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Jimmy Page Robert Plant Jimmy Page Robert Plant/England,UK 1995 Best Quality

Jimmy Page Robert Plant Jimmy Page Robert Plant/England,UK 1995 Best Quality

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Page & Plant in 1995, who revived the majesty of the airship in the 90s and started a world tour. The release of the best professional shots that allow you to witness the early stage where the legend started moving again has been decided. This work was shot on "June 25, 1995, Pilton". It is a multi-camera professional shot of the appearance at the traditional music festival "Glastonbury Festival" that Britain is proud of. Page & Plant started in 1994, but at that time they were limited to promotional activities for the release of "NO QUARTER". It was in 1995/1996 that they went on a full-scale tour. First of all, let's look back at the schedule at that time and check the position of this work. 1995, January 30: American Music Awards appearance, February 26-April 10: North America #1 (27 performances), April 25-May 27: North America #2 (21 performances), June 6-July 26: Europe (27 performances), September 23-October 27: Mexico/North America #3 (22 performances), 1996, January 15: Sydney performance, January 20-27: South America (4 performances), HOLLYWOOD ROCK FESTIVAL 1996, February 5-12: Japan (10 performances), February 24-March 1: Australia (5 performances), this is Page & Plant's first world tour. After this, they only appeared on stage once at the end of 1997, and moved on to the "WALKING INTO CLARKSDALE" period in 1998. Among them, this work's appearance at the Glastonbury Festival was the first triumphant return to the UK. It was the stage that was the 10th performance of the "European" leg. Such a show is also famous for the realization of professional shot broadcasting. It became a big staple since then, as it was possible to witness the long-awaited tour early. This work is also a TV broadcast professional shot, but it is the highest peak version that has been further upgraded. It has been made into a DVD from a digital master by a certain satellite broadcasting station. The quality is "completely official class" without question. In the first place, the shooting, mixing and camera work are perfect only for one of the largest traditional festivals in the UK, and its brilliance has not faded at all even now, more than 25 years later. The charisma of the two who once again strum ZEP numbers is depicted with such semi-official visual beauty. The Rio performance's "HOLLYWOOD ROCK FESTIVAL 1996" is a familiar decision board video from the near future, so let's organize the set by comparing it.・Led Zeppelin III: Gallows Pole/Since I've Been Loving You/Friends (★)・Holy House: No Quarter/The Song Remains the Same・Others: Four Sticks/Kashmir/In the Evening (★) *Note: The "★" mark indicates songs that were not seen at "HOLLYWOOD ROCK FESTIVAL 1996". ...And so on. Compared to the 110-minute long "HOLLYWOOD ROCK FESTIVAL 1996", this work is just under an hour long and very compact, but it still contains two delicious songs, "Friends" and "In the Evening". Plant still seems to be in good health, but it's been several years since I've seen Page play. I can't hope for the two of them to travel the world anymore. It's only now that the sight of the two of them standing side by side is so moving. This is an indispensable piece for a video collection. The best professional shots of the legendary project have been released. This is a DVD made directly from the digital master of a satellite broadcasting station, broadcasting a traditional festival that the UK is proud of. This is a completely official masterpiece that is indispensable for your collection. Live at Glastonbury Festival, UK 25th June 1995 PRO-SHOT(BEST QUALITY) 1. No Quarter 2. Gallows Pole 3. Since I've Been Loving You 4. The Song Remains the Same 5. Friends 6. Four Sticks 7. In the Evening 8. Kashmir PRO-SHOT COLOUR NTSC Approx. 54min.

1. No Quarter 2. Gallows Pole 3. Since I've Been Loving You 4. The Song Remains the Same 5. Friends 6. Four Sticks 7. In the Evening 8. Kashmir PRO-SHOT COLOUR NTSC Approx. 54min.

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