M.C. Hammer, the man who descended to Earth with Tetris and dominated the era of "Back to the Future Part 3". Here is the best footage that symbolizes the golden age of the moment when it burned intensely. This work was filmed here in Japan. This is a multi-camera pro shot of the "March 26th/27th, 1991: Tokyo Dome performance". He has visited Japan three times in his long career. It's a good opportunity to look back at the whole scene and check the position of the show. March 26th + 27th, 1991: Tokyo Dome ←★This work★ March 30th: Osaka Castle Hall November 16th, 1992: Tokyo Dome August 4th, 2000: Tokyo Bay NK Hall The above five performances. It was his first visit to Japan and he showed off a ferocious start dash on the ultimate stage of the Tokyo Dome, but it is the Tokyo Dome that is recorded in this work. This is a special program compiled from two consecutive days of performances. The quality is truly "completely official class". Our store archives many music programs with the finest masters of record maniacs, and this work is the latest and the best of them all. It should be an analog broadcast/recording due to the era, but it is so beautiful that you forget that fact. There is no aging deterioration on the glossy screen with no white line noise, and there are no tape twists or dubbing marks. Despite zero digital processing, the vivid coloring and the clear details down to the glitter grains shining on the sarouel pants are overwhelming because it is unprocessed. It is such a beautiful image that you will wonder, "Was it released on an official laser disc?" Such a transcendent beauty depicts M.C. Hammer, who was at the peak of his career as the darling of the era. Anyway, the stage is super flashy. Countless dancers appeared on the stage in groups, each one of them in baggy sarouel pants and gold glitter. The intense and aggressive dance is not comparable to that of Michael Jackson or Madonna, and it is more like a disco than a music concert...or rather, it has become a huge exercise stage. On the other hand, M.C. Hammer's momentum seeps out even between songs. There is no need to cite Michael Jackson or U2 as examples, as the music industry, which grew huge in the 1980s, began to shoulder social responsibility, and Hammer, who was trying to reach the top, was no exception. He uses the song introduction as an excuse to talk about world peace and his feelings for children, calling for love and solidarity. The key here is the Japanese subtitles. Hammer's MC is a bit long, but this work has Japanese subtitles for his narration, so you can intuitively understand the content. There is also a mini-comedy with the dancers, and in it the color of the subtitles is changed so that you can tell who is saying what. What's even more delicious is the commercials inserted in four places. First of all, the most eye-catching are the commercials for Pepsi and Toshiba starring Hammer. This is a legendary commercial in which Pepsi is especially depressed after being replaced with Coca-Cola. The narrator boldly mentions the name of the rival company, saying, "M.C. Hammer is always Pepsi. If you replace it with Coca-Cola...", and there is no blurring of the product. A few months later, Coca-Cola complained, and Pepsi fought back, saying, "Humor for a dry heart. Pepsi Cola for a dry throat", but this was just the beginning. What's more, other drinks besides Hammer are also delicious. The narrator, "This program is brought to you by...", is nostalgic, and the concert hall-like echo effect is outdated. In the actual commercial, Furuhata Ninzaburo, who passed away last year, advertised the black-and-white TV footage, and Seven Stars was also boldly promoted on terrestrial TV (only 240 yen per box!!). The background music for this commercial features Stevie B and Lalah Hathaway... Japan in the bubble era, which was on the verge of bursting, overflows from the screen and speakers. A true darling of the times and a flower in vain. This is a video masterpiece packed with the charm of M.C. Hammer, who swept the era with the tremendous momentum of a frilled lizard. The golden age was short, but because it was short, the fierce "1991" feeling is burned into my heart. We have introduced many masterpieces that are time capsules of Western music history, but has there ever been a work that dances to the forefront so much? This is truly a cultural heritage. A multi-camera pro shot of the "March 26th/27th, 1991: Tokyo Dome performance". In the live special broadcast at the time, the best master by the record enthusiast is "completely official class" visual beauty. The show, featuring a horde of dancers in baggy sarouel pants and gold glitter, is gorgeous, and the intense and aggressive dance has turned into a huge exercise stage. CM 9. Turn This Mutha Out 10. Have You Seen Her 11. CM 12. U Can't Touch This Intro I want some friends! Here's my new friend! What's, what's, M.C.? Come over here! I'm coming! I've got something to ask you. What's it? What's that? That's a hammer! Exactly. And what's that? That's another hammer! That's right. And if you tell me this, you're the smartest guy out there. What's that? That's another hammer! One two three hammers. What does that mean, M.C.? Do you have a watch? It's Hammer time! As long as you keep doing it, for a guy like you... Absolutely! Whatever! No matter what! 13. U Can't Touch This 14. CM 15. Please Hammer Don't Hurt 'Em 16. I'm MC Hammer PRO-SHOT COLOUR NTSC Approx.55min.
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