In January 1985, the songwriting for the new album began in earnest (more decisively than Prince). During that time, the sci-fi short film "Captain EO" was also being produced. This title begins with a remix of "We Are Here To Change The World" used in the film. The extended version is a simple, extended version of the original version included in "Ultimate Collection," and then the film version is added, creating an interesting development. Then, on the other hand, the remix firmly incorporates the atmosphere of the film, and this one is elaborately made. And the instrumental version of the film atmosphere also has a moderate digital feel to it. And finally, a fan-made game remix arranged in the style of the Genesis (called the Mega Drive in Japan), a game console released by Sega in 1988. In fact, this sounding has a very similar atmosphere to "Starlight Sun" included here. I recorded two versions, a 50-second snippet and a version that I made myself, about 2 minutes longer and with better sound quality. "Starlight Sun" is a recording that Michael wrote for "Captain EO" but was scrapped. It is an instrumental track, with Michael doing some vocals but no lead vocals. Brad Sandberg and John Barnes say that the recording was just a groove and nothing more. Michael returned to the studio in August after filming Captain EO, which began in July 1986. "Changes" was written by Michael, John Barnes and Bill Bottrell (the latter also produced), and recorded during the Hayvenhurst sessions from spring 1985 to December 22, 1986, but was shelved. It was later reconsidered by Michael during the HIStory sessions from summer 1994 to September 1995, but was rejected again. It was registered with the US Copyright Office in 2010, which means it was reworked during the sessions for Michael's 11th studio album. Brad Baxter is credited as both writer and producer on that version. "John Barnes says this song came out of the Hayvenhurst sessions. When I asked him about it, he sang the hook, confirming that we were talking about the same song. The song was resurrected during the HIStory sessions, but never finished. "Changes" has a church feel to it. It had piano, gospel choirs, and a mumbling, less-powerful vocal style." Damian Shields A collector later leaked a two-second snippet of Michael singing "that's what they told me, changes." Two days later, Damian Shields confirmed that the song was "Changes." He also stated that "Changes" is primarily made up of murmurs, and that the leaked lines are the clearest and most powerful lines of the entire demo, and that the entire recording lasts over seven minutes. According to the metadata of the mix Shields heard at the U.S. Copyright Office, the vocal take was made in September '95, a few months after HIStory was released. Later, the same section of the song was leaked again, with additional music and vocals, lasting about 7 seconds. On May 4, 24, Korg Nex leaked a longer version of the same snippet, with percussion and editing. We've included 50 seconds of that snippet here, as well as a fan-made version of it that was made longer. On December 5, 24, Bottrell shared a list of notes for songs recorded during the Bad sessions, including "Changes." The notes give it the working title "The Choir Song." In the fall of '85, a demo of "Leave Me Alone" was made. We included a snippet of that, plus a fan-made mix that was more demo-like but also included horns. Then, on October 2, '85, a demo was made with the working title "Hot Fever." This would grow into the song "The Way You Make Me Feel" after recordings at Westlake Studios from August '86. Here is a demo of "Hot Fever," which is not very similar to "The Way You Make Me Feel" but has the same vibe. It may be suspected to be fake, but there is no such story, so the truth is unknown. "What You Do to Me" was produced by Bill Bottrell and Michael and recorded in the fall of '85, but was not included in the final release. It is known that the song was complete enough to be released, according to Damien Shields. "What You Do To Me" has vocals with lyrics. A mid-tempo love song. It has a refreshing atmosphere similar to "Free" and "I'm So Blue." The chorus lyrics are "You just don't know, you just don't know, what you do to me, do to me, do to me, do-do-do, do to me." It was a comment on Daan Shields X, but when asked if the track was by Michael or if John Barnes was also there, Bottrell