Promotional activities for the release of this album, which has already achieved great success, have been really energetic. For Paul, who is a workaholic by nature, it may be a bit of a show-off, but his exposure, which is conscious of today's media, entertains us. Not only did he perform at the Cavern Club for the first time since 1999, but in June he appeared on the popular show "CARPOOL KARAOKE" and sang passionately in his car, and also held a surprise gig at a bar for the show. Until then. It is still fresh in my memory that the songs from the new album "EGYPT STATION" were performed there for the first time and became a hot topic. In addition, Paul will also record special gigs for music distribution services in July. Now that the new album has been released, it is being distributed to promote it. That said, the only song from "EGYPT STATION" is "Fuh You" and the rest are classic songs from yesteryear, which makes it easy to understand and seems like it's for distribution. Songs such as "One After 909" and "Got To Get You Into My Life" can be said to be song selections unique to a gig, as was the case at Budokan three years ago, and in fact, the "FRESHEN UP" tour that just took place on Sunday. It was not played on the first day. It can be said that it is a generous gig sound source like the gig video released at Grand Central Station released this time, but unlike the time at the station, this gig was held in July, so the opening song "A Hard Day's Night'', Paul's voice is obviously not in his best condition, but after that, the engine is at full throttle, so it's a relief. Although music distribution services seem to have become quite popular these days, it is true that just distribution is not enough. Young people might be satisfied with that, but for us, it's not (lol). That's something I want to have on record or listen to on record. Even more so if it becomes a stereo sound board recording that captures the gig. This item is in response to the voices of such enthusiasts. Perhaps due to the distribution system, the overall feel is net-like, especially the cymbals' stand-out feel, which is softened by equalization. We would like to hear that as well. Since it was recorded in July, I think it's a little different from the item that would be perfect for a performance in Japan like Central Station, but it's still a stereo soundboard recording of the gig that Paul recorded for distribution. It's fascinating to be able to listen to it easily. Live in Studio 2 at Abbey Road Studios, London, UK 23rd July 2018 STEREO SBD (54:57) 1. A Hard Day's Night 2. One After 909 3. Drive My Car 4. Come On To Me 5. I've Got a Feeling 6. I've Just Seen a Face 7. Love Me Do 8. We Can Work It Out 9. My Valentine 10. 1985 11. Lady Madonna 12. Got to Get You Into My Life 13. Fuh You 14. Ob -La-Di, Ob-La-Da 15. Back in the U.S.S.R 16. Birthday 17. Sgt. Pepper's Lonely Hearts Club Band (Reprise) 18. Helter Skelter STEREO SOUNDBOARD RECORDING
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