Miles' first sound source from 1975! Miles in the 1970s never played the same thing, even if he held concerts for several days in a row. It's not just the detailed phrases of the instruments, but the approach to the music itself that differs every day. This became noticeable around 1970 when he stood on the stage of the Fillmore, which is said to be the Rock and Roll Hall of Fame, and it was the 1975 concert series that marked Miles' temporary retirement. On May 12, 1975, the Just Jazz performance in Philadelphia was the first low-generation master sound source with no dropouts, small chat, and a three-level improvement in sound quality, and on May 17, 1975, which was the first time it appeared. A 2-disc title that completely records all existing Philadelphia concert sound sources has arrived, with the highest quality stereo sound that has been carefully mastered by the label. ! This performance is all recorded from the so-called band recording master recorded by the people involved for record purposes, and both existing and new sound sources are not masters that have passed through several generations and are distributed in a small number of underground circles. This is the first time that the master master owned by Mr. P., which is not available even among collectors, has been used, and the sound quality is the same in all four performances, making it feel like you are sitting in the middle of the stage listening to it. Achieve a realistic sense of presence! ! For the concert, Sonny Fortune, who is familiar from the Japan concert, was replaced by Sam Morrison (later replaced by Bill Evans), who is a white saxophonist in the Miles Band along with Steve Grossman and Dave Liebman. Morrison has been underrated since this was almost his first stage performance, but after listening to these four performances, as expected from Miles, his creative and aggressive playing at times surpassed both Grossman and Liebman, and he was completely devoted to his work. It's impressive to see him take on the challenge so defiantly. Of course, Miles has nothing in common with anyone else, such as Reggie Lucas, Pete Causey, Michael Henderson, Al Foster, and Mtume's harmonious and harmonious performance, and the main character Miles' unique performance.・Music is here! ! Although only a few months had passed since "Agarta" and "Pangaea", it was clear that there had been a noticeable change in his overall sound, and Miles at the time was moving in a Latin direction with songs such as Pete's "Mother Dearest Mother". It is interesting that there are also interesting numbers that prove this. Also, a melody that connects to the melancholy phrase of the ballad number after the comeback appears, suggesting a slight attempt at pop. Of course, the core of the concert will be intense numbers such as ``Prelude'' and ``Ife.'' Please let your imagination run wild and immerse yourself to your heart's content... All performances are recorded from the warm-up before the performance! ! Live at the Just Jazz,Philadelphia,PA May.12 & 17.1975 Disc 1 (May.12.1975) 1. Band Warming Up 2. Prelude 3. Ife 4. Mother Dearest Mother Disc 2 (May.17.1975) 1. Band Warming Up 2 Prelude 3. Ife 4. Mother Dearest Mother Miles Davis - TP,Org Sam Morrison - SS,TS,FL Pete Cosey - ELG,PER Reggie Lucas - ELG Michael Henderson - ELB Al Foster - DS Mtume - PER
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