The masterpiece and famous historical recording by the world master "Crazy S." has been reprinted with a glossy polish. Although there are many masterpieces and masterpieces by this master craftsman, there are very few that can even be called ``the best masterpieces.'' Opinions vary depending on the band's preferences, the significance of the show, the nuances of the sound, etc., but the candidates have generally been decided. GUNS N' ROSES' ``DON'T FUCKIN' KILL EACH OTHER'', which resulted in a fatality, Freddie Mercury's last performance of QUEEN, ``KNEBWORTH 1986'', and ``WAR COMMANDER'', which captures Accept's peak period in ultra-high sound quality.'' , and even TWISTED SISTER's super masterpiece "COME OUT AND PLAY IN NOTTINGHAM" from the same period. If you have listened to even one of these, you may have felt your soul being moved by the masterpiece, which is depicted in an unusually high quality. However, there is another transcendental recording that can be praised as a ``best masterpiece'' alongside these super masterpieces. That is the true nature of this work. The main character of such a masterpiece is MARILLION. This is an audience album that was released when they released the historical masterpiece of story albums, ``MISPLACED CHILDHOOD'', and served as a big hit at the British rock festival ``WELCOME TO THE GARDEN PARTY'', which attracted approximately 40,000 people. This recording was released in 2008 as “WELCOME TO THE GARDEN PARTY” and received great acclaim. It was sold out and out of print in no time at the time. Specialized magazines also praised the song with words such as ``the joy of excitement, ascension, and fainting'' and ``you can enjoy Marillion's heyday to the fullest with the superb sound quality that makes you think it's a soundboard.'' There is no lie in the words of this specialized magazine, and the direct musical tone is truly soundboard-class. Even the heavy bass, which is the weak point of outdoor venues, is glossy and extremely loud, and the vivid feeling of ``zero reverberation'', which is the flavor of the outdoors, is captured deliciously. Of course, the edges and sounds are glossy, and the sound can be described as ``official level audience'' without hesitation. On the contrary, it was recorded so clearly and in detail that every single noise emitted by the on-site PA at the beginning of the show was picked up extremely clearly. At this point, some of you may be thinking, "Huh? Noise?" Yes, this is the main point of this work. This work is a transcendental recording that is not an exaggeration to call it a “masterpiece masterpiece,” but there were some PA noises picked up because of the transcendental recording. This is also true in the field, but this time we carefully removed the noise one by one (some noises that could affect the musical tone were left in place). We achieved a “perfect musical tone” that was impossible even on site. The wonderful thing about the ``great masterpiece of a master craftsman'' that was brought back to life... It's so beautiful that I have no idea how to describe it, since the original sound has already been described. The noise that used to get stuck in your ears instantly disappears, and the velvety, smooth, lustrous, and sparkling sound envelops your soul. And that sound depicts MARILLION in its heyday. A year has passed since the release of their masterpiece ``MISPLACED CHILDHOOD'', and all the big and mid-sized bands are loudly playing the fantasy progressive rock that was derived from GENESIS in ``1986,'' when all they thought about was invading America. To begin with, this "WELCOME TO THE GARDEN PARTY" was an event that brought together the best of British culture. Other performers include MAMA'S BOYS, a rising star from Ireland, MAGNUM, a British connoisseur, JETHRO TULL, a symbol of pure Britain, and Gary Moore, who awakened to his love for his country with "Out In The Fields." It's a lineup that gives goosebumps to British fans just by mentioning the names of each group, but this is the golden age of MARILLION with such heroes. The definitive show, which puts a complete reproduction of the super masterpiece "MISPLACED CHILDHOOD" in the middle, sandwiched in with super masterpieces "SCRIPT FOR A JESTER'S TEAR" and "FUGAZI", cannot be described as simply "responsive". Of course, you can enjoy the reproduction of the masterpiece itself on the official edited live album "THE THIEVING MAGPIE", but the real pleasure of being penetrated at once by a 100% "official grade audience" cannot be compared to the edited version. . In order to cherish the beautiful flowing atmosphere and seamless reproduction of "MISPLACED CHILDHOOD", we purposely decided to make this work a three-disc set. A deep sense of “pure Britain” emanates from this work. The audience who gathered at the scene also played a role in this. As mentioned earlier, this event has a lineup that will hit the soul of British rock fans. In other words, it was an event of no use to anyone other than British fans. That's why the audience who gathered is also special. Of course, as long as they are calling out “official audience”, there is no fuss that will stain the beautiful musical tone, but the large chorus that starts singing at key points in the song is amazing. A loud chorus that doesn't tarnish the beauty of the melody in the slightest. A chorus of 40,000 people sings in pure British English, with every word of the lyrics accurate. It is a live album in which MARILLION's sense of fantasy is reborn into a spectacle dimension. "British Rock". What an enchanting sound! Rock music has carved out a brilliant and shining glory in history, but now it has disappeared beyond the fog. “WELCOME TO THE GARDEN PARTY” may have been the last brilliance of such British rock. At a time when the whole world was looking at America, this was a space where bands and people who loved and were particular about rock that was typical of their home country of England came together. This 3-disc set is a master sound that directly inhales the sound and vibe of the scene and has been refined to the utmost. This is the masterpiece of the world-famous master ``Crazy S.'' and a great live album that conveys the brilliance of Britain. This is a book that should be enjoyed by those who feel special about the word "British rock" and those who feel a heat in their hearts. Milton Keynes Bowl, UK 28th June 1986 ULTIMATE SOUND(from Original Masters) Disc 1 (37:43) 1. Intro. 2. Garden Party 3. Freaks 4. Assassing 5. Chelsea Monday 6. Script For A Jester's Tear Disc 2 ( 43:55) Misplaced Childhood 1. Pseudo Silk Kimono 2. Kayleigh 3. Lavender 4. Bitter Suite 5. Heart Of Lothian 6. Waterhole 7. Lords Of The Backstage 8. Blind Curve 9. Childhoods End? 10. White Feather Disc 3 (43:19) 1. MC 2. Forgotten Sons 3. Incubus 4. Fugazi 5. Market Square Heroes incl. She Loves You, Let's Twist Again Fish - Vocal Steve Rothery - Guitar Mark Kelly - Keyboards Pete Trewavas - Bass & Vocal Ian Mosley - Drums
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