It is no exaggeration to say that LED ZEPPELIN's 2007 reunion show was the "most popular rock concert of the 21st century." It was held at the London O2 Arena on December 10, 2007, and the footage is already loved by people all over the world as the official work "Festival Day (Miracle Live)." Here is a fan-made work that decorates such official footage with "rawness." The reunion concert, which was held once in 2007, was the most popular in rock history, and countless audience shots have appeared since then. It is also the official final answer work "Festival Day (Miracle Live)." This work is a video work in which overseas enthusiasts made full use of such materials and even the official footage was used as "one of the materials" to weave a complete version of the show. Of course, in terms of quality, the multi-camera pro shot of the official work is the highest and ultimate. Most of this work is based on the official work, but by sprinkling audience material on it, it is a masterpiece that adds "rawness" and "documentary feeling". Specifically, the multi-camera switching of "Festival Day (Miracle Live)" is made to mix with the scene of the audience shot. The official work also incorporated audience shots (or processed footage that looks like it), but in this work, in addition to replacing such scenes, the usual professional footage cuts are partially replaced with carefully selected audience cuts. The editing is transparent, as if to say "This cut is actually better!" For example, in the intro of "Stairway To Heaven", an audience cut of Jimmy Page and Robert Plant standing side by side is projected among the official professional cuts, but this already makes you think "These two people lined up, that intro!" Other highlights that expose the psychology of fans include "This pose of Paige!" and "The moment when the three of them line up!" Also, in the part where the reaction of the venue is the key point, a cut that captures the venue from a distance is inserted. Although there are also angles from the professional cut, the countless audience viewpoints have a rich drawer. The width of the venue, which could not be felt in the professional cut, and even the emotions of each and every audience member filling the space are exuded. In addition to such video cuts, the audio is actually tasteful. Of course, the superb sound board of the official work "Festival Day (Miracle Live)" is the basis, but the vividness of the audience recording is matrixed there. The casualness is also wonderful, and when you look at it somehow, it seems to be the same as "Festival Day (Miracle Live)", but it is slightly wrapped in the reality of the cheers, and an indescribable documentary feeling is exuded. In addition, the audience recording was used in the scenes between songs and waiting for an encore. In the official work, the members who finished their greetings after "Kashmir" leave and come back immediately, but at the scene (naturally) the audience continued to cheer for an encore. Perhaps the audience video was too bland, so the audience recording is overlaid with still images of the show's famous scenes, which is also good. Because there is a sense of time synchronized with the scene, you can feel the feeling of being present at the time of the century and the longing for an encore. Furthermore, after the performance, BGM and scenes are also attached, and even the emotion and a little loneliness of the scene on the day are exuded. As a result, the recording time also greatly exceeds the official work. You can immerse yourself in a real-time feeling of 2 hours and 6 minutes. I repeat, most of this work is "Celebration Day (Miracle Live)" and does not surpass the official masterpiece. However, it is sprinkled with "This moment is good!" and the feelings that have been loved for nine years are placed on it. This feeling cannot be digested just by savoring the official work. That's why the 2 hours and 6 minutes are so dazzling that it's a fan-made masterpiece. The complete show using a combination of audience and pro-shot video footage Disc 1 (59:41) 1. Tampa 1973 Newsreel 2. Good Times Bad Times 3. Ramble On 4. Black Dog 5. In My Time Of Dying 6. For Your Life 7. Trampled Underfoot 8. Nobody's Fault But Mine 9. No Quarter Disc 2 (70:23) 1. Since I've Been Loving You 2. Dazed And Confused 3. Stairway To Heaven 4. The Song Remains The Same 5. Misty Mountain Hop 6. Kashmir 7. Whole Lotta Love 8. Rock And Roll COLOUR NTSC Approx.130min.
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