The 70's 8mm reprint collection continues to be explored and newly discovered by enthusiasts around the world. The latest release has been decided. This work was shot at the "January 24, 1975 Richfield Performance". This is a pair of two color 8mm films. Speaking of 1975 8mm, masterpieces such as "LANDOVER 1975 8mm" and "MONTREAL 1975 8mm" have already become popular. In order to understand the relative positions of each, let's first look at the schedule at that time.・January 11th + 12th: Central Europe (2 performances) ・January 18th - February 16th: North America # 1 (19 performances) ← ★ Here ★ {February 24th "PHYSICAL GRAFFITI" released} ・February 27th - March 27th: North America # 2 (16 performances) ・May 17th - 25th: London (5 performances) ← * Details of the standard pro shot "North America # 1" ・January 18th - 22nd (4 performances) * January 24th: Richfield performance ← ★ This work ★ ・January 25th - February 4th (6 performances) * February 6th "MONTREAL 1975 8mm" ・February 7th + 8th (2 performances) * February 10th "LANDOVER 1975 8mm" ・February 12th - 16th (4 performances) This is the outline of the activities in 1975. All of the 8mm works from our shop mentioned above are "North America #1", and this work's Richfield performance was the earliest 5th performance. Two types of 8mm footage of this show have been excavated, and this work is a coupling work that mainly includes the "Don Andree version" and the "Jerry Karbowniczek version". Now, let's introduce each one individually. Main: Don Andree version (about 10 minutes) The main part of this work is the "Don Andree version" that has just been released recently. It was shot from the stand seats on the right side of the stage (Jimmy Page side) looking down a little, and it is a magnificent view that allows you to see the entire stage with zero obstructions despite the pinkish color. The image quality is even more wonderful than the image beauty. The film was well preserved, so there is almost no taste or noise, and it is glossy and beautiful from corner to corner of the screen. The main character depicted in such image beauty is Page. Although Plant is a bit distressed, Page goes wild from the opening "Rock and Roll". The audience gets excited with her light steps and jumps. Perhaps because he was fascinated by Paige, Don, the cameraman, also focuses on Paige. He also captures her solo with the violin bow. Bonus: Jerry Karbowniczek version (about 6 minutes) The second video is of the same show, but was shot by a completely different person. The film quality is not good (or the digitalization technology is immature), so the colors are a little faded, but the key is the angle. It was shot not from the general audience seats, but from an unusual "backstage". Although the details and location are unknown, it is a valuable video that offers an experience that you can't get in other works. In addition, the two videos in this work are synchronized with the sound of the day, as is the norm for 8mm works, but "Stairway to Heaven" is an exception. There is no audience recording for this song, and both videos are silent for about 20 seconds. The Don Andree version offers the highest quality and active stage, while the Jerry Karbowniczek version offers an interesting backstage view. This is a CD that combines two precious videos from one show. This latest work shows the depth of the 8mm archives that never run dry. Two color 8mm film coupling works have been released. You can experience the precious 70's scene with a spectacular shot (about 10 minutes) of Paige in high spirits without any obstructions, and a rare backstage shot (about 6 minutes). Richfield Coliseum, Richfield, OH, USA 24th January 1975 1. Rock and Roll 2. The Song Remains the Same 3. The Rain Song 4. No Quarter 5. How Many More Times 6. Violin Bow Solo 7. How Many More Times (reprise) 8. Stairway to Heaven Bonus Track Angle behind the stage COLOUR NTSC Approx.16min.
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