The second day of the tour, which was named "The Poor Re-Touring Me Tour" and was the first Japanese tour in five years with 8 performances from the world tour accompanying "Reload" that was held from 1997 to 1999. A total of 3 performances, the Nagoya Rainbow Hall performance on April 29th and Budokan 2 days on May 6th and 7th, which are the first and second days in Tokyo, are all recorded as high-quality audience recordings from the original DAT master. Because all three performances were recorded with the same equipment using the same taper, there is a sense of unity in the sound quality, and the sound is recorded with a rich sense of scale from low to high frequencies. Also, the sets were slightly different for all three performances; at the beginning, the members appeared with the lights on, jammed for a while, then broke into So What, and the lights went down in the middle of the song. On the first day of Budokan, I went straight to Master Of Puppets, and on the second day of Budokan, I played Creeping Death in that section. Also, after Fuel in the first half, there was The Memory Remains on the first day of Nagoya and Budokan, and Devil's Dance on the second day of Budokan. After One, on the second day at Nagoya and Budokan, they played the familiar Seek & Destroy/Fight Fire With Fire medley, and on the first day at Budokan they played Ride The Lightning/No Remorse, and then Hit The Lights/The Four Horsemen. /Seek & Destroy/Fight Fire With Fire medley pattern. In the acoustic part shown at the beginning of the encore in the second half, after playing Low Man's Lyric, the pattern changes daily with The Four Horsemen and Motorbreath, or Helpless and Last Caress being played. Furthermore, on the first day of Budokan in Nagoya, the last encore was Battery, and on the second day of Budokan, Damage, Inc. In addition, during the excitement of the second half of Enter Sandman on the first day of Budokan, trouble occurred with the PA, and the performance was performed with the Battery as it was. Although the sound pressure is amazing overall, the sound is recorded in a well-balanced manner from beginning to end without being overly heavy, and is a must-listen item that is a masterpiece live record of the 1998 Japan tour. Disc 1 / 1. Intro. 2. Jam 3. So What 4. Master Of Puppets 5. King Nothing 6. Sad But True 7. Guitar Solo 8. Fuel 9. The Memory Remains 10. Bleeding Me 11. Bass Solo/My Friend Of Misery Intro. 12. Welcome Home Intro./Nothing Else Matters 13. Until It Sleeps 14. For Whom The Bell Tolls 15. Wherever I May Roam Disc 2 / 1. One 2. Seek & Destroy/Fight Fire With Fire 3. Low Man's Lyric(Acoustic) 4. The Four Horsemen(Acoustic) 5. Motorbreath(Acoustic) 6. Creeping Death 7. Enter Sandman 8. Battery [Live at Rainbow Hall, Nagoya, Japan 29th April 1998] Disc 3 / 1. Intro. 2. Jam 3. So What 4. Master of Puppets 5. King Nothing 6. Sad But True 7. Guitar Solo 8. Fuel 9. The Memory Remains 10. Bleeding Me 11. Bass Solo/My Friend Of Misery Intro. 12. Welcome Home Intro./Nothing Else Matters 13. Until It Sleeps 14. For Whom the Bell Tolls 15. Wherever I May Roam Disc 4 / 1. One 2. Ride The Lightning/No Remorse 3. Hit The Lights/The Four Horsemen/Seek & Destroy /Fight Fire With Fire 4. Low Man's Lyric(Acoustic) 5. The Four Horsemen(Acoustic) 6. Motorbreath(Acoustic) 7. Creeping Death 8. Enter Sandman 9. Battery [Live At Budokan, Tokyo, Japan 6th May 1998] Disc 5 / 1. Intro. 2. Jam 3. So What 4. Creeping Death 5. King Nothing 6. Sad But True 7. Guitar Solo 8. Fuel 9. Devil's Dance 10. Bleeding Me 11 . Bass Solo/My Friend Of Misery Intro. 12. Welcome Home Intro./Nothing Else Matters 13. Until It Sleeps 14. The Memory Remains 15. Wherever I May Roam Disc 6 / 1. One 2. Seek & Destroy/Fight Fire With Fire 3. Low Man's Lyric(Acoustic) 4. Helpless(Acoustic) 5. Last Caress(Acoustic) 6 . Master Of Puppets 7. Enter Sandman 8. Damage, Inc. [Live At Budokan, Tokyo, Japan 7th May 1998 James Hetfield - Guitar & Vocal / Lars Ulrich - Drums / Kirk Hammett - Guitar / Jason Newsted – Bass
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