Ozzy Osbourne /OH,USA 1981 & more Upgrade

Regardless of whether it is official or unofficial, the legendary masterpiece that was said to be Ozzy Osbourne's masterpiece has been brushed up and reprinted. The masterpiece is the ultimate soundboard album of "May 11, 1981 Cleveland performance" and "July 28, 1981 Montreal performance". Yes, it is the latest and meticulous remaster of the super masterpiece "STORM WARNING" which sets the two performances that are the original of that official work "TRIBUTE". The existence of the official work "TRIBUTE" is indispensable to talk about this masterpiece. It is a masterpiece of masterpieces dedicated to the late Randy Rhoads, but when and where was the live performance included in it? From many years of research, it is said that it was roughly the following three performances. ●May 11, 1981 Cleveland performance → Most of the album●July 28, 1981 Montreal performance → "Suicide Solution" and guitar solo●October 2, 1980 Southampton performance (probably) → Analog D side "Goodbye To Romance" and "No Bone Movies" "TRIBUTE" reproduces the concert on the A-C sides of a two-disc analog set, and the D side had songs that did not overlap with the main part as bonus tracks (that's why it was structured so that a ballad would come after the encore). No soundboard has been found for the 1980 Southampton performance on the D side, but the other two performances in the main part have long been known for FM broadcasts and have been loved as a staple of the Randy era. "STORM WARNING" was a live album that coupled the best soundboards of both performances. The appearance of "STORM WARNING" was also an incident. When it first appeared in 2007, the ultimate sound and long recording were a big hit. Even in the specialist magazines at the time, it received rave reviews, such as "the highest level of sound quality ever," "you can enjoy it with pure and innocent raw sound without any processing," and "it is nothing but blissful joy for fans." This work is the ultimate version that polishes such a super masterpiece with the latest and meticulous remastering. Now, let's introduce each disc individually. [Disc 1: Cleveland performance on May 11, 1981] The first to appear is the highest peak sound board of the Cleveland performance that makes up the majority of "TRIBUTE". It is a major classic among the major classics that have produced countless existing releases, but the original master of this work is the longest recording and the highest sound quality. "STORM WARNING" was further remastered, but to be honest, it is not "altogether a different thing". Of course, we have checked it in detail and made countless corrections and corrections, but you may not be able to tell unless you listen to it with headphones or compare the waveforms. In fact, "STORM WARNING" was such a perfect sound. In this work, we sought the ultimate form of the superb sound board, and even corrected the noise and vibrations that may not be noticed, and finished it into a sound that will withstand the trials of any era in the future. The "True TRIBUTE" is drawn with that quality. The official version has been edited and replaced in many ways to give it a musical quality, but this work is a genuine original. It is full of a rough and vivid feel, and every note was played on the stage at the scene. In particular, the feeling of the vocals is exceptional, and lines different from the official ones pop out in various places, such as "Children Of The Grave". When it comes to replacement, you might think that the original is in tatters like MSG's "Flying Legend", but that's not the case. Rather, Ozzy in this work is in top form more than ever, and even at that time, he was a famous singer. It's better than "TRIBUTE" because it has the taste of the original. Another difference from "TRIBUTE" is that the MC between songs is still there. For example, on the official version, "Iron Man" starts quickly, but in this work, the audience is stirred up for a long time with a call of "One! Two! Three!" I don't know if it was to fit into the recording time of the analog, or if they wanted to make it sound refreshing, but there is no doubt that this work is the true scene. Furthermore, even with the same performance, the mix is ​​different. In particular, Tommy Aldrich's drums stand out clearly from the difference in the mix. You can clearly enjoy the small plays and side dishes that were difficult to hear on "TRIBUTE". [Disc 2: Montreal performance on July 28, 1981 (2 types)] And disc 2 is the Montreal performance, where "Suicide Solution" and Randy's solo time were adopted on the official version. FM sound sources were also a standard for this show, but there were two types of programs, "BEST OF THE BISCUIT" and "THE KING BISCUIT FLOWER HOUR", with different songs and mixes. This work is the highest peak version that was directly digitized from the original broadcast recordings of both works. Tracks 1-11 are the long "THE KING BISCUIT FLOWER HOUR", and tracks 12-17 are "THE KING BISCUIT FLOWER HOUR". There are about four songs overlapping between the two programs, but by combining both, you can enjoy all the songs of the day. Of course, like Disc 1, it has been brushed up to the ultimate specification with fine and fine mastering. Not only is there no needle crack, but the beauty of the sound of the original sound is also polished to the maximum. Another point is that only live performances are recorded. This is common to Disc 1, but in the 1980s radio broadcasts, DJ comments are inserted before and after the program, and announcements are inserted before and after commercials in the middle. We have delivered the radio album "DEFINITION OF BLIZZARD (Zodiac 005)" which includes all the programs, including those parts, but the concept of this work is a "live album" after all. The only announcement specific to the program is at the beginning of "THE KING BISCUIT FLOWER HOUR". The masterpieces depicted on the superb sound board of two performances and three programs are... I can't put it into words. A masterpiece that has continued to fascinate the world for many years. It is its true form. No matter how beautiful words you put together, it will taint the music itself... It is a wonderful rock treasure that even holds such awe. Still, if I had to add one word, "there was no need to replace it." Although it is true that "TRIBUTE" itself is a great masterpiece among polished masterpieces, the brilliance of truth resides only in the truth itself. This work is a two-disc set that has been heard with the highest quality in history. It is truly a "true TRIBUTE" and a "DEFINITIVE TRIBUTE". Music Hall, Cleveland, Ohio, USA 11th May 1981 STEREO SBD(UPGRADE) St. Denis Theatre, Montreal, Quebec, Canada 28th July 1981 STEREO SBD(UPGRADE) Disc 1(61:47) Live at Music Hall, Cleveland, Ohio, USA 11th May 1981 1. Carl Orff "Carmina Burana" 2. I Don't Know 3. Crazy Train 4. Believer 5. Mr.Crowley 6. Flying High Again 7. Revelation(Mother Earth) 8. Steal Away(The Night) 9. Drum Solo 10. Suicide Solution 11. Guitar Solo 12. Iron Man 13. Children Of The Grave 14. Paranoid Disc 2(79:55) Live at St. Denis Theatre, Montreal, Quebec, Canada 28th July 1981 Taken from the original radio show discs Best Of The Biscuit: aired on 2nd May 1982 1. Flying High Again 2. I Don't Know 3. Crazy Train 4. Believer 5. Mr. Crowley 6. Suicide Solution 7. Guitar Solo 8. Revelation (Mother Earth) 9. Steal Away (The Night) 10. Drum Solo 11. Paranoid The King Biscuit Flower Hour: aired on 13th September 1981 12. I Don't Know 13. Crazy Train 14. Believer 15. Mr. Crowley 16. Iron Man 17. Children Of The Grave Ozzy Osbourne - Vocal Randy Rhoads - Guitar Rudy Sarzo - Bass Tommy Aldridge - Drums STEREO SOUNDBOARD RECORDING