also mentioned this song along with "Bad Girl" as follows: "Both are in my journal. I don't remember what the songs were like. It was only a day or two. It wasn't fleshed out. There might have been some vocals, I don't know." This time, a snippet of "What You Do To Me" is included, but it's clearly not similar to the above comment and is almost fake. And the AI version made with the above information, but the singer is not AI Michael, but a (female?) musician named Gangster BTS. It's reminiscent of the sound of Prince's "3121" and contains the above lyrics, and although it's a bit out of place, it's pretty good. "Tomboy" is an unreleased song written by Michael Jackson, John Barnes, and Bill Bottrell and produced by Michael, recorded at Hayvenhurst from October 22, 1985 to January 22, 1986 for the album "Bad". Unfortunately, the song was not ultimately used. "Michael worked on "Tomboy" with Bill Bottrell and John Barnes in the fall of '85. Burns said he didn't like it, but Michael did. He contacted Roger Troutman of the groundbreaking band Zap to produce the song. It featured a funky guitar riff and upbeat production, but he didn't really try to develop it much after '85." Joe Vogel, Man in the Music: The Creative Life and Work of Michael Jackson, describes "Tomboy" as a classic mid-'80s track, with synth drums, beautiful strings, a nice guitar riff, and slap bass reminiscent of the Captain EO soundtrack. "Tomboy," I don't know. The version I heard at the USC was an instrumental. It had a very Captain EO vibe, and the musical melody line was surprisingly similar (I would say basically the same) to the vocal "I bet you remember" line in "Remember The Time." Damien Shields: "Roger played well on "Tomboy," but the song was just so-so, in my opinion. Michael liked it, but it paled in comparison to the other music on Bad. John Barnes: John Barnes, Matt Forger and I worked on it at Hayvenhurst, between 8 Nov '85 and 2-5 Dec '85. The song had already been started by Matt and John, probably at the EO sessions. Bill Bottrell: After Michael stopped working on "Tomboy", he gave the song to Roger Troutman on multi-track. Matt Forger says that Roger later used the instrumental on another song, probably "Stop That" from '89's Zapp Vibe. You can hear a "hee-hee" in the song, which sounds a lot like Michael. The song has a vocal melody similar to "I bet your remember". This time, we have the first leaked snippet (probably fake), a demo made by someone who may or may not have been John Barnes, an instrumental made using "Stop That", and an AI-made version of Michael's vocals that combines all of this information. And then, ignoring all of this information, we have the fan-made mid-tempo ballad "Tomboy" (which isn't bad at all) made from the image of the song. "Al Capone" was written during the "Victory" sessions and recorded during the early "Bad" sessions at Hayvenhurst on October 1, 1985. Bill Bottrell was in charge of production. Production continued until February 17, 1986. Many people think that "Smooth Criminal" evolved from "Al Capone", but in fact they were written at almost the same time. This time, we have the original demo, the instrumental, two very cool extended versions by DJs, and a remix that mashes up "Al Capone" and "Smooth Criminal". To be honest, I'd rather see the world of "Al Capone" in "Bad." That's how thrilling and cool the song is. 1.We Are Here To Change The World (Extended Version) 5:45 2.We Are Here To Change The World (Captain EO Witaz Movie Mix) 6:35 3.We Are Here To Change The World (Captain EO Eulonzo Instrumental Mix) 4:41 4.We Are Here To Change The World (Sega Genesis Remix) 5:41 5.Starlight Sun (Snippet) 0:50 6.Starlight Sun (TAHMJ's Extended Reconstruction) 2:05 7.Changes (Snippet) 0:50 8.Changes (Fanmade Full Version) 2:41 9.Leave Me Alone (1985 Early Demo) 1:05 10.Leave Me Alone (Funmade Demo) 4:56 11.Hot Fever (Demo) 3:12 12.What You Do To Me(1986 Demo) 0:07 13.What You Do To Me (AI Version) 4:21 14.Tomboy (Demo Snippet) 0:44 15.Tomboy (Writer's Demo Snippet) 0:43 16.Tomboy (Instrumental) 4:02 17.Tomboy (AI Song) 3:03 18.Tomboy (Alteranate AI Song) 3:38 19.Al Capone 3:35 20.Al Capone (Instrumental) 3:33 21.Al Capone (SWG Extended Mix) 5:00 22.Al Capone (Zone Tripper Extended Mix) 7:10 23.Al Capone + Smooth Criminal (Mashup) 4:34
$50 off your first order over $150 - Code"2SJKFRTS73YV"
Free Shipping on Every Order!
