A new upgrade master has been discovered on the legendary soundboard, which was said to have the best sound in KISS history! The longest and highest peak update sound, which is different from the professional shot sound, will be released on 2CDs! This work is engraved with the performance of "January 31, 1995: Nippon Budokan". It is a super-class stereo soundboard recording. At that time, KISS was not the "REVENGE Tour", but a scene from the "KISS MY ASS Tour". This tour also includes the South American soundboard trilogy, including "SANTIAGO 1994 PRE-FM MASTER". First of all, let's take a look at the schedule of the activities at that time and check the positional relationship of each. 1994, April 2nd + 19th: North America #1 (2 performances), July 30th: Nashville performance, August 27th - September 16th: South America (8 performances) ← * SANTIAGO 1994 and others, October 21st: Phoenix performance 1995, January 24th - 31st: Japan (5 performances) ← ★ Coco ★, February 3rd - 13th: Australia (12 performances), June 16th - August 9th: North America #2 (26 performances) ← * Official KISS UNPLUGGED {November "CARNIVAL OF SOULS" production begins}, December 15th: Hollywood performance Newly excavated master that updates the longest / highest peak This is the whole picture of the "KISS MY ASS Tour" which was the final period of no-makeup KISS. At this time, it was the second visit to Japan without makeup following 1988, and two consecutive nights were performed at Nippon Budokan. This work was the concert on the final day. This show is also famous for the superb sound board and pro shots that were left behind. If it's a sound board, then "ALIVE III 1/2" is famous, and if it's a pro shot, then the masterpiece "BUDOKAN 1995 2ND NIGHT" is a big classic. This work is a drop of such previously released sound. . . . It's not. It's the same show, but it's a newly excavated master brought by our own related route. Moreover, it's not just new, it's also the longest / highest peak quality. First of all, it's the longest ever. Depending on the master, both the sound board version and the pro shot version were about 110 minutes long. This work is about 2 minutes longer than that. However, what's more important is the sound itself that runs through the whole story. This is already outrageous. As usual, it was recorded directly from the on-site mix desk, and it's a raw type that is unprocessed and unedited, but its freshness is different. The contours that were originally clear stand out even more clearly, and the silent part is filled with jet black darkness. There is almost no hiss or hum noise, and there is no need to gain sound pressure through mastering, and the power is increased by just the fineness. A completely different stereo feeling from the pro shot version Another point is the stereo feeling. It is clearly a balance for the venue PA, and the stereo feeling is blown left and right with a tremendous swing. In fact, although the sound of the pro shot version was also stereo, the balance that tends to be concentrated in the center was so much that it was mistaken for mono. However, this work is played with a lot of guing. In particular, the tom rotation is so bold that it stirs the brain, and even in parts without any production, the separation of each instrument is vivid, and each sound is as wide as possible. To be honest, the balance that does not consider playback on home audio is too raw to be called "official grade", but on the other hand, the dynamism that is impossible with official products. On the day when you listen to it with headphones, you can experience a sense of synchronization of a different dimension that is likely to cause music intoxication even with non-alcoholic drinks. Such a different dimensional sound is drawn in a full show in Japan that is different from the "South American" soundboards. Here, let's organize the set by comparing it with the South American trilogy and the representative soundboard masterpiece "CLEVELAND 1992" of "REVENGE Tour". 70's Classics (13 songs)・KISS: Deuce/Firehouse/Black Diamond (＊)・HOTTER THAN HELL: Parasite/Watchin' You/She (★＊)・ROCK AND ROLL OVER: Calling Dr. Love (＊)/Makin' Love (＊)/I Want You・DESTROYER: King Of The Night Time World (★＊)/Shout It Out Loud (★)/I Was Made For Lovin' You (＊)/Detroit Rock City・Other: Love Gun/Rock And Roll All Nite 80's/90's (8 songs)・CREATURES OF THE NIGHT: Creatures Of The Night/I Love It Loud・REVENGE: Domino/God Gave Rock 'n' Roll To You (★)・Other: Tears Are Falling (★)/Lick It Up/Forever (★)/Heaven's On Fire *Note: The "★" mark indicates a song that was not included in the South American soundboard trilogy. The "*" mark indicates a song that is not included in the "REVENGE Tour" soundboard masterpiece "CLEVELAND 1992". Even after the full show is over, this work is not over yet, even with the addition of a super rare official soundboard as a bonus. The new master is recorded even after the show has ended, and there is also an in-house announcement that is full of the era. Other artists being promoted also have a strong "1995" smell, so let's write it out here. "With this, today's concert has come to an end. As you can see, the area near the exit is very narrow. Please proceed slowly to the exit so as not to push against each other. "Now, we would like to inform our customers. We are currently selling special concert tickets for Elton John's additional performances at the west exit ticket corner on the first floor and in front of the southwest entrance on the second floor. Elton John will be performing at this venue for the first time in 21 years next month, with Billy Joel having sold out all of his baseball stadium performances in the United States. Please take advantage of this opportunity. "We also have tickets for QUEENSRYCHE, DOKKEN, PEARL JAM, SLAYER, and others. Please buy your good seats early." Furthermore, this work is a precious bonus track. This is "Strutter" recorded at the sound check of "October 30: Nippon Budokan" the day before the main program. In fact, this is the genuine official soundboard. This was a charity sound source for the Great Hanshin-Awaji Earthquake that occurred in January 1995, and only those who donated by phone could hear it. It is a completely official best master by the same route as the main story, and is permanently preserved. The transcendent sound board, once called "the best sound of all bootlegs," has reached even greater heights. This is the longest/highest peak update board of such a shock. A new excavation master that is more vivid and longer than the conventional master, and much more dynamic than the pro shot version. A transcendent stereo sound board recording of the "January 31, 1995: Nippon Budokan" performance. A new excavation master that has updated the longest/highest peak ever with a sound board directly connected to the mix desk, which is different from the pro shot version. The contours of each sound are also proud of their sharp vividness, and the stereo feeling that pans with a fierce width is also intense. This is a major decision board that also includes a bonus of "Strutter," the sound check the day before that was released for the Great Hanshin-Awaji Earthquake charity. Budokan, Tokyo, Japan 31st January 1995 STEREO SBD(from Original Masters) UPGRADE!!! Disc:1 (79:38) 1. Intro 2. King Of The Night Time World 3. Deuce 4. Shout It Out Loud 5. Parasite 6. Creatures Of The Night 7. Calling Dr. Love 8. Makin' Love 9. Tears Are Falling 10. Domino 11. I Was Made For Lovin' You 12. Watchin' You 13. Firehouse 14. I Want You 15. Love Gun 16. She 17. Lick It Up 18. Forever 19. I Love It Loud Disc:2 (35:29) 1. Black Diamond 2. Detroit Rock City 3 MC 4. Heaven's On Fire 5. God Gave Rock 'N' Roll To You II 6. Rock And Roll All Nite 7. Outro KOBE EARTHQUAKE DONATION EXCLUSIVE 'STRUTTER' Budokan Soundcheck 30th January 1995 8. Strutter This is "Strutter" recorded at the sound check of the Nippon Budokan on October 30th, the day before the main event. This is actually the genuine official soundboard. It was a charity sound source for the Great Hanshin-Awaji Earthquake that occurred in January 1995, and only those who donated by phone could hear it. It is a completely official best master by the same route as the main event, and is permanently preserved. Paul Stanley - Guitar, Vocals Gene Simmons - Bass, Vocals Bruce Kulick - Guitar Eric Singer - Drums, Vocals STEREO SOUNDBOARD RECORDING
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