The "UNMASKED Tour" where Ace Frehley and Eric Carr stood side by side and pushed forward with their overseas invasion. A new masterpiece that allows you to experience the tour, which can be said to be a singular point in KISS history, is now available. This work is recorded at the "Gothenburg performance on October 10, 1980". It is an excellent audience recording that tells the whole story. Our shop handles the entire career of KISS, but the "UNMASKED Tour" stands out among them. The new masterpiece "PARIS 1980: MASTER CASSETTE" will be released at the same time, so let's take a look at the whole picture of the tour while also organizing our collection. {May 20th "UNMASKED" released}・July 25th: Warm-up show "Europe leg"・August 29th + 31st (2 performances) *September 2nd "MILAN RIOT SHOW 1980"・September 5th-24th (14 performances) *September 27th "PARIS 1980"・September 28th-October 9th (8 performances) *October 10th: Gothenburg performance ←★This work★・October 11th + 13th (2 performances) "Oceania leg"・November 8th-21st (7 performances) *November 22nd "SYDNEY 1980"・November 25th + 30th (2 performances) *December 3rd "AUCKLAND 1980"This is KISS in 1980. Since their debut, they have been biased towards North America, but their popularity in their home country was sluggish at this time. So they decided to invade overseas and carried out a bold overseas tour without North America. The first target was Europe. In the 1970s, it was a showcase-like mini-tour (you can enjoy the pattern on the masterpiece "PARIS 1976: MASTER CASSETTE"), but in the "UNMASKED Tour", they carried out a full-scale tour around each country with a total of 29 performances. The Gothenburg performance of this work was the 27th concert at the end of the tour. Such a show is also known for leaving one of the best recordings of the European leg, and this work is the highest peak update. It is a masterpiece among masterpieces that was directly digitized from the master cassette excavated by the same unique route as the masterpiece "PARIS 1980". In fact, the sound is exquisite. As expected, there is no close contact with the sound board like "PARIS 1980", but that doesn't mean it's far away. The fresh air of the original cassette is beautifully transparent, and the core that penetrates the center of the cassette reaches your ears straight and unobstructed with fine details. The bass, which tends to be a weakness in the audience, roars with each attack sound, and yet it is connected with a gloss that never falters. It gives you a taste of the groove like a large rosary. What's even more surprising is that there is little audience noise. The mood of the venue, which gets very excited between songs, feels real, but it's a strangely distant and modest balance. If you've noticed this article, you may have had the experience of "I'm definitely an audience, but as I listen, I forget that it's a customer record." This work is exactly that. There is no mistake in terms of tone, but the more you get used to it, the more the F listening response becomes the same as a sound board. The full show, which is said to be the best even in the precious "UNMASKED Tour", is depicted with such a light and exquisite master sound. The set itself is the same as "PARIS 1980", but let's organize it here just to be sure. KISS (4 songs), Cold Gin, Strutter, Firehouse, Black Diamond DESTROYER (4 songs), Detroit Rock City, God Of Thunder, Shout It Out Loud, King Of the Night Time World, etc. (8 songs), UNMASKED: Talk To Me, Is That You?, etc.: Rock And Roll All Nite, Calling Dr. Love, Love Gun, New York Groove, 2000 Man, I Was Made For Lovin' You And the performance that spells out such a set is wonderful. This show is called "the best show" by completers, and the reason for that is the passionate performance. As mentioned above, the last time in Europe four years ago was just a trial run at the peak of their popularity, but this time it was a full-scale invasion to turn the situation around. This is the 27th performance, and it is full of serious tension, a solid ensemble that has been through a lot of experience, and a sense of fulfillment that comes from the success of the tour. Even though it is a singularity of the era, KISS is KISS. The group of classic songs and the entertainment spirit of the modern era will not change. This live album allows you to fully experience the ensemble of the super rare lineup and the passionate performance of pioneering new ground with exquisite sound. An exquisite audience recording of the "Gothenburg performance on October 10, 1980". The original master was excavated through a unique related route, and the fresh atmosphere without dubbing marks is beautifully transparent, and the core that penetrates the center reaches the ears straight and unsettled with fine details. The bass, which tends to be a weakness in the audience, also roars with each attack sound, and yet it is connected with a gloss that never falters. This is a new masterpiece that allows you to experience the full show that is said to be the best even in the precious "UNMASKED Tour". Scandinavium, Gothenburg, Sweden 10th October 1980 TRULY PERFECT SOUND Disc:1 (42:55) 1. Intro. 2. Detroit Rock City 3. Cold Gin 4. Strutter 5. Calling Dr. Love 6. Firehouse 7. Talk to Me 8. Is That You? 9. 2000 Man 10. Guitar Solo 11. I Was Made for Lovin' You Disc:2 (45:52) 1. New York Groove 2. Love Gun 3. Bass Solo 4. God of Thunder 5. Drum Solo 6. God of Thunder (reprise) 7. Rock and Roll All Nite 8. Shout It Out Loud 9. King of the Night Time World 10. Black Diamond Paul Stanley - Guitar, Vocal Gene Simmons - Bass, Vocal Ace Frehley - Guitar Eric Carr - Drums, Vocal
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