Motorhead/Tokyo,Japan 6.29.1982
Motorhead/Tokyo,Japan 6.29.1982
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The charismatic legend's first visit to Japan in 1982. A new original recording has been discovered to permanently preserve the scene. What is engraved in this work is the "June 29, 1982: Nakano Sun Plaza" performance. This is an exquisite audience recording. At the time, they had just added Brian "Robo" Robertson (their first stage was on May 21, 1982), and after playing 18 shows, they made their first appearance in Japan. Miracleman's masterpiece “FIRST BOMBER IN JAPAN” reigns as a standard, but of course this work is a separate performance. First, let’s check the show’s position from the schedule at that time.・June 26th “FIRST BOMBER IN JAPAN” ・June 28th: Osaka Mainichi Hall ・June 29th: Nakano Sunplaza ←★Here★ ・June 30th: Tokyo Postal Savings Center ・July 1st: Nagoya City Public Hall A total of 5 performances. “FIRST BOMBER IN JAPAN” was a live album on the first day as its name suggests, but this work was recorded three days later. It was the third performance in the middle. Records of the Mainichi Hall and Postal Savings Hall have become known, but recordings of the Nakano Sunplaza performance have not been known until now. This work is a live album that allows you to experience such a valuable scene. Moreover, the sound is also exquisite. It has a slightly warm feel, and although it is an audience recording in terms of tone, its core is powerful and beautiful. Despite being a band that is synonymous with roaring sounds, there is no chatter or overpeak, and there is no sense of sparseness at all. Although it is not so close that you can mistake it for a sound board, the mid-bass is full of density and the power that you can't believe is a trio is approaching. The opening “Iron Fist” becomes a little unstable, but apparently this is caused by the on-site PA. At one point, the output becomes extremely weak and you get a little buzz, but it recovers in less than 10 seconds and stabilizes immediately after that. While building up dynamically due to the sound of the hall, the core forcibly penetrates the center of the sound...It is a sound that is very typical of MOTORHEAD, but it is actually valuable worldwide. After all, MOTORHEAD is the most ferocious of its time. Many of the recordings at the time had rough sound quality. Records captured so clearly are extremely rare. And the person who achieved such neat sound is a recording artist who is currently a hot topic. In terms of HR/HM, it is the master collection that shocked collectors with WHITESNAKE's first visit to Japan, Graham Bonnet era RAINBOW, 1985 DEEP PURPLE, etc. Even more valuable than such masterful sounds is a full show full of classics re-dyed by Robo. Speaking of the Robo era, the most famous is the sound board of the Manchester performance, which was also made official. Let's compare and organize them. Ace of Spades (6 songs) ・Shoot You in the Back/The Hammer(★)/Jailbait(★)/(We Are) The Road Crew(★)/Bite the Bullet/The Chase Is Better Than the Catch Iron・Fist (5 songs) ・Iron Fist (★)/Heart of Stone/Go to Hell/(Don't Need) Religion/America Others (4 songs) ・I'm Your Hoochie Coochie Man/Overkill (★)/Bomber (★)/Motorhead (★) *Note: Songs marked with a “★” cannot be heard on the official live album of the 1983 Manchester performance. ...and it looks like this. Starting with the official Manchester performance, there is an image that during the Robo era, all the classic songs were removed and there were only new songs like ``ANOTHER PERFECT DAY''... but that was after the album was released. As mentioned above, the first visit to Japan was about a month after joining Robo, and the only new song that entered the set was Muddy Waters' "I'm Your Hoochie Coochie Man." It is a collection of famous songs from the golden age that is typical of the “IRON FIST Tour”. For Japan, it was the first time they met the charismatic robot, and for the world it was a valuable record immediately after he joined Robo. Above all, it is a shocking new excavated live album that allows you to experience the Nakano Sunplaza performance that you have never been able to hear before. An exquisite audience recording of the "June 29, 1982: Nakano Sun Plaza" performance that will be released for the first time in the world. Although it has a slightly warm feel, its core is powerful and beautiful. Despite being a band that is synonymous with roaring sounds, there is no chatter or overpeak, and there is no sense of sparseness at all. The mid-bass is dense and the power is so intense that you wouldn't think it was a trio. For Japan, it was the first time meeting the charismatic artist, and for the rest of the world, the many representative songs that have been changed by Robo are delicious. This is a shocking new excavated live album that allows you to experience the Nakano Sunplaza performance that you have never been able to hear before. Live at Nakano Sunplaza, Tokyo, Japan 29th June 1982 TRULY AMAZING/PERFECT SOUND(from Original Masters) (73:30) 1. Intro 2. Iron Fist 3. Heart of Stone 4. Shoot You in the Back 5. The Hammer 6 Jailbait 7. Go to Hell 8. (Don't Need) Religion 9. I'm Your Hoochie Coochie Man 10. America 11. (We Are) The Road Crew 12. Bite the Bullet 13. The Chase Is Better Than the Catch 14. Overkill 15. Bomber 16. Motorhead Lemmy Kilmister - Bass, Vocal Phil "Philthy Animal" Taylor - Drums Brian "Robo" Robertson - Guitar
1. Intro 2. Iron Fist 3. Heart of Stone 4. Shoot You in the Back 5. The Hammer 6. Jailbait 7. Go to Hell 8. (Don't Need) Religion 9. I'm Your Hoochie Coochie Man 10 America 11. (We Are) The Road Crew 12. Bite the Bullet 13. The Chase Is Better Than the Catch 14. Overkill 15. Bomber 16. Motorhead Lemmy Kilmister - Bass, Vocal Phil "Philthy Animal" Taylor - Drums Brian " Robo" Robertson - Guitar