The final day of the Earl's Court 5DAYS, May 25, 1975 (5th performance), was the "best performance" and was highly praised. The multi-camera pro shot has been decided to be released. This is a famous video that was excavated following the previous day's "May 24th", and it is a truly magnificent pro shot. At the time, it was described as "not as good as the LED ZEPPELIN DVD", but since it was a bootleg excavation, that is natural. Rather, it was a famous video that shook the official product to such an extent that it was cited. In fact, this work boasts a noiseless and glossy screen, and the coloring is beautiful. It is a visual beauty that you would not think has been jumping through time and space for more than 40 years. And the sound is also an excellent sound board. It is familiar to our shop with the sound drop press title "EARL'S COURT 1975 FINAL NIGHT". A show drawn with such quality is truly a world heritage of rock. As soon as the music started playing, legendary radio DJ/TV presenter Alan Freeman proudly introduced LED ZEPPELIN, taking over from Nicky Horn on the 24th. Rock and Roll began to run with great force. The high tension was a performance worthy of being called "the best of the Earls Court 5DAYS". As many records prove, the 1975 Earls Court changed its appearance considerably over the course of five days. The first two days were somewhat of a fumbling state, but from the third day of the second week, it suddenly entered serious mode. On the fourth and fifth days, it got better and better. In fact, in this work, Bonzo and Page were already sharp from the previous day (the fourth day), but they still didn't run out of control, and even the combination was so good that it was possible to hear the charm of the combination. It was high-tension, and while it was full of playfulness, it didn't go to ruin, and the phrases and beats collided while reacting to each other's sounds. It's a performance on a different level from the US tour from January to March. Even the plant was wonderful on this day. He had a bad cold at the beginning of the US tour, and his voice often flipped over at Earl's Court. Although this work is not without its effects, there is no need to adjust the pace on the final day. Without worrying about tomorrow, he sang with all his might throughout the show. This show is exactly where the flavor of Earl's Court reached its climax. It was a well-controlled show that did not become a wild horse, while still unfolding groove-oriented improvisations that were typical of 1975. The concentration that could only be cultivated for five days at the same venue in his home country of England. This is a piece where you can witness the best performance at Earl's Court with a vivid multi-camera pro shot of the black dragon suit. Live at Earl's Court, London, UK 25th May 1975 PRO-SHOT 1. Intro 2. Rock And Roll 3. Sick Again 4. Over The Hills And Far Away 5. In My Tme Of Dying 6. The Song Remains The Same 7. The Rain Song 8. Kashmir 9. No Quarter 10. Tangerine 11. Going To California 12. That's The Way 13. Bron-Y-Aur Stomp 14. Trampled Underfoot 15. Moby Dick 16. Dazed And Confused 17. Stairway To Heaven 18. Whole Lotta Love 19. Out On the Tiles 20. Black Dog 21. Communication Breakdown PRO-SHOT COLOR NTSC Approx.215min.
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