In the spring of 1982, when MOTORHEAD was at its peak of popularity and momentum in the British hard rock scene, the UK tour that began prior to the release of "IRON FIST" included a performance at Newcastle "City Hall" on March 22nd. , now available as a sound board sound source using broadcast sound sources! This high-quality recording of the last performance of the so-called "Golden Trio" by Lemmy, "Fast" Eddie Clark, and Phil "Animal" Taylor is a must-listen for all MOTORHEAD fans! MOTORHEAD, which became the catalyst for "N.W.O.B.H.M." with their two works released in quick succession in 1979, "OVERKILL" and "BOMBER", has been energetically expanding their live tour and is doing well, and has been in the hearts of British rock fans. I grabbed it firmly. Carrying the momentum of the "BOMBER" tour into the studio, they released the masterpiece "ACE OF SPADES" the following year in 1980, which became a huge commercial success. Against the backdrop of the self-initiated "N.W.O.B.H.M." movement, the band's popularity and performance finally reached its peak, and the band finally made its first appearance with "NO SLEEP 'TIL HAMMERSMITH", which was produced from the 1981 "ACE OF SPADES" tour. We will establish a monumental milestone of being number one in the UK. After completing their UK tour in March 1981, they toured the United States for the first time as support for OZZY OSBOURNE in April, and showed powerful performances that rivaled Ozzy. After a four-month tour in the United States, a further European tour took place from November to December, and MOTORHEAD's 1981 year was filled with live performances. In 1982, the band recorded their new album ``IRON FIST'' from January to February. Although it was an extension of the conventional MOTORHEAD sound, the band's image was further expanded in an ambitious style, and it was a good album that showed the band's ability, which has matured through repeated tours. The band will not wait for the release of their new album and will begin their 1982 tour with a performance in Aberdeen on March 17th. The highlight of this UK tour will be the four consecutive performances at the Hammersmith Odeon from March 26th to the 29th, but just before that, they will also perform three consecutive days at Newcastle's City Hall. It made the fans excited. This work includes the broadcast sound source of the live performance on March 22nd, the first day of the three consecutive performances in Newcastle. Although this sound source is a broadcast sound source, it has an overall slightly dry, dusty feel rather than a "shining sound board". However, this sound quality is rather suitable for their performance, and the metallic texture allows you to enjoy MOTORHEAD's live performance from the opening "Iron Fist" with an irresistible listening experience. "Heart Of Stone" has Phil's drums flapping and busy, "Shoot You In The Back" has a dusty tone that amplifies the Western song feeling, and many other songs that will be played from the first half of the live show "It's cool because of this sound. There are only things that make me think "It's good." New songs such as "Loser" and "America", which had not been released at the time of this live performance, are good numbers that make you feel the sadness of a man. Together with the lighthearted "Jailbait," these songs serve as a clever hook to attract the listener during a live performance that is all about rushing forward. In the second half of the show, the band's momentum didn't slow down at all, and Lemmy's bass exploded in the intro of "Don't Need Religion," which was more powerful than the vocals, and "Capricorn," which had a profound sound and psychedelic mood that intoxicated the listener. The famous song "Ace Of Spades" hits with the same fierce power as the beginning. “Overkill” and “Bomber”, which explode at the climax of the live performance, are the final blow, and the band’s endless energy is sure to leave the listener in agony! After the UK tour, the North American tour started in May, but Eddie Clark left the band during the recording of a single, and the "Golden Trio", which had lasted for about 5 years since the band's debut, disintegrated. . Needless to say, this sound source, which perfectly captures the band's "end of its peak," is a must-listen for all MOTORHEAD fans, but even those who don't know much about their live shows will appreciate the intense performance contained here. You'll be able to enjoy the excitement of a live performance without any reason. The successive performances and songs are so powerful that it makes you think, ``This is rock!'' and shows off the potential of MOTORHEAD as a live band. The official live work "NO SLEEP 'TIL HAMMERSMITH" mentioned above was composed mainly of the Newcastle performance at the end of March 1981. Exactly one year later, this work, which was recorded with a perfectly satisfying line sound source of the same Newcastle performance, can be described as the 1982 version of the masterpiece live, another "villainous live". . This 70-minute high-energy live show that seems to make the amplifier and speakers explode while playing the sound source will leave the listener in awe! Please take this opportunity to enjoy this important work in understanding the mood of the British rock scene at the time! Live at City Hall, Newcastle upon Tyne, England 22nd March 1982 SBD 1. Iron Fist 2. Heart Of Stone 3. Shoot You In The Back 4. The Hammer 5. Loser 6. Jailbait 7. White Line Fever 8. America 9. Don't Need Religion 10. Go To Hell 11. Capricorn 12. (Don't Let 'em) Grind Ya Down 13. (We Are) The Road Crew 14. Ace Of Spades 15. Bite The Bullet 16. The Chase Is Better Than The Catch 17. Overkill 18. Bomber SOUNDBOARD RECORDING Lemmy - Bass, Vocals Eddie Clarke - Guitar Phil Taylor – Drums
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