The ultimate slash tape is finally here! This work was recorded on the 1986 “DAMAGE INC. TOUR” when METALLICA caused a revolution in rock history. This is a high-quality audience album containing the Chicago performance, which is the first 6 performances. The recorder is a great taper who lives in Chicago and made maniacs wow in agony with "THE ECSTASY OF ARAGON" and "MASTER OF CHICAGO." Witnesses of history gave us testimony of the terrible sound three times! Please, when you hear the words "Chicago" and "1986," please don't jump to conclusions and think, "What? Is this a rerelease of 'MASTER OF CHICAGO'?" “MASTER OF CHICAGO” was the second leg of the US tour in July, but this work is the first leg in April. I hope you don't think, ``What, the same tour has the same content?'' “DAMAGE INC. TOUR” is completely different from the many tours that followed. "MASTER OF PUPPETS" is a "master record that changed history", spitting at the social situation where HR/HM was becoming more pop-oriented during the heyday of hair metal, and rising to number 29 on Billboard. "DAMAGE INC. TOUR" made the power of that powerful and unparalleled sound known to the whole world. METALLICA itself has grown over the course of its long, long tour, evolving from a "thrash metal pioneer" to a "metal monster," during which time they have climbed the charts and won gold discs, showing solid signs of success. Gain and change. but! The first leg was thoroughly "offensive". The very early stages of the tour and the later stages (even when Cliff was still alive) have completely different sounds and meanings! In fact, if you play this work, you will understand it in an instant. Even the rampaging "MASTER OF CHICAGO" feels calm, violent heavy metal! A performance filled with the “initial impulse” repeated by seasoned slashers, and its dazzling performance! Yes, it's this passion. The life of thrash metal is the fine line between desperation and momentum. In that sense, “THE ECSTASY OF ARAGON”, which contains “RIDE THE LIGHTNING TOUR” with the ultimate sound, was also the ultimate masterpiece recording. However, here we have ``Battery,'' which Lars Ulrich called ``the ultimate thrash song'' and even said ``There's no point in writing thrash songs anymore.'' It's an anthem that I don't know how many hundreds or thousands of times it has been played, but what you hear here is not the familiar version that has been stained with dirt. This is the 6th time full of new songs! The ultimate masterpiece of thrash, driven by the initial impulse that is the lifeblood of thrash. I don't think there is a thrasher who doesn't cry when hearing this one song. Of course, it's not just "Battery". The following “Master Of Puppets” is also an unparalleled brutal version. Especially the guitar that creaks during the part where he shouts “Master! Master!” A similar play can be heard on "MASTER OF CHICAGO", but its aggressiveness and nervousness are incomparable! Because it is so brutal, the lyrical parts are especially touching. This contrast, the dramaticism that moves your heart. If you think about it, 1986 was a historic year when SLAYER pioneered the extreme north of metal with "REIGN IN BLOOD" and MEGADETH showed political aggression with "PEACE SELLS... BUT WHOE'S BUYING?" With so many great albums and great performances, how has METALLICA been able to remain at the top? This is a series of live performances that will convince you with your soul, not with a booklet. If you look at the program, you'll see that even though it's a collection of super famous songs that are familiar even today, each one has a completely different brilliance! “1986” was the year when METALLICA rewrote music history. Until now, I could only imagine things based on chronology and notes written by music writers. However, by listening to this work and "MASTER OF CHICAGO", which were recorded in the same place and by the same people, we can understand how they grew, what they gained, and what they lost at this crossroads of history. (with the best sound). When you listen to “MASTER OF CHICAGO” after this work (even though it was only 3 months later), you can feel the joy of the audience saying “METALLICA has come again!” The live performance of this work is so intense, and the growth of “MASTER OF CHICAGO”, which has experienced more than 60 times in 3 months, is also vivid. As Taper's ability has been proven with "THE ECSTASY OF ARAGON" and "MASTER OF CHICAGO", this live album is not a roaring sound, nor is it a sound board that leaves the audience behind. This is a definitive album that allows you to enjoy the sound of Cliff Burton's bass clearly and neatly, while also allowing you to experience the audience's enthusiasm in an ultra-realistic way. The sound source itself is a famous source that was circulated under the title "Molten Rock" during both the analog boot period and the CD boot period, and is the same as the sound source that was released 10 years ago under the title "Bellbottom Rules." As for the source, what's different is that this time it's recorded from Chicago Taper's master cassette. The evidence is that it is recorded without a fade at the beginning, and the sound quality and sound image are completely different anyway. This is the power of master tape! Please be blown away by the sound that is so vivid and so loud! I would like to dedicate this recording to all heavy metal fans, no, to all those who love "heavy music." This document allows you to experience the essence of the "heavy and extreme sound" that captivated the entire world, and approaches the historical truth. I'll say it again. The ultimate thrash album that will turn you into a “witness to history” has been released! Live at UIC Pavilion, Chicago, Illinois, USA 5th April 1986 PERFECT SOUND(from Original Masters) (55:33) 1. Battery 2. Master Of Puppets 3. For Whom The Bell Tolls 4. Ride The Lightning 5. Welcome Home ( Sanitarium) 6. Seek And Destroy 7. Creeping Death 8. Am I Evil? 9. Damage, Inc. James Hetfield - Guitar, Vocal Lars Ulrich - Drums Cliff Burton - Bass, Vocal Kirk Hammett – Guitar
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