Each 30-minute album by an irregular member different from the great masterpiece ``80/81'', which reached the pinnacle of 80's jazz, contains the ultimate acoustic session that brought together ideal members and embodied his own view of jazz. A rare live performance that takes improvisation to its limits, with 3 songs lasting 90 minutes, will be released for the first time! ! The album ``80/81'' and tour with the same members were realized in 1981, but before that, Metheny had collaborated with interesting members who could be seen as experiments and challenges, such as the beloved Ornette Coleman's quartet and Charlie Haden's Liberation.・Dewey Redman, who is active in music orchestras such as Keith Jarrett's American Quartet and is Joshua Redman's biological father, and Charlie Haden, a great artist from Metheny's hometown whom Metheny respects the most along with Ornette. The two who also participated in the recording of ``80/81'' include Thelonious Monk, Lennie Tristano, Paul Play, Chick Corea, and Keith, who are said to be the best rhythm sections in the jazz world and who are the most compatible with Charlie.・The historic Bill Evans Trio with Jarrett, Masaaki Kikuchi, and Scott Ruffalo, and the piano trio that shines brightly in jazz history One of the greatest drummers in jazz history, who was active in real time for decades over many years In fact, Paul Motian is said to be the core of this quartet, one of the three members of the Keith Jarrett American Quartet, and two of Ornette's associates, one of the most creative people in the jazz scene at the time. In October, the second day of the tour, from the short-lived US tour in the late 1980s, Pat, a fierce quartet who went head-to-head against three people who had no plans, demonstrated all of their abilities without any coordination or scheduling. The live performance at the Detroit Baker's Keyboard Lounge on the 31st was recorded using a microphone placed close to Paul Motian on stage, and the label's own careful mastering was applied to the master. A 2-disc set of 1 and a half hours of complete recording in stereo sound has arrived! ! The live show is an hour and a half long, but the set list consists of only three songs: Pat/Lyle Mays' "Offramp," Ornette's "Turnaround," and unreleased songs featuring Pat's guitar. Each piece is 30 minutes long and has a devilish content. In studio albums, each member's solos are kept to the bare minimum due to time constraints, so editing is done to enhance the completeness of the songs, but these members are still able to do their own improvisations. Everyone should want to enjoy it to the fullest. Needless to say, the collector's edition, which contains the unedited live performance, is the best way to get fans excited. Pat strums the guitar as a solo performer without being intimidated by the three masters. At the time, Charlie reigned at the forefront of modern jazz, and was widely recognized as one of the innovators of free jazz along with Ornette Coleman. His deep double bass, and his versatile expressiveness, made it sound like he was singing. Motian, a rare drummer who can play the drums in a way that sounds like he's playing, firmly supports the backbone of this album, and this recording in particular captures every detail of Motian's drumming, making it a must-listen for those who are interested in this. And Dewey, who boasts an overwhelming blow that links free jazz and blues based on hard bop, does not allow any compromise! This is real jazz! Get drunk with a serious session that even has murderous intent! ! Live at Baker's Keyboard Lounge,Detroit,MI October.31.1980 Disc 1 1. Offramp Disc 2 1. Turnaround 2. Unknown Pat Metheny - Guitar Dewey Redman - Tenor Saxophone Charlie Haden - Bass Paul Motian - Drums
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