This video work is a reprint of a promo clip that shows the 10 years of the "Golden Four". This work covers the PV from their debut in 1981 to 1991 when Vince Neil was fired in chronological order. This is a piece that allows you to reminisce about the "10 years" that they ran through as the darlings of the era with the highest quality. Speaking of promo collections, the official "GREATEST VIDEO HITS" was compiled in 2003, but this work first appeared much earlier than that. It is a Japanese laser disc that was digitized by a collector who was fed up with the situation where "DECADE OF DECADENCE" was not released on DVD no matter how long he waited. Therefore, the quality is completely official quality. The contents are also slightly different from "GREATEST VIDEO HITS". Due to the release date, no music videos from the album "MOTLEY CRUE" onwards are included, but on the contrary, a live clip of "All In The Name Of..." (filmed at the Moscow Peace Festival in 1989), which was not included in "GREATEST VIDEO HITS", is included. You can enjoy the "golden age" even more intensely. What's different more than the song list is the order of the songs. "GREATEST VIDEO HITS" featured a group of masterpieces while jumping through time, but this work is in complete chronology. You can see the progress of "10 years" with your own eyes. This is actually a big thing. As the feeling of bigness gradually increases from "Live Wire" and "Looks That Kill", which are almost like Seikima-esque, with hexagrams and cheap, gaudy makeup, it becomes more dramatic. In "Smokin' In The Boys Room" and "Home Sweet Home," actors are used to depict teenage frustrations and skits full of the LA mood of the time, but since this film is originally from Japan, the dialogue is properly subtitled in Japanese. "Home Sweet Home" is particularly touching. It is a moving ballad even today, but it is different when you watch it in this film. The flashy members, who still have a bit of gaudy flair, are having a wild time, while a sad melody flows endlessly. It is as if it stimulates our recording circuits in the Far East, where the bubble economy was booming, and the smell of the time is fragrant. The fact that the images are not heartbreaking even though they are ballads evokes a strong sense of nostalgia. Then there is "Girls, Girls, Girls," with bouncing breasts that would never be shown on modern terrestrial TV, the youthful and tough live scene of "Wild Side," and the murder drama-style "You're All I Need." Because it is in chronological order, you can feel the "flow of time." The memories and the smell of the era are strong. Furthermore, the masterpieces of "DR. FEELGOOD", which reached the peak of the golden age, showed the magnificent performance of a big star, and the spectacle of the large audience at the Moscow performance, which opened up the era, was also vivid. It is truly a decade of decadence. The first recording of popular music that did not even mention immorality was the black blues in 1920. Since then, the popular music business has continued to grow and is soon to reach its 100th anniversary. The 1980s were undoubtedly the most glamorous, glamorous and huge in its history. MOTLEY CRUE was at the forefront of the industry during those 10 years and continued to embody "more extravagant rock than anyone else". This is a disc that captures their image more clearly than an original album or even a single live performance. In a sense, this is a collection of masterpieces that is even the pinnacle of music history. 1. Live Wire 2. Looks That Kill 3. Too Young To Fall In Love 4. Smokin' In The Boys Room 5. Home Sweet Home 6. Girls, Girls, Girls 7. Wild Side 8. You're All I Need 9. Dr. Feelgood 10. All In The Name Of... 11. Kickstart My Heart 12. Without You 13. Don't Go Away Mad 14. Same Ol' Situation(S.O.S.) 15. Primal Scream 16. Anarchy In The U.K. 17. Home Sweet Home '91Vince Neil - Vocals Mick Mars - Guitar Nikki Sixx - Bass Tommy Lee - Drums PRO-SHOT COLOR NTSC Approx.74min.
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