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Nirvana/CA,USA 02.11.1990 Soundboard Edition

Nirvana/CA,USA 02.11.1990 Soundboard Edition

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Introducing a soundboard album symbolizing the final days of the Chad Channing era! This work is inscribed with the "February 11, 1990 San Jose performance." It's a superb soundboard recording. 1990 was the era that saw the band move from "BLEACH" to the revolutionary "NEVERMIND." It was a turbulent time, with a string of hit songs and a rapid turnover of members. Even a slight difference in time can have a completely different meaning. Let's take a bird's-eye view of the band's activities at the time and examine their position in this work. 1990 January 6th - May 17th: North America #1 (41 performances) ←★Coco★《Chad Channing → Dale Clover replacement》 August 16th - 25th: North America #2 (8 performances)《Dale Clover → Dan Peters replacement》 September 22nd: Seattle performance《Dan Peters → Dave Grohl replacement》 October 11th - 17th: North America #3 (3 performances) October 23rd - 29th: UK (6 performances) November 25th + 31st: North America #4 (2 performances) ←※THE OFF RAMP CAFE This was NIRVANA in 1990. It was the biggest turning point, with four drummers replaced in less than half a year, but this San Jose performance was the last tour before such a dramatic change began. It was the fifth concert of "North America #1". Speaking of symbols of 1990, the soundboard masterpiece "THE OFF RAMP CAFE, SEATTLE 1990" is also a classic, but this work is a completely different soundboard, with a different time and set, and above all, Chad Channing sitting on a stool. This show is famous for the powerful soundboard recordings it left behind. This work is a masterpiece created from that best master. The sound created from the original soundboard master's DAT clone is extremely thick and ultra-realistic. It's a direct-to-desk system, not a broadcast system, so cheers are almost inaudible. While slight disturbances can be heard during MCs between songs, they are also far and small, like they're in the next room. The polar opposite is the super-thick performance sound and vocals. They blast out of the speakers unprocessed and unprocessed, creating a concrete-like wall of sound that approaches...or rather, crashes into you. The vocals and drums, in particular, are powerful. Kurt's roars swell inside your skull, creating an otherworldly sense of synchronicity that fills your entire body. This delightful soundboard captures a rare stage from the end of the Chad Channing era. The set was short, about 44 minutes, thanks to opening acts by local bands VEGAS VOODOO and PLASTIC JUNGLE, but that's what makes it so intense. Let's take a look at the set contents: Bleach (6 songs): School / Floyd the Barber / About A Girl / Negative Creep / Love Buzz / Blew; Others (7 songs): Incesticide: Molly's Lips / Dive / Stain / Been A Son; Others: Breed / Spank Thru / Polly. In addition to the set itself, a highlight of the day was a glitch that occurred onstage. Just as "Spank Thru" ended, Chris became angry at the commotion in the venue. Let's summarize it briefly. "That guy! He's all alone, isn't he? You guys aren't security guards. Hey! Leave him alone! Who the hell do you think you are? Who do you think you are? Hey, security! Go to hell! Over here! I'm giving you bodyguards the middle finger. Leave him alone! This is how you give the middle finger coolly. No, this is how you give the middle finger." Apparently, he was angry at the security guard for his rough handling of the fan. However, the show didn't get canceled, and he gently addressed the fans and resumed. The energy that would change the world filled the small club like a magma. This is the pinnacle of legendary soundboard recordings that will imprint the vivid scenes from the "Bleach" era into your mind. The pleasure of being completely in sync with the Chad Channing-era ensemble. This is an extremely raw soundboard recording of the "February 11, 1990 San Jose performance," which was the final stage of the Chad Channing era. The sound, created from the original soundboard master's DAT clone, is incredibly thick and ultra-realistic. The raw, unprocessed performance and vocals blast out of the speakers, crashing into you like a concrete wall of sound. The vivid scene of Chris getting into a fight with the security guard, etched into your mind, is a pinnacle of this legendary soundboard. Cactus Club, San Jose, CA, USA 11th February 1990 SBD UPGRADE!!! 01 School 02 Floyd The Barber 03 About A Girl 04 Breed 05 Spank Thru 06 Molly's Lips 07 Polly 08 Dive 09 Stain 10 Been A Son 11 Negative Creep 12 Love Buzz 13 Blew Kurt Cobain - Lead Guitar, Vocals Krist Novoselic - Bass Guitar Chad Channing - Drums SOUNDBOARD RECORDING

Cactus Club, San Jose, CA, USA 11th February 1990 SBD UPGRADE!!! 01 School 02 Floyd The Barber 03 About A Girl 04 Breed 05 Spank Thru 06 Molly's Lips 07 Polly 08 Dive 09 Stain 10 Been A Son 11 Negative Creep 12 Love Buzz 13 Blew Kurt Cobain - Lead Guitar, Vocals Krist Novoselic - Bass Guitar Chad Channing - Drums SOUNDBOARD RECORDING

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