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Paul McCartney/Tokyo,Japan 10.31.2018 Another Seat Ver.

Paul McCartney/Tokyo,Japan 10.31.2018 Another Seat Ver.

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On this Japan tour, a strange phenomenon occurred on the first day of Tokyo Dome: for some reason, the video was more widely distributed than the sound source. As if to prove that, "TOKYO DOME 2018 1ST NIGHT: THE VIDEO", a uniquely obtained and high-quality audience shot video, was released, and once again this week, a surprising audience shot video was quickly released. While "TOKYO DOME~" was filmed from the front of the first floor seats, this video was shot from the arena (the angle was toward the right), making for an extremely powerful video. The angle is similar to "TOKYO DOME 2018 2ND NIGHT: THE VIDEO" from the second day of Tokyo Dome, which has become familiar from various releases, but this time it easily surpasses those items in both image quality and angle. . First of all, the great thing is the close-up angles throughout. For example, the close-up of Paul's profile singing while playing the grand piano in "Nineteen Hundred And Eighty-Five" is a masterpiece. As you can see, this video generally shows close shots during the piano song, and thanks to that, before starting "My Valentine", Paul says "Nancy" in a Japanese accent. You can enjoy the joyful expression on her face, as well as the angle where she gets closer and closer to the whole story of "Queenie Eye", which she managed to sing through even though she misjudged the timing of the song and was still in a precarious state. Even in the ukulele part of "Something", which was sung in memory of George, there is a close-up that can be called a professional shot itself. However, with the development of photographic equipment, it is not difficult to get such close shots these days if you can secure a good position for audience shots. If the video can be viewed from a close angle, it will also appear on YouTube. What sets this film apart from other videos is its ``understood'' angle. Not only is it a powerful angle, but for example, when it comes to the interlude of “In Spite Of All the Danger”, Paul’s solo play becomes better. This is amazing. The angle is a little different from the monotony of just shooting Paul's upper body, and you won't get tired of watching it. Furthermore, the appearance of the members throughout the video is also an outstanding feature of this video, and during the interlude of ``Love Me Do'', Wicks is clearly captured playing the harmonica. Because of the shooting position, you can clearly see how Wicks is responsible for the hidden flavor of the live sound throughout. The same goes for his appearance with the second rhythm guitar when “Helter Skelter” begins. But the best part is the scene where Brian throws the tambourine into the audience after he finishes swinging it during the nightly performance of "Hey Jude," and he throws it from the perfect angle, toward the photographer. You can watch it from a very realistic angle. Since it was filmed from the arena, the angle was sometimes blocked by the excited audience. This was the case with the beginning of "Let 'Em In," which was performed on stage in Japan for the first time in a while. Although it is a minor problem, it seems that it would have been possible to release it on a press board if these unstable factors did not exist. We are releasing the unique footage from the first day of Tokyo Dome, which is such an excellent experience, quickly and at a reasonable price. This is Definitive Video Master! ★Unprecedented ultra-high quality video. A miraculous title that will remain in Paul video history suddenly appears! On this Japan tour, I can say with certainty that there is nothing that can surpass this video. impact! ! ! Live at Tokyo Dome, Tokyo, Japan 31st October 2018 MIRACLE SHOT!!!!(152:34) 1. Intro 2. A Hard Day's Night 3. Hi, Hi, Hi 4. All My Loving 5. Letting Go 6. Who Cares 7. Come On to Me 8. Let Me Roll It 9. I've Got a Feeling 10. Let 'Em In 11. My Valentine 12. Nineteen Hundred and Eighty-Five 13. Maybe I'm Amazed 14. I've Just Seen A Face 15. In Spite of All the Danger 16. From Me to You 17. Love Me Do 18. Blackbird 19. Here Today 20. Queenie Eye 21. Lady Madonna 22. Eleanor Rigby 23. Fuh You 24. Being for the Benefit of Mr. Kite! 25. Something 26. Ob-La-Di, Ob-La-Da 27. Band on the Run 28. Back in the USSR 29. Let It Be 30. Live and Let Die 31. Hey Jude 32. Yesterday 33. Sgt Pepper's Lonely Hearts Club Band (Reprise) 34. Helter Skelter 35. Golden Slumbers / Carry That Weight / The End COLOR NTSC Approx.153min.

1. Intro 2. A Hard Day's Night 3. Hi, Hi, Hi 4. All My Loving 5. Letting Go 6. Who Cares 7. Come On to Me 8. Let Me Roll It 9. I've Got a Feeling 10 Let 'Em In 11. My Valentine 12. Nineteen Hundred and Eighty-Five 13. Maybe I'm Amazed 14. I've Just Seen A Face 15. In Spite of All the Danger 16. From Me to You 17. Love Me Do 18. Blackbird 19. Here Today 20. Queenie Eye 21. Lady Madonna 22. Eleanor Rigby 23. Fuh You 24. Being for the Benefit of Mr. Kite! 25. Something 26. Ob-La-Di, Ob-La-Da 27. Band on the Run 28. Back in the USSR 29. Let It Be 30. Live and Let Die 31. Hey Jude 32. Yesterday 33. Sgt Pepper's Lonely Hearts Club Band (Reprise) 34. Helter Skelter 35. Golden Slumbers / Carry That Weight / The End COLOUR NTSC Approx.153min .

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