Paul McCartney/PA,USA 1993
Paul McCartney/PA,USA 1993
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The best audience shots of "THE NEW WORLD TOUR 1993" will be released. There were several professional shots on this tour, including the Charlotte performance, Japan performance, and South America, but when it comes to 100% audience shots, we have not been blessed with very good ones. However, this work is a superb shot that has recently appeared on the net. It is a masterpiece that allows you to become one of the spectators and immerse yourself in the wonderful world of "THE NEW WORLD TOUR". This work was shot at the "Philadelphia performance on June 13, 1993". It is a good opportunity, so let's look back on the whole picture of "THE NEW WORLD TOUR" here.・February 18-23, 1993: Europe #1 (4 performances) ・March 5-27, 1993: Oceania (10 performances) ・April 14-June 15, 1993: North America (22 performances) ←★Here★ {2 and a half months later} ・September 3-October 27, 1993: Europe #2 (28 performances) ・November 12-19, 1993: Japan (5 performances) ・November 25+27, 1993: Mexico (2 performances) ・December 3-16, 1993: South America (6 performances) This is a total of 77 performances of "THE NEW WORLD TOUR". The Philadelphia performance included in this work was the final show of the North American leg. Speaking of the "North American leg," the most famous Charlotte performance on this tour, "LIVE IN THE NEW WORLD: CHARLOTTE 1993," is the final day. This work is also the concert "one before" the Charlotte performance. It can be said to be the "audience version of the classic video," but the quality of this work itself is sure to become a standard. It is a distant shot with the center of the stage directly in front, but the image beauty is outstanding. If you zoom in only to the video camera at that time, you may be worried about the stability, but in this work, we do not attempt an unreasonable zoom from the beginning, but just keep projecting the whole view stably. Therefore, it is not possible to "see Paul's expression," but there is no obstruction and you can look straight at the stage, and only the stage spreads out in your field of vision. It is a video that gives you a "special seat experience." Unfortunately, the three songs from the acoustic set in the middle of the show, "Michelle", "Biker Like an Icon" and "Here, There and Everywhere", are not included, but it seems that the position was moved there, and after that, it was replaced by a shot looking down from the left side of the stage. However, there was no change in the vividness and stability without any obstructions, and the position became closer and the clarity improved. Furthermore, when I thought that the camera was occasionally turned, a stage screen with a close-up of Paul appeared! The explosion of "Live and Let Die" is also captured in a spectacular panoramic view (the screen is processed here, but the sense of the era is also amazing). The master freshness of this work is also wonderful. There are no dubbing marks, not even a single line noise, and the colors are vivid. Although the shooting equipment is a sense of the era, you can enjoy the freshness as if it was recorded yesterday with the equipment of that time. The sound is also suitable for that scene. This is also a clear one that reaches like a laser beam with a straight feeling because there is no obstruction. It is a magnificent record that represents the tour with both visual beauty and sound. As mentioned earlier, the quality of the show is close to the famous performance of the Charlotte performance. The basic set list is based on the Charlotte performance, but you can also see "Coming Up" and the Beatles' "And I Love Her" and "Fixing A Hole" that cannot be seen in the professional shot. The quality is great and will become a new standard for "THE NEW WORLD TOUR 1993". And it is a "one performance before" video that can be enjoyed as an audience version of the familiar classic professional shot. It is a piece that takes you 23 years ago with a different "experience" from the professional shot. Live at Veterans Stadium, Philadelphia, PA. USA 13th June 1993 Disc 1 (64:10) 1. Drive My Car 2. Coming Up 3. Looking For Changes 4. Another Day 5. All My Loving 6. Let Me Roll It 7. Peace in the Neighborhood 8. Off The Ground 9. Can't Buy Me Love 10. Robbie's Bit (Thanks Chet) 11. Good Rockin' Tonight 12. We Can Work It Out 13. And I Love Her 14. Every Night 15. Hope of Deliverance 16. Yesterday 17. My Love 18. Lady Madonna 19. Live and Let Die Disc 2(60:47) 1. Let It Be 2. Magical Mystery Tour 3. C'mon People 4. The Long and Winding Road 5. Paperback Writer 6. Fixing a Hole 7. Penny Lane 8. Sgt. Pepper's Lonely Hearts Club Band 9. Band on the Run 10. I Saw Her Standing There 11. Hey Jude Paul McCartney: Lead Vocals, Bass, Guitar, Piano Linda McCartney: Keyboards, Backing Vocals Hamish Stuart: Guitar, Bass, Backing Vocals Robbie McIntosh: Guitar, Backing Vocals Paul "Wix" Wickens: Accordion, , Backing Vocals Blair Cunningham: Drums COLOR NTSC Approx. 125min.
Live at Veterans Stadium, Philadelphia, PA. USA 13th June 1993 Disc 1 (64:10) 1. Drive My Car 2. Coming Up 3. Looking For Changes 4. Another Day 5. All My Loving 6. Let Me Roll It 7. Peace in the Neighborhood 8. Off The Ground 9. Can't Buy Me Love 10. Robbie's Bit (Thanks Chet) 11. Good Rockin' Tonight 12. We Can Work It Out 13. And I Love Her 14. Every Night 15. Hope of Deliverance 16. Yesterday 17. My Love 18. Lady Madonna 19. Live and Let Die Disc 2(60:47) 1. Let It Be 2. Magical Mystery Tour 3. C'mon People 4. The Long and Winding Road 5. Paperback Writer 6. Fixing a Hole 7. Penny Lane 8. Sgt. Pepper's Lonely Hearts Club Band 9. Band on the Run 10. I Saw Her Standing There 11. Hey Jude Paul McCartney: Lead Vocals, Bass, Guitar, Piano Linda McCartney: Keyboards, Backing Vocals Hamish Stuart: Guitar, Bass, Backing Vocals Robbie McIntosh: Guitar, Backing Vocals Paul "Wix" Wickens: Keyboards, Accordion, Backing Vocals Blair Cunningham: Drums COLOUR NTSC Approx. 125min.