The latest in the series of superb soundboard archives, following "HAMMERSMITH ODEON 1980" and "OSAKA 1981 AFTERNOON SHOW / EVENING SHOW". A piece that permanently preserves the famous sound source that symbolizes the "Apocalypse" era is now available. What is engraved in this work is “August 29, 1982 Reading Festival Performance”. Yes, “Surprise, Surprise!” by Gary Burden is also an iconic stereo soundboard recording. Speaking of “ASSAULT ATTACK Tour”, it is known as the shortest tour even in the early MSG, but the reason for this is the disappearance of the legendary Graham Bonnet. In order to understand the circumstances around that, let's take a look at the schedule at the time. 1982, August 24: University of Sheffield (Graham disappears)《August 27: Rehearsal with Gary Burden》・August 29: Reading Festival performance ←★This work★・September 4th + 5th: Golden・Summer Night (2 performances in West Germany)《``ASSAULT ATTACK'' released in October》 ・October 31st: Bristol performance ・November 21st - December 13th: UK (14 performances) 1983 ・January 13th - 20th Sun: Japan (6 performances) ← *GOD RETURNS《Towards the production of ``BUILT TO DESTROY''》 This is an overview of activities related to ``ASSAULT ATTACK.'' The early MSG is uncertain, as the dates are vague and contradictory depending on the source material, but I think you can understand the general flow and scale. Having completed ``Apocalypse'', they plan to start a big tour at the big stage Reading Festival, but at the warm-up gig, Graham unexpectedly disappears (there is also a strong episode of Graham himself's display sin). However, Chris Glenn also said, ``He just panicked, he didn't do anything like that.'' Although the timing of Gary's subsequent return varies depending on the testimony, the latest research shows that he will join him and begin rehearsals three days later. It seems like it was an amazing feat as they somehow managed to make it in time for the actual Redding event five days later. Then, at the Reading performance, Gary stood in front of the audience who were expecting Graham to appear, and it became a legend because he started with the usual "Surprise!" In any case, since such a stage is a famous festival, it is also recorded on the sound board. It has been a staple in radio broadcasts since those days. And this work is a master that is said to be the longest and highest peak among them. The air check version of the FM broadcast had some problems with the sound, and even when it was made official as "BBC RADIO ONE LIVE IN CONCERT" in the 90's, the song was cut, so despite being famous, it was not blessed with a definitive edition. . This work is a perfect sound board without such drawbacks. The total length, which also includes "Feels Like a Good Thing," is 62 minutes, and the sound is ironclad and ironclad. In fact, in the 2000s, the complete version master was sometimes included in the official bootleg BOX, but it is a completely flawless version that does not lose at all. In terms of quality, there is no way to describe it other than "official masterpiece" or "ultimate board", but the special feeling of the show drawn with that sound is also strong. Speaking of the highest peak of “ASSAULT ATTACK Tour”, the Japanese performance soundboard “GOD RETURNS DEFINITIVE MASTER” reigns, so let’s organize the set while comparing. God (Return of the Flying Arrow) / Armed and Ready / Cry for the Nations / Bijou Pleasurette / Feels Like a Good Thing (★) / Lost Horizons Mythology / Attack of the Mad Axeman / But I Want More (★) / Let Sleeping Dogs Lie Others・Rock You to the Ground／Courvoisier Concerto／Doctor Doctor *Note: Songs marked with "★" cannot be heard on "GOD RETURNS DEFINITIVE MASTER". ...and it looks like this. The only new songs are "Heavy Blues" and "Rock You to the Ground," which is introduced as "Rock You to the Ground," and the rest are classics. “Feels Like a Good Thing” and “But I Want More”, which were not played in the main tour, are also performed. In addition, these two songs are repertoires that cannot be heard in the later “ROCK WILL NEVER DIE”, and the sound board take that Ted McKenna hits is the only one in this work. Moreover, what is more interesting to listen to than such a set is the performance itself that reveals the situation at the time. Gary’s “Rock You to the Ground” has a pretty tough feel, and Michael also stumbles when he starts the solo of “Cry For The Nations.” The impossibility of a sudden lineup can be seen from various places. More MC. There is also the legendary call “Surprise!” at the beginning, but after “Cry for the Nations” he firmly introduces “Graham is not coming tonight” and “It is singer Gary Burden”. MSG was supposed to scale up with the acquisition of Graham Bonnet. Those thoughts turned around and brought about the "beginning of the end." The longest and highest peak of the traditional sound board that conveyed the situation at that time. Superb stereo soundboard recording of "August 29, 1982 Reading Festival Performance". The sound is much better than the radio broadcast version, and it is the longest and highest peak master that also includes "Feels Like a Good Thing", which was cut from "BBC RADIO ONE LIVE IN CONCERT" in the 90's. It is completely official quality that is comparable to the out-of-print official boxed version. You can enjoy the passionate performance of Gary Burden, who was suddenly recalled due to the disappearance of Graham Bonnet, and the MC's performance, which reveals the circumstances of the emergency, at the highest quality ever. Richfield Avenue, Reading, UK 29th August 1982 STEREO SBD (61:59) 1. Intro 2. Armed and Ready 3. Cry for the Nations 4. MC ★"Graham isn't coming tonight" "It's singer Gary Burden" 5. Attack of the Mad Axeman 6. But I Want More 7. Heavy Blues (Rock You to the Ground) 8. Bijou Pleasurette 9. Feels Like a Good Thing 10. Band Introductions 11. Let Sleeping Dogs Lie 12. Courvoisier Concerto 13 Lost Horizons 14. Doctor Doctor Michael Schenker - Guitars Gary Barden - Vocals Chris Glen - Bass Ted McKenna - Drums Andy Nye - Keyboards STEREO SOUNDBOARD RECORDING
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