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Kiss/LA,USA 1974 Complete Upgrade

Kiss/LA,USA 1974 Complete Upgrade

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The debut of KISS was a revolution that rewrote rock history. Here is a miraculous live album that lets you experience the scene with the best sound. This work is recorded from the "July 16, 1974 Baton Rouge performance". It is a superb audience recording. We introduce the entire history of KISS through our own related routes, but 1974 in particular has been carefully archived. The new masterpiece "GEORGETOWN 1974 2ND SHOW" has just been very well received. The number of works has increased, so let's start by organizing our collection while taking a bird's-eye view of their activities. “KISS Tour” ・January 8th-February 21st: North America #1 (8 shows)《February 18th release of “KISS”》・March 22nd-August 4th: North America #2 (64 shows)←★Here★《August “HOTTER THAN HELL” production》・September 13th-October 4th: North America #3 (13 shows)←※TORONTO SEPTEMBER 1974 “HOTTER THAN HELL Tour”・October 16th-December 31st: North America #4 (42 shows)←※EAST LANSING 1974 This is KISS in 1974. “KISS Tour” was diverse, from the warm-up “North America #1” to “North America #3” after the production of “HOTTER THAN HELL”, but the main one was “North America #2”. Due to the large number of shows, many masterpiece live albums were left behind. Let’s focus on the dates further. Details of "North America #2" ・March 22-25 (4 performances) *March 25th "GEORGETOWN 1974 2ND SHOW" ・March 29-April 3 (4 performances) *April 7th "DETROIT 1974 1ST NIGHT: PRE-FM REEL" ・April 8-17 (7 performances) *April 18th "DEFINITIVE MEMPHIS 1974: SOUNDBOARD" ・April 19-May 30 (19 performances) *May 31st "COMPLETE LONG BEACH 1974: FM BROADCAST" ・June 1-July 14 (15 performances) *July 16th: Baton Rouge performance ←★ This work ・July 1st-August 3rd (5 performances) *August 4th "SOUTHBEND" ... and so on. The Baton Rouge performance in this work was the 57th performance near the end. This work, which vacuum-packed such a scene, is a shocking sound that can be called "KISS Tour's masterpiece". The above list includes "PRE-FM", "SOUNDBOARD" and other impressive line-ups, but this work completely surpasses such masterpieces. I can't lie, so I can only say "audience" and hide, but the sound that flows out makes me think "Where is this customer record?" No matter how hard I listen with headphones, the only evidence of the audience is a slight applause between songs. Moreover, this work is also the best master of such a transcendental recording. In fact, this recording has been known to core collectors, but they also had some crackling noise in the right channel. In contrast, this work is a master brought by the usual unique route, and there is no noise in the right channel, which was the only drawback. Another thing I would like to tell core collectors is that it is a full recording. There was a document that stated that "encores were not recorded," but in fact this was a mistake. On this day (perhaps because they ate the headliner BLUE OYSTER CULT), KISS was not allowed to encore, and "Let Me Go Rock and Roll" was not played. To be honest, the 1974 "KISS Tour" had to prioritize its value even on the soundboard. You can experience it with a super-excellent sound that is comparable to the super-famous albums of any era. It is truly a miraculous live album, an eternal absolute work. The ultimate master that no longer distinguishes between audience and soundboard. A super-class audience recording of the "Baton Rouge performance on July 16, 1974". A newly excavated master brought by a unique related route, this is the highest peak update board without the noise in the right channel that was irritating to the ears of the conventional master. It is the "masterpiece of the KISS Tour" that transcends numerous soundboard titles. Opening act for Blue Oyster Cult. Unbelievable, but they weren't allowed to play an encore. Independence Hall, Baton Rouge, LA, USA 16th July 1974 TRULY PERFECT/ULTIMATE SOUND★UPGRADE ★Ultra-high quality recording (32:01) 1. Intro 2. Deuce 3. Strutter 4. She 5. Firehouse 6. 100,000 Years 7. Black Diamond Paul Stanley - Guitar, Vocal Gene Simmons - Bass, Vocal Ace Frehley - Guitar Peter Criss - Drums, Vocal

Independence Hall, Baton Rouge, LA, USA 16th July 1974 TRULY PERFECT/ULTIMATE SOUND★UPGRADE ★Ultra-high quality recording (32:01) 1. Intro 2. Deuce 3. Strutter 4. She 5. Firehouse 6. 100,000 Years 7. Black Diamond Paul Stanley - Guitar, Vocal Gene Simmons - Bass, Vocal Ace Frehley - Guitar Peter Criss - Drums, Vocal

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