The “CATFISH RISING” era is a hidden gem for recording even with the long JETHRO TULL. A masterpiece live album that reveals the scene in detail with the best sound is now available. What is infused into this work is “Zurich performance on October 16, 1991”. It is a transcendental audience recording. Speaking of the “CATFISH RISING Tour,” Martin Alcock was replaced by Andrew Giddings midway through, and the official live albums “IN CONCERT” and “A LITTLE LIGHT MUSIC” were also left. The meaning differs depending on the detailed schedule, so let's first check the show position from the tour schedule. 1991, February 21st: New York performance June 22nd-July 20th: Europe #1 (20 performances) August 20th-26th: North America #1 (6 performances)《September 10th《 CATFISH RISING” released》・October 3rd – November 1st: Europe #2 (23 performances) ← *IN CONCERT &★This work★・November 7th – December 17th: North America #2 (32 performances)《 Alcock → Giddings change》1992, March 13-April 10: Europe #3 (23 performances, May 1-23: Europe #4 (17 performances) ← *A LITTLE LIGHT MUSIC, June 19 Sun: St. Petersburg performance July 24th-26th/September 22nd-25th: Europe #6 (7 performances) September 30th-November 10th: North America #3 (36 performances) This is 1991 / JETHRO TULL in 1992. The member change occurred in December 1991, when the tour had finished, and this was the 10th concert of "Europe #2" held immediately after the release of the album. In fact, the official live album “IN CONCERT” was also produced at the Hammersmith performance of “Europe #2”, and this work was vacuum-packed from such a scene. It's the best audience recording with ``...I'm sorry for suddenly sounding weak, but it's a superb sound that is so different from the audience record that I can't believe my ears. There is no feeling, and the evidence of audience recording is engraved in the tones such as the snare.However, the important details, the clear atmosphere, and the sense of closeness without distance are as beautiful as the official album. All of the instruments are vivid, but Ian Anderson's vocals are especially amazing.Not only each word of the lyrics, but the nuances of each syllable are vivid, and when I first heard it, I could feel the breath flowing into the microphone. ...Well, even now that I've listened to it, it's such a shocking sound that I still think, "Maybe it's a leaked rough mix of IN CONCERT?!" With its transcendental vivid sound, it can be said to be the complete version of the official IN CONCERT. Show. Of course, it is a different performance, but the performance is very similar to the recent show, and unlike the official work, which is full of cuts, it is a full-length recording. Here, we will compare the whole story with the official work. Let's sort it out. Catfish Rising (6 songs)・Rocks On The Road/This Is Not Love/Like A Tall Thin Girl/White Innocence (★)/Still Loving You Tonight/Doctor To My Disease (★) Classics and others ・Sunday Impressions: Serenade To A Cuckoo (★)・Stand Up: A New Day Yesterday/Look Into The Sun (★)・Aqualung (★)・Gerald's Immaculate World: Thick As A Brick・Mysterious Forest: The Whistler (★)・Heavy Horses・Under Wraps: Paparazzi (★)・Crest of a Nave: Farm On The Freeway (★)/Jump Start・Rock Island: Kissing Willie (★)・Others: Medley (Minstrel In The Gallery/Cross-Eyed Mary) / Living In The Past (★) / Medley (★: Locomotive Breath/Black Sunday) / The Dambusters March (★) *Note: "★" marks are official from the same period. A song that cannot be heard on the album “IN CONCERT”. ...and it looks like this. A wide range of songs have been selected from his long career, but the most valuable ones are the new songs from ``CATFISH RISING''. Only “Rocks On The Road” was played in the 21st century, but the others were only in the 90s. In particular, “White Innocence” and “Doctor To My Disease” are tour-only songs that could not be heard even on “IN CONCERT,” and “Still Loving You Tonight” is an extremely rare song that has only been played a few times. Still, it sounds amazing. This is an incredibly good sounding live album. JETHRO TULL in 1991 had deepened their unique blues-rock flavor even though they were far from chart hits. It is a masterpiece that allows you to fully experience the show with a lot of valuable numbers with super superb sound. A 2-disc set that surpasses the official version and quickly clears up the frustration of the official version ``IN CONCERT'', which was about 53 minutes long and had indigestion. Superb audience recording of "October 16, 1991 Zurich Performance". It is comparable to the official album in terms of fine detail, clear atmosphere, and close contact without distance. All the neatly separated instruments are vivid, but Ian Anderson's vocals are especially amazing. Not only each word of the lyrics, but even the nuances of each syllable are vivid, and you can even feel the breath flowing into the microphone. This is a superb live album full of valuable songs that can't be heard on the official album "IN CONCERT", such as "White Innocence" and "Doctor To My Disease" from "CATFISH RISING". Hallenstadion, Zurich, Switzerland 16th October 1991 ULTIMATE SOUND Disc 1 (66:55) 01. Intro 02. Minstrel In The Gallery/Cross-Eyed Mary 03. Kissing Willie 04. Rocks On The Road 05. This Is Not Love 06. Serenade To A Cuckoo 07. Heavy Horses 08. Tall Thin Girl 09. The Whistler (inst.) 10. White Innocence 8:24 11. Still loving you tonight 12. Living In The Past (inst.) 13. Paparazzi (Inst.) 14. Doctor To My Disease Disc 2(52:52) 1. MC 2. Thick As A Brick 3. A New Day Yesterday (incl. Bouree/Soiree) 4. Look Into The Sun (instr.) 5. Farm On The Freeway 6. Jump Start 7. Aqualung 8. Locomotive Breath/Black Sunday (inst.) 9. Dambuster's March 10. Thick As A Brick (reprise) / The Blue Danube Waltz (Outro) Ian Anderson - Flute, Mandolin, Acoustic Guitar & Vocals Martin Barre - Guitar Dave Pegg - Bass Martin Allcock - Keyboards Doane Perry - Drums
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