For two weeks in a row, we will be releasing wonderful footage from the Ryogoku Kokugikan gig. "RYOGOKU KOKUGIKAN 2018: THE VIDEO" had an attractive audience shot with a powerful angle from the second floor seats, but this time we have independently obtained footage that was shot from the first floor seats. As I wrote last week, I was able to take photos like this at the Kokugikan gig, where the venue was small and the attendants were noisy. Moreover, the image quality is clear. This is the same clearness as UXBRIDGE's "TOKYO DOME 2018 1ST NIGHT: THE VIDEO" released last week. If that's the case, I can definitely say that the video is worth seeing on its own, but what's even more amazing is the amazing close-up. The close-up shots that can be seen almost every other song are on par with professional shots, or give the illusion that you are watching regular TV. For the reasons mentioned above, just being able to take pictures is worthy of praise, but I think this can be called a major success. For example, there is a close-up of Paul's face seen in "Let Me Roll It" in the first half of the show, or a close-up of his expression as he shouts while overlooking the exciting venue in "Helter Skelter" at the end. It's truly a wonderful video to watch. Even more so if it's a Ryogoku gig instead of Tokyo Dome. Of course, even though it was shot with one camera, the angles that reacted to the scene were also great. This is a common advantage with "TOKYO DOME 2018 1ST NIGHT: DEFINITIVE VIDEO MASTER" which will be released at the same time, but first of all, the faces of the people on the stage do not look white, which is common when shooting from the audience seats. , you can clearly see their facial expressions. At the same time, when the spotlight falls on members other than Paul, they try to capture it properly. Regarding this video, it clearly captures the horn group that appeared from the side of the venue during "Letting Go". Isn't this amazing? It would have been impossible to do so without shooting from the first floor seats, and there are no audience shots of Tokyo Dome up to the appearance of the horns on YouTube. The close-up of Paul is amazing, and the angle is also clever. Originally, it could have been released as a press edition. However, the biggest reason that hindered this was the trouble of not filming the beginning of "Come On To Me", that is, the intro part of "Ichiba Bang Bang Ba Bang!" that was added in Japan. This is truly missed as the audience shots were of amazing quality throughout. On the other hand, there are many other things to see. ★Unprecedented ultra-high quality video. A miraculous title that will remain in Paul video history suddenly appears! On this Japan tour, I can say with certainty that there is nothing that can surpass this video. impact! ! ! Live at Ryogoku Kokugikan, Tokyo, Japan 5th November 2018 MIRACLE SHOT!!!!(134:18) 1. Intro 2. A Hard Day's Night 3. Hi, Hi, Hi 4. All My Loving 5. Letting Go 6. Come On to Me 7. Let Me Roll It 8. I've Got a Feeling 9. My Valentine 10. Nineteen Hundred and Eighty-Five 11. I've Just Seen a Face 12. In Spite of All the Danger 13. From Me to You 14. Love Me Do 15. Blackbird 16. Queenie Eye 17. Lady Madonna 18. Fuh You 19. Being for the Benefit of Mr. Kite! 20. Something 21. Ob-La-Di, Ob-La-Da 22. Band on the Run 23. Back in the U.S.S.R. 24. Let It Be 25. Live and Let Die 26. Hey Jude 27. I Saw Her Standing There 28. Sgt. Pepper's Lonely Hearts Club Band (Reprise) 29. Helter Skelter 30. Golden Slumbers / Carry That Weight /The End COLOR NTSC Approx.134min.
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