Megadeth/Osaka,Japan 1987
Megadeth/Osaka,Japan 1987
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Aichi1987 2CD is a masterpiece album that vacuum-packs the "shock of the first visit to Japan" with the superb sound unique to the original cassette. However, there is another live album that is a masterpiece in another sense in MEGADETH's first visit to Japan. That is this work. It is a superb audience recording of "April 6, 1987: Osaka Welfare Pension Hall". As you can see from the schedule listed on Aichi1987 2CD, this Osaka performance is the last day of the first visit to Japan. "DETH'S COMING", Aichi1987 2CD, and this work can complete the legendary first four performances in Japan. It is the quality of this work that blows away such collection value. This is also a superb clear sound. As expected, it is not as thick and thick as the main press 2CD, but the so-called audience-like audience sound. However, this work is not inferior in terms of clarity, and even the grains are beautifully captured up to each and every hit of the bass drum. Since audience recordings vary greatly in taste, this may be more popular than the Aichi1987 2CD. The sound alone is worthy of being called "another masterpiece," but even more than that is the longest show in Japan for the first time. The Nagoya performance was longer than Tokyo, but this work is even longer. Finally, even "Looking Down The Cross," which had not been performed up to this point, was featured, and all the songs from the masterpiece "KILLING IS MY BUSINESS... AND BUSINESS IS GOOD!" were performed. Moreover, instead of being replaced, the "PEACE SELLS... BUT WHO'S BUYING?" number was not cut. As a result, they played all of their repertoire in one show, except for Willie Dixon's cover "I Ain't Superstitious." In addition to songs, the Japanese repertoire has also increased, and before "Devil's Island," you can even hear the legendary MC "Crazy Audience." Anyway, this super-generous behavior is unparalleled worldwide. During this first visit to Japan, Dave Mustaine was recorded in a very good mood in various places, and his good mood led to more and more songs... Such a great mood is perfect. Of course, even though it's long, he doesn't show any signs of fatigue. After all, Mustaine was 25 years old (!) at this time, and David Ellefson was 22 years old (!!). Moreover, he had just recovered from jet lag, and even had a day off the day before (April 5th). This work also features a super-tempo intellectual thrash that far exceeds the studio recording, but it is the perfect final day with all the preparations in place. In fact, there is a very slight chip before "Good Mourning/Black Friday" (guitar solo?). Although I missed out on permanent preservation for that reason, this work is a transcendent live album that does not yield to Aichi1987 2CD in terms of quality, show content, or the atmosphere of the first visit to Japan. There is no doubt that this is the final step to complete the first visit to Japan collection, but it is "another masterpiece" that cannot be contained by that. Live at Koseinenkin Kaikan, Osaka, Japan 6th April 1987 TRULY AMAZING/PERFECT SOUND Disc 1(47:38) 1. Intro. 2. Wake Up Dead 3. The Conjuring 4. Bad Omen 5. Rattlehead 6. Killing Is My Business... And Business Is Good! 7. Chosen Ones 8. Looking Down The Cross 9. My Last Words 10. Peace Sells 11. These Boots Disc 2(36:30) 1. Devil's Island 2. Mechanix 3. Last Rites/Loved To Death 4. Good Mourning/Black Friday 5. The Skull Beneath The Skin
Disc 1(47:38) 1. Intro. 2. Wake Up Dead 3. The Conjuring 4. Bad Omen 5. Rattlehead 6. Killing Is My Business... And Business Is Good! 7. Chosen Ones 8. Looking Down The Cross 9. My Last Words 10. Peace Sells 11. These Boots Disc 2(36:30) 1. Devil's Island 2. Mechanix 3. Last Rites/Loved To Death 4. Good Mourning/Black Friday 5. The Skull Beneath The Skin