ORCHESTRAL MANOEUVRES IN THE DARK (OMD) was released in 1985, when "CRUSH" entered the top 40 of the US charts and solidified their worldwide popularity. Introducing the ultimate "semi-official" video that allows you to witness the stage. This work was filmed at the Rotterdam performance on October 26, 1985. This is the super best multi-camera pro shot. Speaking of “CRUSH Tour”, it is the biggest world tour of their career, including the US invasion. First, let's look back at the panoramic view and check the show's position. 1985, June 8th-14th: UK (7 performances) [CRUSH released on June 17th], June 15th-July 7th: Europe #1 (7 performances), July 10th- September 10th: North America #1 (37 performances) September 21st/October 20th + 26th: Europe #2 (3 performances) ←★Coco★ November 1st - December 31st: North America #2a (41 performances) 1986, January 1-21: North America #2b (16 performances), February 2-27: Europe #3 (21 performances), July 19: Manchester performance (September 29) “THE PACIFIC AGE” released in Japan》 This is the whole picture of “CRUSH Tour”. The main tour was two US tours with a total of over 90 performances, but the Rotterdam performance of this work was “Europe #2” in between. As you can see above, this "Europe #2" was not a "tour" that repeated shows and travel every day, but only three single stages. The Rotterdam performance of this work was also an event appearance at "Veronica's Rock Night" aimed at supporting Greenpeace (by the way, in addition to OMD, INXS and PROPAGANDA also participated in this event). This work that recorded such a show is the best multi-camera professional shot with "super". Anyway, the image quality and coloring are super beautiful. Actually, it's not "perfectly perfect" because there are white line noises and voice dust noises 2-3 times during the opening part, but it's only for a moment when the hon. The first song "Enola Gay" intro becomes completely glossy and beautiful. Or rather, this noise is surprising in the opposite sense. The fact that there is white line noise, even if only for a moment, means that this work must be a video master. However, the screen had no distortion or wobbling from corner to corner, and the resolution and color reproduction made me think it was either an official laser disc or a digital rebroadcast. Without the momentary noise at the beginning, it is a super beautiful image that cannot be distinguished from the video master. What's even better is the audio. Speaking of TV broadcasts in the 1980s, it is not strange to have monaural broadcasts, but this work is a beautifully arranged superb stereo sound board. The mix boasts a vivid sense of separation and three-dimensionality without the slightest distortion or chatter, and is a masterpiece-class sound that surpasses broadcast standards and rivals their studio work. What is depicted in the transcendental quality of a ``semi-official work'' is a gorgeous hit parade that goes through ``the best albums you can see'' and ``the greatest hits of live performance''. Let's organize the contents of the set so that you can experience how luxurious it is. Dindisc era (5 songs), Electronic Fantasy: Messages/Julia's Song (★), Enola Gay's Tragedy: Enola Gay, House of Rest: Joan Of Arc (Maid Of Orleans)/Souvenir Virgin Records era (8 songs), Dazzle Ships: Telegraph/Junk Culture: Tesla Girls/Talking Loud And Clear/Locomotion/Crash: Secret/Women III (★)/La Femme Accident/So In Love *Note: “★” marks “THE BEST OF OMD” ” A song that doesn't overlap. ...and it looks like this. The songs marked with a "★" are not included in their biggest hit, "THE BEST OF OMD." Normally, the "★" marks would indicate delicious and rare songs, but this time, on the contrary, the point is the lack of "★" marks. Of the 13 songs performed in this work, 11 are included in the best album. It is a gorgeous stage where the best hit songs are played in quick succession. Again, "best of live performances" and "greatest hits with your own eyes." That's all. The ultimate hit parade led by "Enola Gay" and concludes with "Locomotion". It is a piece that allows you to enjoy such a gorgeous stage with official quality. Originally, this is the ultimate video work that should have been left as an official record. Superb multi-camera professional shot of "October 26, 1985 Rotterdam Performance". Anyway, the image quality and coloring are super beautiful. Although white line noise appears two or three times during the opening part, it is only for a moment, and the screen has no distortion or wobbling from corner to corner, and the resolution and color reproduction are so beautiful that you would think that it was an official LD recording or a digital rebroadcast. . The show will be a gorgeous hit parade that goes through the ``best of live performances'' and ``greatest hits seen with your eyes.'' You can enjoy the stage, which is led by ``Enola Gay'' and concludes with ``Locomotion,'' in official quality. This is one of the best pieces. Veronica's Rock Night for Greenpeace Ahoy, Rotterdam, Netherlands 26th October 1985 PRO-SHOT (53:52) 1. Intro 2. Enola Gay 3. Messages 4. Tesla Girls 5. Secret 6. Julia's Song 7. Women III 8. Talking Loud And Clear 9. Joan Of Arc (Maid Of Orleans) 10. La Femme Accident 11. Souvenir 12. So In Love 13. Telegraph 14. Locomotion Paul Humphreys – vocals; electronic keyboards; piano Andy McCluskey – vocals; guitar; bass guitar; electronic keyboards Malcolm Holmes – drums; electronic and acoustic percussion Martin Cooper – vocals; saxophone; electronic keyboards Graham Weir – trombone; electric guitar Neil Weir – trumper PRO-SHOT COLOUR NTSC Approx.54min.
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