The night of their legendary first visit to Japan was a one-off encounter. The original recording that told the tale has been brushed up. It will be released as a top-of-the-line updated sound CD by "GRAF ZEPPELIN". A historic recording that conveys the first meeting between Japan and KISS. Engraved in this work is the legendary audience recording of the "March 24, 1977: Osaka Welfare Pension Hall" performance. In their golden age, they came to Japan twice, in 1977 and 1978, and our shop has archived as many famous recordings as possible. It's a good opportunity to take a bird's-eye view of their two visits to Japan and organize your collection. 1977 * March 24: Osaka Welfare Pension Hall ← ★ This work ★ ・ March 25: Osaka Welfare Pension Hall ・ March 26: Kyoto Hall ・ March 28: Aichi Prefectural Gymnasium ・ March 29: Osaka Festival Hall ・ March 30: Fukuoka City Kyuden Memorial Gymnasium * April 1st "FIRST BUDOKAN NIGHT" * April 2nd "ALIVE AT BUDOKAN (Daytime performance)" * April 2nd "BUDOKAN 1977 2ND NIGHT (Night performance)" ・ April 4th: Nippon Budokan 1978 ・ March 28th-April 1st: Nippon Budokan (4 performances) * April 2nd "STOLE YOUR ALIVE (Budokan)" * Note: Only representative audience recordings on each day. All 15 performances above. Although all of 1978 was a residency at the Nippon Budokan, their first visit to Japan in 1977 was a magnificent Japan tour that took them to famous venues all over the country. Speaking of their performances in Japan in the 1970s, the full pro shot "COMPLETE BUDOKAN 1977 AFTERNOON SHOW/EVENING SHOW" is a symbol, but in fact, most of the audience recordings were at the Nippon Budokan. This work is not only the first day of their first visit to Japan, but also a valuable local recording. This work, which vacuum-packs the historic first day, is also historic in its own right. Their first appearance was on the Power Gate label's "THE FIRST SHOW IN JAPAN," but no new recordings have appeared since then that could rival them. It is still a famous recording that has never been surpassed. This work is the highest peak update of such a unique record, polished by "GRAF ZEPPELIN." Obsessively precise GRAF ZEPPELIN mastering The sound is super natural. "GRAF ZEPPELIN"'s method is "on-site sound output" first principle. Rather than flashy processing or sound pressure, we perform basic tasks such as pitch correction, noise processing, and balance adjustment with obsessive precision. In this way, we reproduce the "on-site sound" that should have been heard on the other side of the recording to the utmost extent. This is a broadcasting theory that is also common to the repair work of art and cultural properties. In fact, in this work, the stereo feeling that was slightly shifted to the left by strict phase correction is aligned to the center, and the mid-range ringing is greatly alleviated by balance adjustment. High-frequency noise is also removed overall. Even more amazing is the processing of the fine periodic noise that comes in every few seconds. This is derived from the tape and is so small that you cannot notice it unless you listen carefully with headphones. Moreover, it resembles the applause of the on-site audience, so even those who have already experienced it may not recognize it as noise. However, "GRAF ZEPPELIN" carefully judges each of these "unnoticed noises". Sounds that are not on-site applause are carefully removed. The sound, processed with such terrifying detail, is truly "a little dust adds up to a mountain." To be honest, the original recording was wonderful, and even if you check the differences in the points mentioned above, you may only feel that "if you say so, it may have been processed...". However, the sound that combines them all has a completely different impression of naturalness, density, and response. A complete experience of the very special first day in the history of KISS. The legendary scene reborn with such detailed mastering is truly moving. Speaking of the highest peak live album from the first visit to Japan, the soundboard masterpiece "ROCK 'N ROLL PARTY IN TOKYO EDDIE KRAMER ACETATE" reigns as the new standard, but that is a phantom official live album and a single LP. Although this work is also a single CD, it is recorded through the full show, and you can enjoy plenty of masterpieces that you cannot hear on the soundboard masterpiece. Here, let's organize the full set and experience the volume of the number of songs. Hell's Army (5 songs) Detroit Rock City / Do You Love Me? / God Of Thunder / Shout It Out Loud / Beth Others (10 songs) Hell's Messenger: Firehouse (★) / Cold Gin / Nothin' To Lose (★) / Black Diamond (★) Hell's Rock Fire: Take Me / Ladies Room / Makin' Love / I Want You Others: Let Me Go, Rock And Roll (★) / Rock And Roll All Nite *Note: The "★" mark indicates a song that was not heard on the soundboard album "ROCK 'N ROLL PARTY IN TOKYO EDDIE KRAMER ACETATE". When it comes to the golden age of KISS, North America is the focus. The only overseas performances by the original four members were 14 European performances in 1976 and the 15 performances in Japan mentioned above. This work is a monument for us Japanese, but for KISS, it was the night they first faced the sea of black hair. The only recording that allows you to experience the scene of such a historic first encounter is the highest peak update in history. A legendary audience recording of the performance at the Osaka Welfare Pension Hall on March 24, 1977. This is the only recording of the first day of their first visit to Japan, and is the highest peak update board where the original master was polished up by "GRAF ZEPPELIN". The stereo feeling, which was slightly left-leaning by phase correction, is brought to the center, and the mid-range ringing is greatly alleviated by balance adjustment. Periodic noise that closely resembles applause is also carefully judged and processed one by one. This is a cultural heritage album that has been reborn as a supernatural one with the accumulation of detailed work like dust. Correct the overall balance with EQ. Reduce the harshness in the mid-range for a milder sound. Phase correction. Remove high frequency noise. Remove the slight digital noise that was mixed in throughout. Koseinenkin Kaikan, Osaka, Japan 24th March 1977 PERFECT SOUND *UPGRADE(from Original Masters)★Japan premiere, upper version (78:20) 01. Intro 02. Opening 03. Detroit Rock City 04. Take Me 05. Let Me Go, Rock And Roll 06. Ladies' Room 07. Firehouse 08. Makin' Love 09. I Want You 10. Cold Gin 11. Guitar Solo 12. Do You Love Me? 13. Nothin' To Lose 14. God Of Thunder 15. Drum Solo 16. God Of Thunder (Reprise) 17. Rock And Roll All Nite 18. Shout It Out Loud 19. Beth 20. Black Diamond Paul Stanley - Guitar, Vocal Gene Simmons - Bass, Vocal Ace Frehley - Guitar Peter Criss - Drums, Vocal
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