"ST. LOUIS 2014" is a great discovery of direct sound that seems to be directly connected to the brain. It is a tremendous live album that feels like the Jeff Beck Group is playing in your head, but such transcendent quality was also achieved in exchange for “on-site feeling” and “realism”. Therefore, in order to complement that "sense of on-site" and "realism", we present to you the audience video collection "ST. LOUIS 2014: THE VIDEO". This work is an audience shot of the "St. Louis performance on August 24, 2014", which was the exact scene of the CD, from the perspective of three cars. It is not a multi-camera recording, but a compilation type with different angles for each song, and is a video collection of 6 songs and approximately 26 minutes. The angle that appears in the first "Nine" is a shot (camera 1) taken from a seat near the right side of the stage (third row!?). Because it's so close, it's an enviable angle that makes you look up at the stage. Although the image quality cannot be called super beautiful, the sound with a direct feeling that seems to be close to the audience is the best audience feeling. Of course, the dimension is different from the direct connection feeling of the main sound board, and the feeling of “being there” is irresistible. The next three songs, “Why Give It Away,” “You Never Know,” and “Superstition” are shot by camera 2 from the left side of the stage. In terms of distance, it is a little further away than Camera 1, and the number of frames is smaller, but the angle that uses a lot of zoom makes it feel even closer than Camera 1. The sound is also powerful, with Jonathan Joseph's drums and Rhonda Smith's bass approaching right in front of you. In particular, the groove that bounces sharply while intertwining with Jeff's guitar in "You Never Know" is the best. That's all from Jeff's solo stage that can be heard on the CD. The next two songs are videos of a collaboration with ZZ TOP. Camera 3, which shot “La Grange / Sloppy Drunk Jam,” is closer to the left of the stage like camera 2, but from a farther angle. However, this is not a disadvantage, but rather an advantage. You can see a panoramic view of Jeff and ZZ TOP, who were invited to appear by Billy Gibbons' call of "Jeff Beck!!". Moreover, the image quality and sound are the best among the three cameras, and the jam with Jeff's sharp cutting on a groovy boogie beat is the coolest. I'm well aware of the miraculous discovery of the CD's sound board, but I wanted to listen to this song with the sound that connects directly to the brain... The last "Tush" was shot with Camera 1, and the close angle looks like a professional shot. Jeff is dressed in a blue T-shirt and his white teeth are showing off his smiling face. The audience is very happy with this performance, and there is great excitement and loud cheers. This is also an exquisite “on-site feeling” that cannot be experienced with the main direct-connected sound board. This is a CD that not only gives a sense of reality to the CD, but also allows you to witness a gorgeous performance. What kind of venue and mood was the CD and official ``LIVE+'' recorded in? This is a book that conveys this message more eloquently than a hundred words and lets you witness it from three positions. A scene that spreads beyond the super-excellent sound board. Please experience it yourself. Live at Verizon Wireless Amphitheater, St. Louis, MO. USA 24th August 2014 (26:45) 1. Nine 2. Why Give It Away 3. You Never Know 4. Superstition ZZ Top with Jeff Beck 5. La Grange / Sloppy Drunk Jam 6. Tush
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