Ozzy Osbourne of the "Howling at the Moon" era, who welcomed Jake E. Lee and became an icon of new music "heavy metal". A new excavation live album that allows you to fully experience the scene is now available. This work is recorded at the "Rosemont performance on March 3, 1984". It is a powerful audience recording that vacuum-packed the whole story. The Jake era can be roughly divided into the "1983-1985 period" and the "1986 period", but the former had a lot of member changes while also carrying out overcrowded tour activities. Even a slight difference in time can greatly change the meaning of the recording, so let's start by looking at the show's position from the overview of the activities at that time. 1983 《Jake joins》・January 12-30: Europe #1 (13 shows)《Bridgewater → Ailey replaced》・February 11-April 5: North America #1 (34 shows)《Costa → Daisley replaced》・May 29 "US FESTIVAL '83: THE COMPLETE SOUNDBOARD"《Aldrich → Apis replaced／November 15 "Howling at the Moon" released》・November 10-December 22: Europe #2 (32 shows)←※ROCK POP 1983 1984・January 10-February 20: North America #2 (31 shows)《Apis → Aldrich replaced》・March 3-June 10: North America #3 (61 shows)←★Here★・June 28-July 7: Japan (8 shows)←※ULTIMATE BARKS August 4: Puerto Rico August 18-September 2: Europe #3 (5 shows) 1985 January 16+19: ROCK IN RIO (2 shows) ←※Pro shot《Aldrich/Daisley/Ailey left》This is Ozzy Osbourne from the "1983-1985 period". Immediately after the completion of "Howling at the Moon", Tommy Aldrich was replaced by Carmine Appice, but he was replaced again in about 3 months. The Rosemont performance of this work is the first day of "North America #3", where Aldrich returned and the same members as the album returned. Speaking of symbols of this period, the official video of Salt Lake City is a big classic, but it was also 15 days before that (11 shows before). This work recorded at such a show is a newly excavated audience that is currently a hot topic. It was recently released by a famous collector, and that collector is "GManOF". He is known as a master of many famous recordings from the 1980s, but he is also a collector who has been collecting records from all over the world since then. There are many recordings in his collection that have not been known until now, and this work is one of them. And the sound is very real and fresh. It seems that detailed information about the generation has been lost, but the freshness without dubbing marks shows that it is a fairly young generation. It is not the type that you would mistake for a sound board, but there is a rushing force at the core, and it breaks through the slightly thick hall sound and reaches straight. Moreover, it is real. In fact, the surrounding noise is strangely not felt, but the sound itself has a sense of space on the scene. That is why, when you close your eyes, you can see the spotlights dancing in the darkness, and you can even feel the size of the venue from the hall sound. And Ozzy's singing voice resonates clearly like a priest's sermon, dominating the space. With such a realistic sound, you can experience a full show where Jake's new generation guitar explodes while at the same time smelling the lingering scent of the Randy era. To explain what that means, let's organize the set here. Randy era (7 songs) Blizzard of Oz: I Don't Know / Mr. Crowley / Revelation (Mother Earth) (★) / Steal Away (The Night) (★) / Suicide Solution / Crazy Train Diary of a Madman: Flying High Again Others (5 songs) Paranoid: Iron Man / Paranoid Howling at the Moon: Rock 'n' Roll Rebel (★★) / Bark At The Moon / Centre of Eternity (★★) *Note: The "★" mark indicates songs that will no longer be played after this tour. In particular, the "★★" mark indicates songs exclusive to the "BARK AT THE MOON Tour". ...And so it goes. To be honest, it's a familiar set that is the same as the most recent official video. The point that determines the overall color is the large number of classics. A large number of new songs were introduced in the next "THE ULTIMATE SIN Tour", but here there were only three new songs, and the axis was "BLIZZARD OF OZZ". The sense of balance of the first-overweight, which will also be shown on "Revelation (Mother Earth)" and "Steal Away (The Night)", which will be the last on this tour, was inherited from the Randy era, and the performances of members such as Aldrich/Daisley/Ailey are also rich in the early scent (such as the synth intro of "Centre of Eternity" as it was in the Randy era). "BARK AT THE MOON Tour" was dyed metallic by Jake's guitar, but the flow from the Randy/Brad era was also strongly retained. This is a newly excavated master that allows you to experience the front line of such an American invasion in real life. "Newly excavated audience recording of the "Rosemont performance on March 3, 1984". A new master released by the famous collector "GManOF", it is very realistic and fresh. The young generation feeling without dubbing marks is wonderful, there is a rushing force at the core, it breaks through the slightly thick hall sound and reaches straight. The sense of space is also real, and Ozzy's singing voice, which dominates everything and resonates like a priest's sermon, is also clear. This is a live album that allows you to experience the front line of the American invasion in real life. Rosemont Horizon, Rosemont, IL, USA 3rd March 1984 TRULY AMAZING/PERFECT SOUND 01. Carl Orff "Carmina Burana" 02. I Don't Know 03. Mr. Crowley 04. Rock 'n' Roll Rebel 05. Bark At The Moon 06. Revelation (Mother Earth) 07. Steal Away (The Night) 08. Suicide Solution (incl. Guitar Solo) 09. Center of Eternity 10. Drum Solo 11. Flying High Again 12. Iron Man 13. Crazy Train 14. Paranoid Ozzy Osbourne - Vocals Jake E. Lee - Guitar Bob Daisley - Bass Tommy Aldridge - Drums Don Airey - Keyboards
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