KISS in the "ALIVE!" era, which made a breakthrough with the historical masterpiece of the live album. A new excavation by the Omoto master who can fully experience the scene with the best sound. This work is engraved with the "Philadelphia performance on March 24, 1976". It is the best audience recording. Speaking of 1976, it was a time when three tours were next to each other, but among them, this work was recorded in the "ALIVE! Tour". It was also a tour that spanned the year, so let's start by exploring the position with our press masterpieces. 1975 (September 10th "ALIVE!" released) September 10th - October 2nd (6 performances) *October 3rd "PHILADELPHIA 1975" October 4th - November 29th (28 performances) *November 30th "LARGO 1975 (DVD)" December 2nd - 31st (14 performances) 1976 January 23rd: Erie performance *January 25th - 27th "DETROIT 1976" trilogy DVD January 30th - March 14th (24 performances) (March 15th "DESTROYER" released) March 20th + 21st (2 performances) *March 24th: Philadelphia performance ←★This work★ March 25th - March 28th (17 performances) The above is the overall picture of the "ALIVE! Tour". The "DRESSED TO KILL Tour" and "DESTROYER Tour" before and after are omitted. All were performances in the United States, and this Philadelphia performance was the 74th performance, approaching the end of the show. This period is also famous for the three professional shots "DETROIT 1976 1ST NIGHT / 2ND NIGHT / 3RD NIGHT", but this work was about two months later. This show has recently been unearthed and has become a hot topic, and this work is the highest peak. It is a masterpiece among masterpieces that was digitized directly from the original master cassette brought by a unique route. In fact, the sound is too good. Yes, I hope you understand if I say that it is not inferior to the professional shot sound of the "DETROIT 1976" trilogy. The powerful and fiercely clear core reaches straight to the ears, and the sense of separation is outstanding. I wouldn't go as far as to say it's on par with the official "ALIVE!" class, but it's more than comparable to the excavated sound boards represented by "DETROIT 1976". Moreover, the freshness of the ultimate Gene's original master is wonderful. Each beat of the beat is drawn without distortion, and the long notes are straight and clear to the very end where they disappear into the void. There is no sense of dubbing deterioration, let alone aging, and the waiting of the venue nearly half a century ago comes out of the speakers as it is. Such a master sound depicts the full show of the "ALIVE! Tour" which is nearing the end. The tour has undergone minor changes little by little over time, but it is actually different from the most recent "DETROIT 1976" trilogy. Let's organize it by comparing them. KISS (7 songs) Deuce/Strutter/Firehouse/Nothin' To Lose/100,000 Years/Black Diamond/Cold Gin Others (7 songs) HOTTER THAN HELL: C'mon And Love Me/Hotter Than Hell/Parasite/Let Me Go, Rock And Roll DRESSED TO KILL: She/Shout It Out Loud (★)/Rock And Roll All Nite *Note: The "★" mark indicates a song that was not heard in the "DETROIT 1976" trilogy. ...And so on. "Parasite", which was not performed in "DETROIT 1976 1ST NIGHT", is also shown, but "Shout It Out Loud" is even better. From today's perspective, it is a classic among classics, but in fact, "March 11, 1976" was the live premiere. This work is a show about two weeks after that, and it is a very early performance that has only been played a few times. Furthermore, not only "Shout It Out Loud" but also the heat that penetrates the full show is amazing. Although it is the second half of a harsh tour, as you can see from the above schedule, there were two days off before this work. At that time, KISS was still in their mid-20s, so if they took two days off, they would be completely recovered and overflowing with energy. It was a scorching hot stage that slammed the heat that leaked out, while still keeping the ensemble that had been perfected by the tour. The "DRESSED TO KILL Tour" that produced "ALIVE!" was also intense, but the "ALIVE! Tour" that was fueled by the wind of success was even more amazing. This is a newly excavated live album that allows you to experience such a scene with 100% of the best sound that is not inferior to the sound board. The best audience recording of the "Philadelphia performance on March 24, 1976". It is a masterpiece that was digitized from the original master cassette, and it is surprising that it is not inferior to the sound board sound of the "DETROIT 1976" trilogy. You can experience the fresh "ALIVE! Tour" with the very early "Shout It Out Loud" just two weeks after the premiere. Civic Center, Philadelphia, PA, USA 24th March 1976 TRULY PERFECT SOUND (from Original Masters) Disc:1 (47:08) 1. Intro. 2. Deuce 3. Strutter 4. C'mon And Love Me 5. Hotter Than Hell 6. Firehouse 7. She 8. Guitar Solo 9. Parasite 10. Nothing To Lose 11. Shout It Out Loud 12. Bass Solo 13. 100.000 Years 14. Drum Solo Disc:2 (35:21) 1. Black Diamond 2. Cold Gin 3. Rock And Roll All Nite 4. Let Me Go Rock And Roll
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