Today we are introducing the second day of Tokyo Dome, and this time it is an audience shot video. It hasn't even been a week since the live show, and here's a video of the entire show. An enthusiast took the opportunity to take pictures from the Arena A block area. Since it is a smartphone video, there are some scenes (especially noticeable in the song where Paul plays the piano) where the faces of the members on stage turn white, and there are many camera shakes. Also, since the footage was shot from the front of the arena, there are some spots where the front of the arena is blocked by the cameras and cranes used to project the footage onto the screen. In addition, there are some parts where the movement is slow, and overall the audience shot looks like a smartphone. Even so, for this performance in Japan, they were very careful about filming videos. Especially if I set my smartphone in video mode near the aisle, the venue staff's brats would immediately jump at me. Even so, I'm sure there were many people who kept pressing the video button, but given the circumstances, it was extremely difficult to fit a single song in some places. For that reason, even if the video has some problems, it deserves an award just for being able to completely record the live performance from the front of the arena. The angle itself is quite excellent, giving the illusion that you are watching Paul from the front row of the arena. In fact, in the days of the nostalgic Rozy Project label, it would have been enough to be released as a commercial item (lol). Of particular note is the horn-included "Got To Get You Into My Life," which was the highlight of the second day at Tokyo Dome, and I was moved by the miraculous angle in which Paul and the horn players were captured on one screen. No doubt about it. There will be many more videos on YouTube and items, but this angle alone will be enough to satisfy you. Also, in the acoustic corner where the lighting is subdued, Paul's facial expressions stand out and are very worth seeing. Therefore, you can enjoy “From Me To You”, which is the highlight of this tour, and the scene where Paul redoes it with “Eleanor Rigby”, which the venue was very excited about, is also firmly captured. And before "Blackbird" begins, Bootman's grinning voice of "dedicated to Edie" (familiar from the "BACKYARD+" CD) is heard, and you can fully enjoy the sense of realism that can only be achieved with an audience shot. Good luck filming the entire live show! Live at Tokyo Dome, Tokyo, Japan 1st November 2018 AMAZING SHOT(From Original Masters)(157:21) 1. Intro 2. A Hard Day's Night 3. Junior's Farm 4. Can't Buy Me Love 5. Letting Go 6. Who Cares 7. Got To Get You Into My Life 8. Come On to Me 9. Let Me Roll It 10. I've Got a Feeling 11. Let 'Em In 12. My Valentine 13. Nineteen Hundred And Eighty-Five 14 . Maybe I'm Amazed 15. We Can Work It Out 16. In Spite Of All the Danger 17. From Me To You 18. Love Me Do 19. Blackbird 20. Here Today 21. Queenie Eye 22. Lady Madonna 23. Eleanor Rigby 24. Fuh You 25. Being For The Benefit Of Mr Kite! 26. Something 27. Ob-La-Di, Ob-La-Da 28. Band On The Run 29. Back In The USSR 30. Let It Be 31. Live and Let Die 32. Hey Jude 33. I Saw Her Standing There 34. Sgt Pepper's Lonely Hearts Club Band (Reprise) 35. Helter Skelter 36. Golden Slumbers/Carry That Weight/The End COLOUR NTSC Approx.157min.
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