The best version of the classic pro shot that has represented the “MAIN OFFENDER Tour” is here. A new excavation of an air check master that has never been released before. This work was shot at the “February 13, 1993 Boston performance”. It is a multi-camera pro shot. This show is also known for being broadcast on North American cable television, and is a classic among classics that has produced many existing shows. This work is also a broadcast pro shot, but it was not broadcast in the home country, but was broadcast to commemorate the second anniversary of the opening of a certain satellite broadcasting station in Japan. This is a special version with Japanese subtitles such as “Hey, everyone in Boston”, “It's Saturday night”, and “Who's the bad guy?” on Keith's MC. Also, speaking of the “MAIN OFFENDER Tour”, pro shots such as the Buenos Aires performance, the Cologne performance, and VH-1's “CENTER STAGE” are also familiar. In order to organize the relationship with such footage, let's start with the schedule at that time. 1992: October 19th, release of "MAIN OFFENDER" November 7th: Coca-Cola Rock Festival appearance November 27th-December 18th: Europe (11 performances) December 28th: VH-1 "Center Stage" appearance December 31st: New York performance 1993 January 17th-February 24th: North America (22 performances) ←★Here★ This is the overview of activities related to "MAIN OFFENDER". In 1992, they performed special performances mainly on the European tour, and in 1993, they toured the United States. The Boston performance of this work was near the end of such activities. It was the 14th concert of the "North American" leg. As mentioned above, such shows are a staple that have produced countless previous releases. If you have noticed this article, you may have seen at least one. This work is a secret air check master that has never been seen by the public, even though it is such a classic. Moreover, it was not recorded by a simple person. Our shop archives many music venues with the best masters by domestic record enthusiasts, and this work is also by such a core enthusiast. In terms of recent releases, many people may have heard of Michael Jackson's smash hit "JAPAN TOUR '87" and Prince's "TOKYO DOME 1990: Re-Broadcast Edition". This is the latest work by a enthusiast who achieved that transcendent visual beauty. In fact, the visual beauty of this work can be said to be the Keith version of Michael/Prince. Since it is not a terrestrial version, there is no fun of nostalgic commercials, but that is why the pleasure of a seamless, uninterrupted live performance is even more wonderful, and the sense of stability that does not shake is also intense. The perfection of the work far surpasses the Michael/Prince edition. And the visual beauty, which is its greatest appeal, is also tremendous. There are so many classic and countless masters that I don't have the courage to declare that it is the "highest peak in history," but I would like to declare it with all my might from my experience. There is no noise so far, the edges of each character of the subtitle are vivid, Keith's skin tone is super realistic, and the sense of stability is also tremendous... I have never seen such a master. The show depicted with that visual beauty... there is no need to put it into words anymore. However, the various standard professional shots were the 1992 show, and this work has a different set from those. Here, let's organize the set by comparing it with the professional shot of the 1992 Cologne performance, which is another symbol. TALK IS CHEAP (5 songs) How I Wish/Locked Away (★)/Whip It Up/I Could Have Stood You Up/Take It So Hard MAIN OFFENDER (8 songs) Wicked As It Seems/999/Runnin' Too Deep (★)/Will But You Won't/Words Of Wonder (★)/Hate It When You Leave/Eileen/Bodytalks Others (5 songs) Eddie Cochran: Something Else (★) Stones: Gimme Shelter/Time Is On My Side/Before They Make Me Run/Happy *Note: The "★" mark indicates songs that cannot be seen in the pro shots of the Cologne performance. ...And so it is. A delicious selection of songs that summarizes the two solo works and sprinkles the Stones' repertoire. As per the above schedule, the sense of harmony is wonderful because the series of activities has reached the end. That is a musical masterpiece that can be said to be equivalent to the essential "MAIN OFFENDER". The "MAIN OFFENDER" era, in Keith's life, shone specially as a solo artist. This is the first appearance of the symbolic multi-camera pro shot and the superb master. Our shop is not a Guinness Association, so we are not in a position to certify "the best in the world", but this work must be the highest peak version of the Japanese broadcast version with vivid Japanese subtitles. Multi-camera pro shot of the "February 13, 1993 Boston performance". This is a broadcast pro shot that can be said to be a symbol of the MAIN OFFENDER Tour, but this work is the first Japanese broadcast master released by a core record enthusiast who worked on Michael Jackson and Prince's big hits. The completely official-class image beauty is wonderful, and the sense of stability that does not shake is also intense. There is no noise so far, the edges of each character of the subtitles are vivid, Keith's skin gloss is super realistic, and the sense of stability is also tremendous... I have never seen such a master. You can also enjoy the delicious full show with the best quality, including "Something Else", "Locked Away" and "Runnin' Too Deep", which can't be seen even in the pro shot of the Cologne performance, another major tour staple. Live at Orpheum Theatre, Boston, MA, USA 13th February 1993 PRO-SHOT(UPGRADE) (109:55) 1. Intro 2. Something Else 3. How I Wish 4. Wicked As It Seems 5. Gimme Shelter 6. 999 7. Running Too Deep 8. Locked Away 9. Time Is On My Side 10. Will But You Won't 11. Words Of Wonder 12. Hate It When You Leave 13. Before They Make Me Run 14. Eileen 15. Bodytalks 16. Band Introductions 17. Whip It Up 18. I Could Have Stood You Up 19. Happy 20. Take It So Hard Keith Richards - Guitar, Vocals Waddy Wachtel - Guitar, Backing Vocals Ivan Neville - Keyboards, Guitar, Backing Vocals Jerome Smith - Bass, Backing Vocals Steve Jordan - Drums, Bass, Backing Vocals Bobby Keys - Saxophone, Percussion Sarah Dash - Vocals Babi Floyd - Backing Vocals, Percussion PRO-SHOT COLOUR NTSC Approx.110min
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