A precious live in Japan of the "PAINKILLER TOUR". The masterpiece video is now available! The "PAINKILLER" era is very popular. It is impossible to choose one album as JUDAS PRIEST's best, but there is no album that can match "PAINKILLER" in terms of enthusiastic support from a wide range of generations. At the time, young fans were overwhelmed by the majesty of God, and old fans were also moved by the triumphant song of the revival. Even today, after many twists and turns, the advanced fusion of aggression and melody remains the "ideal image of metal", and they are still cultivating new fans. It is truly an album that transcends time. Of course, the performance in Japan with such a masterpiece was a great success. Rob's "Priest is back!!" created a swirl of heart-burning enthusiasm. The performance "April 12, 1991: Osaka Festival Hall" is included in this work. First of all, let's check the tour schedule to recall the memories of 26 years ago.・April 12: Osaka Festival Hall [this work] ・April 13: Kanagawa Prefectural Hall ・April 14: NHK Hall ・April 15: Yoyogi Olympic Pool All four performances. Although it was heavily biased towards the Kanto region, this work was the only Osaka performance among them. This work is truly a famous image of pure iron. Unfortunately, it does not seem to be the original master, but Gene is still quite young, and distortion and deterioration over time are minimal. And above all, the angle is excellent. Looking down slightly from the front row of the second floor seats, the view spreads out with no obstructions and only the stage spreads... Ah, already! It's cumbersome! That's not what's great about this work. It doesn't matter. So what's so great about it? It's the fiercely active camerawork! In the early 1990s, there were many intense photographers active in Osaka, who were producing a series of amazing masterpieces. We have introduced many titles, including MOTLEY CRUE's "OSAKA 1990", MEGADETH's "AMAGASAKI 1991", AEROSMITH's "OSAKA 1990", BON JOVI's "OSAKA 1991 2ND NIGHT", and others. If you have seen even one of these, you will know the camera work. For those who have not experienced it, this cameraman uses a lot of dynamic zooming in and out. He zooms in and out and then pulls back. The repetition is just like Kei Tani's "Gachoon". If that was all, it would seem like a simple video that is difficult to watch, but that is not the case. He is well acquainted with JUDAS PRIEST's songs and performances... but he is fully immersed in the show and is in the groove at the scene. Not only Rob Halford, who has evolved to the ultimate iron tack, but also the twin leads, who are close to the zubazuba with their solo draws, capture the beautiful formation from a distance. Rob's action, who is just in his 30s and moving around, is also perfectly controlled. This is PRIEST. This is the steel god. The fierce and elegant "All Guns Blazing", "Night Crawler", and "Painkiller". And the past masterpieces that have gained a metallic luster with the explosive drumming of Scott Travis. The shout that cuts through the pure iron set that completely discarded "TURBO" and "RAM IT DOWN" in the original key. The reorganization period that made us dream is also wonderful, but what is engraved in this work are the gods who were running forward at the forefront. This masterpiece live in Japan depicts it with active shots that expose the fan's psychology. Please take this opportunity to experience 100% pure heavy metal footage. Live at Festival Hall, Osaka, Japan 12th April 1991 1. Intro 2. Hell Bent for Leather 3. Grinder 4. The Hellion 5. Electric Eye 6. All Guns Blazing 7. The Sentinel 8. Metal Gods 9. Night Crawler 10. The Ripper 11. Beyond the Realms of Death 12. Riding on the Wind 13. Victim of Changes 14. Painkiller 15 . The Green Manalishi 16. Breaking the Law 17. Living After Midnight 18. You've Got Another Thing Comin' COLOR NTSC Approx.98min.
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