Another new cultural heritage album has been unearthed, allowing you to experience the scene 100% live right after their debut. A CD with a permanent preservation of the complete version of the super rare song "Acrobat" has been decided. This work is recorded in the "March 25, 1974 Georgetown performance". This is the best audience recording. Our shop archives the entire history of KISS with the best masters brought to us by our own related parties, but the vintage recordings right after their debut are especially popular. As part of organizing the collection, let's first explore the position of this work from the overview of their activities at that time. “KISS Tour” ・January 8th-February 21st: North America #1 (8 performances) 《February 18th “KISS” released》 ・March 22nd-August 4th: North America #2 (64 performances) ←★Here★《August “HOTTER THAN HELL” production》 ・September 13th-October 4th: North America #3 (13 performances) ←※TORONTO SEPTEMBER 1974 “HOTTER THAN HELL Tour” ・October 16th-December 31st: North America #4 (42 performances) ←※EAST LANSING 1974 This is the 1974 KISS that appeared all over the world. We have introduced the masterpieces of each leg, but the most number of works is “North America #2” immediately after the album release, and this work was also born from here. Let's focus on the schedule further here. Details of "North America # 2" March 22-25 (4 performances) * March 25: Georgetown performance ← ★ This work ★ March 29-April 3 (4 performances) * April 7 "DETROIT 1974 1ST NIGHT: PRE-FM REEL" April 8-17 (7 performances) * April 18 "DEFINITIVE MEMPHIS 1974: SOUNDBOARD" April 19-May 30 (19 performances) * May 31 "COMPLETE LONG BEACH 1974: FM BROADCAST" June 1-August 3 (21 performances) * August 4 "SOUTHBEND" ... and so on. There are a number of famous press albums of impressive soundboards. The Georgetown performance of this work is earlier than any of them. It was the fifth performance just after the start of the tour. This work, which vacuum-packed the scene of such a dawn, has a thick sound that blows away the rarity. Anyway, it is thick and meaty with zero distance. Not only is it powerful, but the details are clear and the sense of separation is tremendous, and even the fine details are clear. It is not defeated when compared to the soundboards mentioned above... No, it is clearly superior to some titles, and it has achieved a magnificent "soundboard surpassing". In the first place, the origin of this recording itself was different from that of an ordinary audience. It all started in 2013. There is a video production company called "Metro Teleproductions" in Washington D.C., and the company produced a documentary on the theme of a rock concert in the local bayou. KISS also appeared in this documentary along with THE POLICE and DIRE STRAITS. The recorded audio of the bayou performance at that time was used as the soundtrack. And after finishing the documentary, director Dave Rilling sold the original tape that was the source to a KISS collector. In fact, the audience recording derived from it has been a hot topic for several years, but this work updates the highest peak. The masters known so far have been unstable, and there were drawbacks such as noise especially in the right channel. This new master has no such drawbacks, and is a new best version with even clearer sound. The full show of the dawn is drawn with such a thick sound. At first glance, it seems that the familiar masterpieces of the time are lined up, but among them, "Acrobat" and "Let Me Know" stand out. "Let Me Know" is a song that cannot be heard on the above soundboard group because it was dropped early in 1974. And even more rare is "Acrobat". As mentioned at the beginning, it is the original song of "Love Theme from Kiss", but it is a large song of more than 6 minutes, very different from the final version of about 2 and a half minutes. It is rarely performed in this arrangement, and it is quite rare when it comes to recording (for example, the above-mentioned "DEFINITIVE MEMPHIS 1974" was an incomplete version of about 3 minutes). This work is also a live album where you can experience the complete version of such a rare song on site. It is a cultural heritage album that allows you to fully experience the scene immediately after the debut with a thick sound like a sound board. Not only the precious "Acrobat (complete version)" and "Let Me Know", but also the experience of the scene itself is spectacular. The best audience recording of the "March 25, 1974 Georgetown performance". A new excavation master different from the unstable conventional master, it is simply thick, meaty and zero distance. Not only is it powerful, but the details are clear and the separation feeling is tremendous, and even the fine details are clear. It is not defeated when compared with the sound board group of the same period. The original song "Acrobat" of "Let Me Know" and "Love Theme from Kiss" unique to the early days is also born, which can be enjoyed in a complete version of over 6 minutes. A rare club show. Two performances were held on this day at 8:30 pm and 10 pm. The tuning sounds between songs are vivid, the sound quality is natural, and the mood of a small venue is great! The performance is also intense. The Bayou, Georgetown, Washington D.C. USA 25th March 1974 (2nd show) PERFECT SOUND (from Original Masters) UPGRADE (42:37) 1. Intro 2. Deuce★Introducing the venue: "The star of Casablanca Records. The second stage of the day... Kiss!" 3. Strutter 4. She 5. Firehouse 6. Acrobat (compelete) 7. Let Me Know 8. Black Diamond 9. Let Me Go, Rock 'n' Roll Paul Stanley - Guitar, Vocal Gene Simmons - Bass, Vocal Ace Frehley - Guitar Peter Criss - Drums, Vocal
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