The final trio accounted for half of MOTORHEAD's 40-year history. Introducing the professional shot collection where you can witness the immovable triangle that has reached its climax. This work includes three types of multi-camera professional shots. This is a compilation DVD of TV broadcasts that mainly includes the "August 15, 1997 Budapest performance" and additionally includes "May 24, 1998 Cologne performance" and "June 30, 1998 Budapest performance". At that time, they returned to the trio format with "OVERNIGHT SENSATION" and "SNAKE BITE LOVE," and the live album "EVERYTHING LOUDER THAN EVERYONE ELSE," which is said to be their masterpiece, was also produced. In order to get an idea of the circumstances surrounding that, let's first look at the schedule at the time. 1997, January 12th - March 21st: Europe #1 (47 performances), May 28th - June 1st: Japan (4 performances), June 8th - July 10th: North America #1 (17 performances) August 9th - November 1st: Europe #2 (14 performances) ←★Here★3rd performance February 26th + March 1st, 1998: North America #2 (2 performances) 《3 “SNAKE BITE LOVE” released on April 10th》・April 3rd: Universal City performance・April 30th – June 30th: Europe #3 (26 performances) ←★Here★19th show/26th show/Official 17th performance ・July 3rd – August 2nd: North America #3 (20 performances) ・August 12th – 23rd: Europe #4 (4 performances) ・October 4th – November 29th: Europe # 5 (32 performances) This is MOTORHEAD in 1997/1998. The “OVERNIGHT SENSATION Tour” began in the fall of 1996, and the 1997 Budapest performance, which is the main focus of this work, is the final stage of the tour. This was the third concert of "Europe #2". The other two performances are the 19th and 26th performances of "Europe #3" after the release of "SNAKE BITE LOVE". The official live album “EVERYTHING LOUDER THAN EVERYONE ELSE” was also produced in the same “Europe #3” and can be enjoyed as a video version of that famous album. This work that conveys such a show is a TV professional shot by a treasure master. Although it is a period VHS recording, its freshness is wonderful. In the first place, the three videos included in this work have not been known until now, and have hardly been distributed among collectors. Therefore, it is a low generation master with very few dubbing marks, and the colors are vivid and the details are clear without bleeding. Although the slightly stiff feel cannot be touted as ``official quality!'', being able to witness a valuable stage from the 90's with such quality is nothing but a treasure. Yes, the HR/HM series from the 90's is valuable. If you're a video collector, you'll probably agree, but master excavations and digital rebroadcasts were popular in the 1970s and 1980s, and various standard professional shots were significantly upgraded. On the other hand, 21st century images are digital from the beginning, so they are beautiful even to modern eyes. Currently, the archive is facing difficulties in the "in between" period. It's a video from the 90's. Moreover, it is especially difficult for HR/HM systems. At that time, Rob Halford was said to be ``metal is dead'', the scale of tours in the UK and the US was reduced, and TV broadcasts were drastically reduced. It was popular in South America/Eastern Europe, countries that are less developed in terms of media, and while they may have numbers, they cannot match the quality... These are unfortunate times. However, during this era, MOTORHEAD was performing live performances that could be called a "second golden age." In the 21st century, the number of live works by the final trio will increase, but they were at their peak in the 1990s. It's tight and the momentum is strong, and above all, the power of desperation that spits in the dark age of HR/HM is outrageous. It is even said by some enthusiasts that “EVERYTHING LOUDER has surpassed Hammersmith,” but in this work, you can witness the true value of such a final trio in the video. So, what kind of songs can we enjoy in this work? Finally, let's organize the three videos together. Golden Trio Era (8 songs, 10 takes) ・Overkill: Metropolis (2 takes) / No Class / Overkill / Stay Clean (2 takes) ・Ace of Spades: The Chase Is Better Than The Catch / (We Are) The Road Crew/Ace Of Spades・Iron Fist Afterwards (10 songs, 11 takes)・No Remorse: Killed By Death・Orgasmatron: Nothing Up My Sleeve・1916: I'm So Bad (Baby I Don't Care) (2 takes)/Going To Brazil/The One To Sing The Blues (★)・Basterds: Burner・Sacrifice: Sacrifice/Over Your Shoulder・Overnight Sensation: Overnight Sensation/Civil War *Note: ★” marks are songs that cannot be heard on the official live album “EVERYTHING LOUDER THAN EVERYONE ELSE”. At the main Budapest performance in 1997, this is a treasure video collection where you can see the extremely rare "Remy without a beard" in a professional shot. It's up to each person to decide which of the 80's "Golden Trio" or "Final Trio" is the strongest, but the latter band's potential was definitely at its peak in the 90's. Although a large number of live works by the final trio have been released, why is there nothing better than "EVERYTHING LOUDER THAN EVERYONE ELSE"? A collection of professional shots that you can see and understand why. A collection of TV pro shots that mainly includes the "August 15, 1997 Budapest performance" and additionally includes "May 24, 1998 Cologne performance" and "June 30, 1998 Budapest performance". Low Gene Master, which has minimal dubbing marks, does not bleed or smudge, and the vivid details are clear. Although it feels a little stiff, it is a treasure to be able to witness the 90's, the dark age of HR/HM, when there are few records outside of South America, in such high quality. This is a collection of multi-camera professional shots that can be called the video version of the official masterpiece album "EVERYTHING LOUDER THAN EVERYONE ELSE", which is said to be the masterpiece. Sziget Festival, Budapest, Hungary 15th August 1997 PRO-SHOT E-Werk, Cologne, Germany 24th May 1998 PRO-SHO T Petofi Csarnok, Budapest, Hungary 30th June 1998 PRO-SHOT (72:08) Sziget Festival, Budapest, Hungary 15th August 1997 1. Metropolis 2. I'm So Bad (Baby I Don't Care) 3. The Chase Is Better (Than The Catch) 4. Burner 5. No Class 6. Overnight Sensation 7. Sacrifice 8. (We Are ) The Road Crew 9. Going To Brazil 10. Killed By Death 11. Ace Of Spades 12. Overkill E-Werk, Cologne, Germany 24th May 1998 13. Iron Fist 14. Stay Clean 15. The One To Sing The Blues 16. Over Your Shoulder 17. Civil War 18. Metropolis 19. Nothing Up My Sleeve 20. I'm So Bad (Baby I Don't Care) Petofi Csarnok, Budapest, Hungary 30th June 1998 21. Stay Clean Lemmy - vocals, bass Phil Campbell - guitar Mikkey Dee - drums PRO-SHOT COLOR NTSC Approx.72min.
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