Introducing early NIRVANA's official high-quality soundboard album. This work is a stereo soundboard sound source of the "Manchester performance on October 24, 1989", and was recorded at the UK performance, which took place about four months after the debut work "BLEACH". This is NIRVANA's first overseas tour, and Chad Channing will be sitting on the drum stool. This is a live album that features a passionate performance by a new generation band that is about to take off on the world stage with the finest, official sound. This live itself has been known for audience recording for a long time, but this work is a genuine sound board directly connected to the desk. It was suddenly discovered recently, and although the opening number "School" was not recorded, it is a gem that was able to capture the entire other part on a straight-shooting stereo sound board. The quality is top notch. I keep calling him "official grade," but in reality, I feel like that's more of a derogatory word than a compliment. In fact, for better or for worse, official music undergoes treatment and careful mixing to suit everyone, and the resulting sound also depends on the skill and sense of the engineer. To put it bluntly, "official grade" is also spot on. However, this work is just recorded directly from the sound board table. It is full of the rawness of the sound that was directly poured into the on-site PA. That may be good or bad depending on the band, but for NIRVANA and the indie era where they moved the times by force, the real sound is the real thing. In fact, the heavy sound of this work is at the cutting edge of the era, surpassing even the cheers of any sound producer, let alone the majors, and it jumps out of the speakers in a mass of awesomeness that only revolutionaries can produce. To be honest, the excitement of the audience was hardly recorded as it was so direct to the table, but the audience at the scene (apparently there were around 50 to 100 people) probably just stood there in a daze. Even to modern ears, 27 years after the recording, such a heavy, realistic, and chaotic sound is impossible. The show that unfolds with such a sound...well, it's so overwhelming that I don't even know if I should use the word "show". Although there are only three people, and there are only four sounds: guitar, bass, drums, and vocals, it is true that you can only hear four sounds, but it has an incredible presence. This should no longer be called a "show" but a "musical phenomenon." Extremely distorted sounds are plugged directly into your ears, stirring up your brain as it discharges electricity. At first, I thought about writing it as a "live version of BLEACH" because seven songs from "BLEACH" are played, but if I were to do something like that, it would tarnish this work. Yes, this "live performance + sound directly connected to the table" is an intense rock that even the historic debut work "BLEACH" is hazy. With that sound, they performed "Even In His Youth", "Stain", and even unreleased "Token Eastern Song" and "Spank Thru" (this work also includes studio demos from the same period, "Even In His Youth", " "Polly" and "Token Eastern Song" are also included as bonuses). On that day, Kurt Cobain apparently refused the encore saying, ``I don't have any more songs,'' but NIRVANA left giving their all in front of a foreign audience for the first time. What else should we call this other than a "phenomenon"? At that time, NIRVANA's only songs were "BLEACH" and the single "LOVE BUZZ". Three people who crossed the Pacific Ocean bluntly produced a revolutionary sound in front of only 50-100 people, creating chaotic rock. It is a historical excavation that records all of it with a transcendent desk-connected stereo sound board. The 50 or 100 people who were present at this scene must have had their lives changed by the sound that filled their bodies, and they must have done everything in their power to convey the message to those around them. This work has the sounds that make you believe that, the music that compels you to do so. This is rock, this is where history moves. This weekend, we will deliver to you the "waves of the times" that were pulsing in 1989. Manchester, UK 24th October 1989 STEREO SBD (54:38) 1. Scoff 2. Love Buzz 3. Floyd The Barber 4. Dive 5. Polly 6. Big Cheese 7. About A Girl 8. Token Eastern Song 9. Spank Thru 10 Even In His Youth 11. Stain 12. Negative Creep 13. Blew Bonus Tracks The Music Source, Seattle, WA. USA September 1989. 14. Even In His Youth 15. Polly 16. Token Eastern Song Kurt Cobain - Guitar, Vocals Krist Novoselic - Bass Chad Channing - Drums STEREO SOUNDBOARD RECORDING
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