The average time of all performances is still 3 hours! A European tour was held from October to November 1987, during which long performances were held every day. What laid the groundwork for this was the live performances he performed from July to September, in particular, which were a series of great performances that were somewhat compact but had the most outstanding performance content of Miles since his return, and the standard songs were So What! The performance in Munich in July, and the other day So What! Live Under the Sky in Japan in the same month, which was released by the band, was mentioned, and when I listened to these, I found that they had a tight and good content that far exceeded the long performances that followed! Here, a very powerful item that proves the above theory has appeared for the first time! The Bumbershoot Festival performance held at the Seattle Center Coliseum on September 4th from the American tour from late August to September 1987 was recorded on a soundboard with a clear overall balance and the sound of each instrument. It is no exaggeration to say that it is a 2-disc set completely recorded for over 2 hours with amazing high-quality stereo sound, and this is the first appearance of Miles' new classic! ! ! Center Coliseum Seattle WA September 4.1987 Disc-1 1. One Phone Call / Street Scenes ~ Speak 2. Star People 3. Perfect Way 4. The Senate / You and Me 5. Human Nature 6. Wrinkle 7. Tutu Disc-2 1. Movie Star 2. Time After Time 3. Splatch 4. Carnival Time 5. Tomaas 6. Burn 7. Portia Miles Davis (TP,KEY) Kenny Garrett (AS,FL) Foley (LEAD B) Robert Irving (SYNTH) Darryl Jones (ELB) Ricky Wellman (DS) Mino Cinelu (PER)
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