“FRESHEN UP” ended 2018 in their home country. A masterpiece original video series trilogy that conveys the three UK performances has been decided to be released. This work is the second installment. This is the best audience shot of “Glasgow performance on December 14, 2018”. ・December 12: Liverpool performance ・December 14: Glasgow performance [this work] ・December 16: London performance The 4-disc title "GLASGOW 2018" of the Glasgow performance will be normally released, but this work That image. The trilogy is also a complete set of footage using masters given to us by a Japanese photographer who went to England to witness the grand finale in his home country. This is a series that will run through three UK performances with only hidden treasures that are unique to this series and cannot be found anywhere on the internet. Even in such a trilogy, this work is of the highest quality. It is an audience shot by the same Japanese as Liverpool/London, but the position is completely different. In the other two performances, the angle was from a distance, but in this work, the angle has completely changed and it is very close! The photo was taken from slightly to the right of the center of the arena, making it a special seat where you can see Paul right there even without zooming. Since the seats are in the arena, the shadows of the seats in front are reflected, and there are some scenes, especially in the beginning, that make you scratch your head, but it's only for a moment. Once the excitement at the start of the show subsided, the field of view widened dramatically, and at the same time the camera work became more stable. From around “Can’t Buy Me Love” you can taste the taste of special seats, and by the time you get to “Who Cares” it becomes a spectacular view where you can see Paul’s appearance directly with the naked eye. I'm also afraid that I'll try zooming. Even though it's so close that you feel like you're "there," by zooming in closer you can see the expressions and hands perfectly. Since you are not looking down on the distant view from the stands, there are many opportunities to make eye contact with the pole, and you can look directly at it. When this happens, the experience of the show is amazing. The distant view with no obstructions is wonderful, but the feeling of "gazing out" is undeniable. On the other hand, this work synchronizes with the psychology of people on the scene who want to get as close as possible to Paul, and ends up "staring" without realizing it. Their ability to concentrate on their every move and the sense of immersion in each song is unparalleled, and it makes you feel like you're truly experiencing the place. What enhances the experience even more is the superb audio. Actually, the biggest drawback of this audience shot was the audio. It wasn't bad, but I was soaking up the excitement from the arena seats. That's why we synchronize the best separate recordings. This is really amazing. In fact, this work may be the best in the trilogy in terms of sound quality. Actually, it is an original master by the same Japanese recording artist as the live album version of “LIVERPOOL 2018” on the first day, but it is wonderfully clear and neat. The core that jumps into the thick bone and meat is clear, and there is plenty of response. That characteristic also applies to “LIVERPOOL 2018,” but in the Glasgow performance, the atmosphere is even more transparent, perhaps because of the difference in position or the venue acoustics. You can understand the nuances of picking on the guitar and bass, and the sound of the horn is also exquisite. The bass vibe is emphasized in the first few songs, so it doesn't reach the ideal image, but that quickly improves. By the time we get to “Who Cares,” it has become glossy and beautiful. The sound has clear outlines, and the gaps between instruments stand out, creating a three-dimensional effect. This is not just about "good sound." Because it is so clear and on that you can't get a sense of distance, it fits perfectly with the close-up view from the arena and does not detract from the experience. Both the recording and photography are masterpieces, but when combined they bring out double or triple synergistic effects. All of this trilogy are wonderful video works, but this one is the best. A trilogy of British tours written with original masters that are not available on the internet or elsewhere. This is a complete video that allows you to fully experience the second part, the Glasgow edition. Although the Glasgow performance has a modest impression, sandwiched between his hometown performance in Liverpool and London where he performed with Ringo & Ronnie, it is a record that overwhelms the other two performances in terms of quality and experience. Originally, I would like you to enjoy it with the Uxbridge edition that comes with a live album, but even if you think a 4-disc set is too heavy, I would like you to experience this video. Live at The SSE Hydro, Glasgow, Scotland 14th December 2018 AMAZING SHOT!!!!(from Original Masters) Synced with best original audio master 1. Intro 2. A Hard Day's Night 3. Junior's Farm 4. Can't Buy Me Love 5. Letting Go 6. Who Cares 7. Got to Get You Into My Life 8. Come On to Me 9. Let Me Roll It 10. I've Got a Feeling 11. Let 'Em In 12. My Valentine 13. Nineteen Hundred and Eighty-Five 14. Maybe I'm Amazed 15. We Can Work It Out 16. In Spite of All the Danger 17. From Me to You 18. Dance Tonight 19. Love Me Do 20. Blackbird 21. Here Today 22 . Queenie Eye 23. Lady Madonna 24. Eleanor Rigby 25. Fuh You 26. Being for the Benefit of Mr. Kite! 27. Something 28. Ob-La-Di, Ob-La-Da 29. Band on the Run 30. Back in the U.S.S.R. 31. Let It Be 32. Live and Let Die 33. Hey Jude 34. Birthday 35. Wonderful Christmastime (with Paisley Grammar School Choir) 36. Sgt. Pepper's Lonely Hearts Club Band (Reprise) 37. Helter Skelter 38 . Golden Slumbers / Carry That Weight / The End COLOR NTSC Approx.175min.
Free Shipping on Every Order!
