience shots. And since I had missed filming this scene, the audio was also cut off, but thanks to the separate recording audience, it was completely recorded. This is the undisputed upper version of "DEFINITIVE VIDEO MASTER", which has an outstandingly powerful angle that stunned enthusiasts! Disc 1(152:36)　Live at Tokyo Dome, Tokyo, Japan 31st October 2018New Improved Audio Edition　*Original Audio replaced by superior audio track★A17 block　★The previous work was the microphone audio of the video camera, but this time it is high quality and Synchronized recording of different sound sources. 1. Intro 2. A Hard Day's Night 3. Hi, Hi, Hi 4. All My Loving 5. Letting Go 6. Who Cares 7. Come On to Me 8. Let Me Roll It 9. I've Got a Feeling 10 Let 'Em In 11. My Valentine 12. Nineteen Hundred and Eighty-Five 13. Maybe I'm Amazed 14. I've Just Seen A Face15. In Spite of All the Danger 16. From Me to You 17. Love Me Do 18. Blackbird 19. Here Today 20. Queenie Eye 21. Lady Madonna 22. Eleanor Rigby 23. Fuh You 24. Being for the Benefit of Mr. Kite! 25. Something 26. Ob-La-Di, Ob-La-Da 27. Band on the Run28. Back in the USSR 29. Let It Be 30. Live and Let Die 31. Hey Jude 32. Yesterday 33. Sgt Pepper's Lonely Hearts Club Band (Reprise) 34. Helter Skelter 35. Golden Slumbers / Carry That Weight / The End COLOUR NTSC Approx.153min . Disc 2(130:01) Live at Tokyo Dome, Tokyo, Japan 1st November 2018 ★Arena B10 block ★First appearance video. The audio source is from the video camera's microphone. 1. Pre-Show★30 minute recording 2. Intro 3. A Hard Day's Night 4. Junior's Farm 5. Can't Buy Me Love 6. Letting Go 7. Who Cares 8. Got To Get You Into My Life 9. Come On to Me 10. Let 'Em In 11. We Can Work It Out 12. In Spite Of All the Danger 13. From Me To You 14. Love Me Do 15. Blackbird 16. Here Today 17. Lady Madonna 18. Eleanor Rigby (insert video at the beginning) 19. Fuh You 20. Being For The Benefit Of Mr Kite! 21. Ob-La-Di, Ob-La-Da 22 Band On The Run 23. Live and Let Die 24. Encore Break 25. I Saw Her Standing There 26. Sgt Pepper's Lonely Hearts Club Band (Reprise) 27. Golden Slumbers/Carry That Weight/The End (first half is inserted video) COLOR NTSC Approx.130min. Disc 3(135:47) Live at Ryogoku Kokugikan, Tokyo, Japan 5th November 2018 New Improved Audio Edition *Original Audio replaced by superior audio track ★Arena B2 block ★In the previous work, the audio was from the video camera's microphone, but this time, a high quality, separate sound source was recorded in sync. (The sound quality is much better than the original video microphone recording.) 1. Intro 2. A Hard Day's Night 3. Hi, Hi, Hi 4. All My Loving 5. Letting Go 6. Come On to Me (★16:40 -17:50 70 seconds are supplemented from previously released footage 7. Let Me Roll It 8. I've Got a Feeling 9. My Valentine 10. Nineteen Hundred and Eighty-Five 11. I've Just Seen a Face 12. In Spite of All the Danger 13. From Me to You 14. Love Me Do 15. Blackbird 16. Queenie Eye 17. Lady Madonna 18. Fuh You 19. Being for the Benefit of Mr. Kite! 20. Something 21. Ob-La-Di, Ob-La-Da 22. Band on the Run 23. Back in the U.S.S.R. 24. Let It Be 25. Live and Let Die 26. Hey Jude 27. I Saw Her Standing There 28. Sgt. Pepper's Lonely Hearts Club Band (Reprise) 29. Helter Skelter 30. Golden Slumbers / Carry That Weight /The End COLOUR NTSC Approx.136min. COLOUR NTSC Approx.419min. (TOTAL)