Great groups often have radio broadcasts of their peak performances that cannot be heard on their official live albums. The best example is the Rolling Stones' Brussels. Oasis also has the best radio broadcast that captures the day they performed a spectacular live performance in 1996, when they reached the peak of their popularity. In their case, Yokozuna-like radio broadcasts were realized in March 1996 in Europe and the United States, and while the former's Cardiff performance is well-known for songs such as "J.I.L.Y.," the latter's Fairfax performance has established an unwavering position. . The fact that there are two radio sources in one month, and you can hear amazing performances on both, is an eloquent testimony to how Oasis was at its peak in March 1996. Since it is a radio sound source, it is a perfect stereo sound board recording, and above all, both broadcasts have produced many items because they captured the best performance. As for Fairfax, ``PATRIOT GAME'' and ``TALLER THAN JESUS CHRIST'' are representative, and many people probably own them. The radio broadcast disc called “LIVE FROM THE PIT” that became the source was widely distributed in real Thailand, and it was possible to release a soundboard album with the highest sound quality just by copying it. However, as is often the case with broadcast discs, there is no sorting by track, so even if the performance songs were divided into tracks at the time of release, it could have been an item. The masterpieces released so far were treated in this way, but other issues that could not be ignored were ignored. On the broadcast disc "LIVE FROM THE PIT", the volume level of the opening and commercial parts that are played before the live performance is high, but when the main part of Oasis's live performance starts, the volume drops suddenly, so you have to turn the volume down when playing it. The problem was that it had to be raised. In the past, there was a phenomenon in television broadcasts where the volume increased when commercials appeared, and the same was true for radio. This difference in volume is quite significant, and the frustrating feeling when the main part of the live performance started after the opening section was reminiscent of the low volume of early CDs. Not only that, but in the main part of the live performance, there was a point in the middle of "Hello" where the volume dropped for some reason (resulting in the already low volume becoming even lower), and I was also concerned about the low volume of Noel's acoustic corner. It's something. After all, the sound is good, and it was a sound source that could be used even if it was released normally, so these issues have been ignored until now, but with this release, we have decided to take the final step to increase the volume. Finely adjust the difference. Best of all, the volume didn't drop drastically after the opening, and I was finally able to listen to the main part of the live performance! Their high-tension performance throughout the live performance was also outstanding, and they continued to use words that were prohibited from broadcasting. It was also impressive that instead of the buzzer sound, the problem scene was covered up by a "jirijiri" sound. The best of all was Noel's scream of "Cats! Cats! Mouse! Dog!" before "Supersonic". This was the name of ``Cat and Mouth,'' a company that contracted catering for concert dressing rooms in the United States. In 1996, Oasis' popularity in the United States skyrocketed, and they were able to tour in arenas, and as evidence of their success, they were even able to set up catering in their dressing room. Also, since the live performance on that day was being recorded for broadcast, Noel was conscious of this and used his tact to promote the catering company (although most people did not understand his true intentions). (Ginger) This was the scene of the scream. Therefore, this time, we have created a chapter for this short but unforgettable scene (lol).It goes without saying that there are many funny scenes like this, but Liam's voice is reliable throughout the entire movie. It was the biggest hit in the summer of 1996, and Oasis's best performance, which was on the upswing ahead of Knebworth, which will be officially released this autumn, is a wonderful performance that can be recommended with confidence to all fans. difference. The good thing about the radio broadcast is that the sound is not as elaborate as the official live album, and yet the guitars of Noel and Bonehead are separated in an easy-to-understand manner, and the fact that it is captured with a vivid texture is also a big attraction. Of course, this time as well, for the reasons mentioned earlier, we recorded not only the live performance but also the entire program, and the commercials included were also uncut. Of course, this part has nothing to do with Oasis' performance, so if you only want to hear the live performance, please feel free to skip this part. However, in the middle of the broadcast, an interview between Noel and Bonehead appears, and Noel's remarks that became the title of the past masterpiece are heard, and the fun of the whole program is that it conveys the atmosphere of 1996, so listen to it. You can't miss it. The only bottleneck, the volume difference, has been resolved, and the definitive version of Oasis's rare masterpiece radio broadcast from 1996 has finally been released, allowing you to listen to the entire episode without stress! GMU Patriot Center, Fairfax, VA, USA 7th March 1996 STEREO SBD Disc 1 (57:54) 01. Opening 02. CM #1 03. CM #2 04. CM #3 05. The Swamp Song 06. Acquiesce 07. MC "Cats! Mouse! Dog!" 08. Supersonic 09. Hello 10. Some Might Say 11. Roll With It 12. CM #4 13. CM #5 14. Shakermaker 15. Morning Glory 16. Cigarettes And Alcohol 17. Champagne Supernova 18. CM #6 19. CM #7 Disc 2 (44:03) 01. Interview #1 02. Whatever 03. Wonderwall 04. Slide Away 05. CM #8 06. CM #9 07. Interview #1 08. Don 't look Back In Anger 09. Live Forever 10. I Am The Walrus 11. CM #10 12. CM #11 13. Advertisement 1:34 14. Advertisement with Noel #1 15. Advertisement with Noel #2 16. Advertisement with Noel #3 Liam Gallagher - lead vocals, tambourine Noel Gallagher - guitar, vocals Paul Arthurs - guitar Paul McGuigan - bass Alan White - drums STEREO SOUNDBOARD RECORDING
Free Shipping on Every Order!
