Nirvana/CA,USA 1993 Remaster & Matrix of 2Audience Recording Edition

The official live work of the "IN UTERO" tour is unpopular. The tour is the best with this New Year's Eve live title! Overwhelming sound quality and performance! As the fateful day that no one knows approaches, NIRVANA in 1993 was still performing a fulfilling long stage. A super-excellent live album that allows you to experience the legendary full show on New Year's Eve, a great performance of the "IN UTERO Tour"! The live sound source situation of the "IN UTERO Tour" where the official is unreliable The great performance was realized at the "December 31, 1993 Auckland performance". This is a super-excellent live album that remastered and remixed two existing superb audience recordings with the latest AI technology. In modern times, various "IN UTERO Tour" live albums can be listened to officially and unofficially, but as will be described later, there are various problems. On the other hand, this work is also a shocking work that can be said to be the "new masterpiece of the tour" in both sound and show content. In order to explain how amazing it is, let's first look back at the outline of their activities at that time and explore the position of this work along with their key works. 1993 ・January 16th + 23rd: Brazil (2 performances) ・April 9th ​​/ July 23rd / August 6th: North America #1 (3 performances) 《September 23rd ``IN UTERO'' released》 ・October 18th - December 31st: North America #2a (38 performances) ←★Here★ 1994 ・January 1st - 8th: North America #2b (6 performances) ←※Official Seattle SBD ・February 6th - March 1st: Europe (15 performances) ←※ROME 1994 and others 《April 5th: Kurt Cobain dies》This is NIRVANA in 1993/1994. Among these, ``North America #2a'', which was released immediately after the release of ``IN UTERO'', is highly rated by maniacs. In 1994, perhaps due to Kurt's health problems, the set list was shortened and the performances were increasingly lackluster, but in 1993, the music was also fulfilling. Of course, this work was born in "North America #2a". Many important works were born there, so let's focus on the dates and organize them further. Details of "North America #2a" ・October 18th - November 17th (24 performances) *November 18th "MTV UNPLUGGED (official)" ・November 26th: Jacksonville performance *November 27th "MIAMI 1993" ・November 28th - December 10th (10 performances) *December 13th "LIVE AND LOUD (official)" ・December 14th - 30th (6 performances) *December 30th "30th Anniversary Edition Inglewood SBD (official)" *December 31st: Auckland performance ←★This work★ ... and so on. There are a number of official live works, but none of them are that good. Aside from "MTV UNPLUGGED" which has a different theme, "LIVE AND LOUD" is a planned live with a short set (it doesn't even have "Smells Like Teen Spirit"), and the excavated soundboard of the "IN UTERO" 30th anniversary box set also had a major post-production failure, resulting in the worst sound production, which was very unpopular among enthusiasts. Of course, the live content is good for the time, but that's why it was so frustrating. The latest AI remastering and remixing creates a sound that goes beyond the official sound. This work will clear up such frustration. First of all, the existing superlative audience recordings are demixed with the latest AI technology. Decomposed into 8 tracks (snare, toms, cymbals, kick drum, bass, guitar, vocals, cheers). In the second step, each is precisely treated, and finally, a total of 16 tracks from the two recordings are reconstructed matrix and mixed down. The effect is tremendous. If you have experienced our "Remaster & Remix" series, you will realize that this technique transforms the audience recording into something completely different. The weak points of the audience recording, "sense of distance" and "sense of being buried", are completely eliminated, and the strong sense of separation makes the thing beautifully three-dimensional. The loud cheers do not simply interfere with the performance sound, but they dance in the space as if sewing through the gaps of the ensemble, so you can only enjoy the heat of the scene. It is hard to believe that the sound was originally from the audience...no, it is far better than the official sound board. For example, "LIVE AND LOUD" was not very satisfying with the shortened set list for TV broadcast, and the excavated sound board of the "IN UTERO" 30th anniversary box was so poor that it had mp3-like distortion. There is no such discomfort in this work. The sound is