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Kiss/NC,USA 1985 Soundboard Edition

Kiss/NC,USA 1985 Soundboard Edition

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A new upgrade master has been discovered on the classic soundboard that symbolizes the unexplored "ASYLUM Tour" with few sound sources! It has been decided to release the highest peak updated sound CD that is "more official than the official"! This work is engraved with the "Charlotte performance on December 28, 1985". It is a stereo soundboard recording. Speaking of the "ASYLUM Tour", the San Antonio performance of the official "Off The Soundboard" series has become a hot topic, and the masterpiece "ERIE 1986 SOUNDBOARD" is also popular. First of all, let's take a bird's-eye view of the activities at that time and check the positional relationship of each. 1985, January 3rd - March 29th: North America #1 (61 performances) ← *SAN BERNARDINO 1985 and others {"ASYLUM" released on September 16th} ・November 29th - December 31st: North America #2a (23 performances) ← ★Here★ 1986, January 3rd - April 12th: North America #2b (68 performances) ← *ERIE 1986 The iconic soundboard of the ASYLUM Tour has been upgraded This is KISS in 1985/1986. The simultaneously released "SAN BERNARDINO 1985 SOUNDBOARD" was the "ANIMALIZE Tour", but the Charlotte performance of this work was after the release of "ASYLUM". It was the 20th performance of "North America #2". It was 25 days (16 performances) after the much-talked-about official work "SAN ANTONIO, TX 12/3/1985". The Charlotte performance has long been known for its masterpiece sound board, and this work is the highest peak update of such a standard sound board. It is a new master brought from our own related route, and there are no rough dubbing marks or tape running twists like in the past. It is a super beautiful sound that is stable and beautifully arranged down to the fine details. Gorgeous sound that is more official than the official work Its splendor is "completely official class" ... and more. In fact, it even exceeds the official work "SAN ANTONIO, TX 12/3/1985" that is currently a hot topic. The point is a mix full of danaism. Many people have already experienced it, but the latest official work is a vivid direct connection system, but the balance is a bit rough in terms of music work. Not only was the cheering far away, but the excitement of the performance itself was hard to convey, and the show seemed to proceed steadily. In contrast, the mix of this work is glittering and dynamic. The huge scale and dramaticism of each song are clearly visible, and the musical work is extremely complete. In other words, the official work "SAN ANTONIO, TX 12/3/1985" is bootleg-like, and this work feels like an official regular work, and the official/unofficial taste is completely reversed from usual. This is the meaning of "more official than official" that I introduced at the beginning. The precious "ASYLUM Tour" full show is drawn with such quality beyond the official. The set is different from the other apex sound board "ERIE 1986 SOUNDBOARD", so let's organize it by comparing it. 80's (9 songs)・CREATURES OF THE NIGHT: I Still Love You/I Love It Loud/War Machine・LICK IT UP: Fits Like A Glove/Lick It Up (*)・ANIMALIZE: Under the Gun (★)/Heaven's On Fire・ASYLUM: Uh! All Night/Tears Are Falling 70's Classics (4 songs)・Detroit Rock City/Cold Gin/Love Gun/Rock And Roll All Nite *Note: "★" marks are songs that could not be heard in "ERIE 1986 SOUNDBOARD". "*" marks are supplemented with audience recordings. ... and so on. This soundboard is missing the last "Lick It Up", which is usually supplemented. In the conventional version, a soundboard from another live performance was usually added, but in this work, it is supplemented with the best audience on the same day. The official work "SAN ANTONIO, TX 12/3/1985" was also groundbreaking, but this work is an even more official and dynamic live album. A new master that has updated the highest peak of traditional soundboards. Stereo soundboard recording of the "Charlotte performance on December 28, 1985". This new master was excavated from our own related route, and it has no rough dubbing marks or tape running twists like the conventional ones, and is a top-of-the-line updated sound that is stable and neatly arranged down to the fine details. The mix is ​​more dynamic than the official work "SAN ANTONIO, TX 12/3/1985", and it is the birth of a new masterpiece that is "more official than the official". Charlotte Coliseum, Charlotte, NC, USA 28th December 1985 STEREO SBD UPGRADE (79:34) 01. Detroit Rock City 02. Fits Like A Glove 03. Uh! All Night 04. Cold Gin 05. Under The Gun 06. Solo Bruce Kulick 07. I Still Love You 08. Solo Gene Simmons 09. I Love It Loud 10. Tears Are Falling 11. Solo Eric Carr 12. War Machine 13. MC 14. Love Gun 15. Rock And Roll All Nite 16. Heaven's On Fire 17. Lick It Up (AUD source) Paul Stanley - Vocal & Guitar Gene Simmons - Vocal & Bass Bruce Kulick - Guitar Eric Carr - Drums STEREO SOUNDBOARD RECORDING

Charlotte Coliseum, Charlotte, NC, USA 28th December 1985 STEREO SBD UPGRADE (79:34) 01. Detroit Rock City 02. Fits Like A Glove 03. Uh! All Night 04. Cold Gin 05. Under The Gun 06. Solo Bruce Kulick 07. I Still Love You 08. Solo Gene Simmons 09. I Love It Loud 10. Tears Are Falling 11. Solo Eric Carr 12. War Machine 13. MC 14. Love Gun 15. Rock And Roll All Nite 16. Heaven's On Fire 17. Lick It Up (AUD source) Paul Stanley - Vocal & Guitar Gene Simmons - Vocal & Bass Bruce Kulick - Guitar Eric Carr - Drums STEREO SOUNDBOARD RECORDING

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