For Mike Millard, the 1975 US tour of Led Zeppelin and the three shows at the LA Forum were the first peaks of his audience recording career, which began at the end of 1973. In fact, Millard was well prepared for these three shows, recording the Faces at the LA Forum on March 5th as a rehearsal. It's still fresh in our memory that this was re-released as "L.A. FORUM 1975: MIKE MILLARD 1ST GENERATION TAPES". Next, he finally made his first live recording of ZEP at two shows held at Long Beach Arena. Due to an accident on the second day, only the final part of the live performance was recorded, but the first day was a great recording that still has its value even after the sound board was unearthed. These have also been released as "LONG BEACH ARENA 1975 1ST NIGHT MIKE MILLARD MASTER CASSETTES FLAT TRANSFER" and "LONG BEACH ARENA 1975 2ND NIGHT MIKE MILLARD MASTER TAPE". And the first two days of the LA Forum, where Millard was finally able to record, have already been released by JEMS, and have been released as "L.A. FORUM 1975 1ST NIGHT MIKE MILLARD MASTER TAPES" and "L.A. FORUM 1975 2ND NIGHT MIKE MILLARD MASTER TAPES", respectively. This time, it is the third day of the LA Forum on March 27th, which should be called the main event, and the final day of the 1975 US tour. Millard recorded it after careful preparation, and the sound images of these three days are strangely close. As expected, when the sound source of this day started to be released, it was mistaken for a sound board, which is understandable. Therefore, many items have been produced on the final day, and in recent years, items such as TCOLZ's "WE'RE PLAYING OUR BALLS OUT", the red jacket "L.A. FORUM 1975 3RD NIGHT", and the "Liriodendron" remastered "L.A. FORUM 1975 FINAL NIGHT" have been released. However, this time's mirrored master mercilessly dismisses those already released items. Anyway, the difference in sound quality is too easy to understand, and compared to those already released items, the clarity, freshness, and naturalness are overwhelming. The 1975 LA Forum master by Mirrored has already proven the impact of the upper feeling just by excavating the past two days, but this time the degree of it is even higher. Regarding the cuts that occurred due to the cassette change, "recorder 2", which was released on CD in the previous "WE'RE PLAYING OUR BALLS OUT", was the previous supplementary member, but this time it has been replaced by "recorder 3" unearthed by The Dogs of Doom. Although both are sound sources that are not even close to the foot of the mirrored recording, "recorder 3" is much easier to hear than "recorder 2", which had a distant and muffled sound. Therefore, not only the main mirrored part but also the supplementary sound source have been completely recorded after realizing the latest upgrade. And because the sound is close, the fun of the performance on this day can be seen as if it were in your hands. It seems that each song is being challenged with a new spirit, as if the desire to finally rise to such a height and end the 1975 American tour, which began with Jimmy's injury and Robert's cold, is conveyed. Jimmy's playing is particularly notable, as he plays a different development than usual at the end of "Over The Hills And Far Away". Bonzo, who matches it with a sharp phrase, is the best. On the other hand, Jimmy's enthusiasm often seems to be about to miss, but Bonzo follows up there nicely. This results in an exquisite bargaining between the two. That's why "Since I've Been Loving You", which is played as a "blush production" just like Seattle, is a relaxed performance. Above all, "Dazed And Confused", which has been getting longer since Seattle, finally reaches a length of 45 minutes. Jimmy, who tries to extend the usual development everywhere, is the same as the previous two days, but on this day, the "it seems to end but it doesn't end" development from the point where the performance exceeded 30 minutes was really interesting (the cut that occurred here was also compensated for by "recorder 3", making it much smoother and easier to hear). Bonzo, who follows up all of Jimmy, is excellent. In this way, their playing was impressive in terms of performance, and Millard's masterpiece recording captured the development unique to the final day with a soundboard-like closeness, and finally the master of the impact that wiped out the past items was excavated! Remastering Memo ★The Dogs of Doom sound source from "recorder 3" is used for the compensation (much better than "recorder 2"). The compensation uses "recorder 3" after equalizing it. (Dazed And Confused 45:11 - 45:13 already released compensation / 45:24 - 45:30 already released compensation is equalized from the already released. Mysterious missing) There is no difference from the already released. Since Stairway To Heaven, there were dozens of noises with momentary silence, so I fixed them. The Forum, Inglewood, CA, USA 27th March 1975 ULTIMATE SOUND UPGRADE Disc 1 (71:43) 1. Introduction by Linda Lovelace 2. Rock And Roll 3. Sick Again 4. Over The Hills And Far Away 5. In My Time Of Dying 6. The Song Remains The Same 7. The Rain Song ★4:09 - 5:32 supplement 8. Kashmir 9. Since I've Been Loving You Disc 2 (71:51) 1. MC 2. No Quarter ★23:32 - 23:56 supplement 3. Trampled Underfoot 4. Moby Dick ★11:05 - 11:21 supplement / Missing at 16:25 (all supplementary tracks are also missing) / 16:25 - 16:50 supplement Disc 3 (78:25) 1. MC 2. Dazed And Confused ★36:06 - 36:26 supplement / 45:11 - 45:13 previously released supplement / 45:24 - 45:30 previously released supplement 3. Stairway To Heaven 4. Whole Lotta Love / The Crunge 5. Black Dog
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