more natural than the sound board, and even if it approaches Dohevi, it doesn't freak out at all, and each sound extends beautifully to the end where it disappears. Such a transcendent sound is drawn as a full show that shows the true potential of "IN UTERO Tour". As mentioned above, the number of songs is also a point, so let's organize it here by comparing it with the two official sound boards. Nevermind (8 songs) - Drain You/Breed/Come As You Are/Smells Like Teen Spirit (★)/In Bloom (★)/Lithium/Polly (★)/Territorial Pissings (★) In Utero (10 songs) - Radio Friendly Unit Shifter/Serve The Servants/Dumb (★)/Pennyroyal Tea/Frances Farmer Will Have Her Revenge On Seattle (★)/Milk It (★＊)/Rape Me/All Apologies/Scentless Apprentice (＊)/Heart-Shaped Box Others (7 songs) - Bleach: About A Girl/School/Blew - Others: Sliver/Jesus Doesn't Want Me For A Sunbeam (★)/Where Did You Sleep Last Night (★＊)/The Man Who Sold the world *Note: Songs marked with "★" are songs that were not included in the official "LIVE AND LOUD" album. The "*" marks are songs that were not included in the Inglewood SBD of the 30th anniversary edition of "IN UTERO". From the large number of "★" and "*" marks, you can understand the overwhelming number of songs that are different from the 1994 tour and the official live recordings, which are full of music, happenings, and energy. Moreover, this work is not just a treasure chest of masterpieces. As mentioned above, the energetic performance is widely loved by maniacs, and it has been highly praised as a rare great performance even in the "IN UTERO Tour". On mania sites, it is a live performance that is praised as "A very solid show with excellent sound." and "captures a long energetic performance by the band". In addition to the music, there are many must-listen points. One particularly interesting happening is "Jesus Doesn't Want Me For A Sunbeam". The performance is suddenly interrupted, but in fact, Kurt, who discovered a molester in the front row of the audience, throws his kiter and runs over. However, this was just a couple playing with each other. The astonished Kurt returned to his position, and Chris Novoselic pointed at the couple and laughed loudly, making them a laughing stock. The highlight of such a full show was the big last. Since it was New Year's Eve, there was a countdown to celebrate the New Year, but Kurt was in a panic, saying, "How much longer?" "What, 3 minutes!?" "How can we make it last for 3 minutes!" Dave started kicking the bass drum, saying, "Shall we do a drum solo?", and when the New Year arrived, the roar of feedback and the explosion of pyro became like a riot. This work allows you to experience such a space with a three-dimensional sense. In 1993, the "IN UTERO Tour" had evolved into a large group, with the introduction of side guitars and cellos. This is the latest AI matrix album, which is amazing in that each sound does not mix even when it is intertwined, but stands out clearly and vividly. Despite the audience source, it is a new masterpiece of a different dimension of sound that has realized a listening response that is more satisfying than the official sound board. The great performance on New Year's Eve 1993 is now available for the first time with perfect sound quality! Two types of high-quality AUD sources are born as the finest matrix sound source using the latest AI technology! The official live work of "IN UTERO Tour" has not been satisfactory so far, with "LIVE AND LOUD" with a shortened set list for TV and "30th Anniversary Deluxe Edition" which was criticized for poor sound quality. The final live album of "IN UTERO Tour" that literally exceeds the official complete version is this title! Oakland-Alameda County Coliseum, Oakland, California, USA 31st December 1993 Remaster & Matrix of 2 Audience Recordings Upgrade! Disc:1 (69:13) 1. Radio Friendly Unit Shifter 2. Drain You 3. Breed 4. Serve The Servants 5. Come As You Are 6. Smells Like Teen Spirit 7. Sliver 8. Dumb 9. In Bloom 10. About A Girl 11. Lithium 12. Pennyroyal Tea 13. School 14. Polly 15. Frances Farmer Will Have Her Revenge On Seattle 16. Milk It 17. Rape Me 18. Territorial Pissings Disc:2 (40:16) 1. Jesus Doesn't Want Me For A Sunbeam [Aborted] 2. Jesus Doesn't Want Me For A Sunbeam 3. Where Did You Sleep Last Night 4. The Man Who Sold The World 5. All Apologies 6. Scentless Apprentice 7. Heart-Shaped Box 8. Brew 9. New Year Countdown Kurt Cobain - lead vocals, guitar Krist Novoselic - bass Dave Grohl - drums, backing vocals Pat Smear - guitar (support) Lori Goldston - cello (support)