John Wizard's master collection has created a sensation in the collector world by unearthing many top masters. The latest work, the Jeff Beck edition, is now available. Moreover, it is the birth of a new masterpiece that conveys the popular tour with THE JAN HAMMER GROUP. What is infused into this work is “September 12, 1976 Anaheim performance”. This is the best audience recording. The co-star tour of the century is also very popular at our store. We have preserved many masterpieces forever. This work is an exceptional work among them. After all, it is an exquisite masterpiece that was digitized directly from the original master cassette of a master wizard. Before we get to the sound, first let's look at the show position. Let's take a look at the schedule at that time. 1976《``OH YEAH?'' completed in April》《``WIRED'' released in May》・May 8th-23rd: UK (3 performances)←※FIRST GIG・May 29th-September 13th: North America #1 (42 performances) ←★Coco★・October 7-19: North America #2 (12 performances)←※PALLADIUM 1976/BOSTON 1976 ・November 12-11: North America #3 (8 performances) 1977 January 23rd - February 5th: Oceania (5 performances) February 18th - 21st: North America #4 (3 performances) [Live Wire released in March] This is 1976/1977 Jeff Beck. However, there are many ambiguous points in the records from that time, and the above schedule is a combination of three sources. The details are probably wrong, so please use this as a reference only and do not rely on it too much. Above, the home country version "FIRST GIG" from the early stage of the tour and "PALLADIUM 1976" which was very popular last year are listed, but the famous recording area is "North America #2" in between. The Anaheim performance of this work is the 41st performance, which is the final stage. This is also a good opportunity to organize your masterpiece collection.・May 23rd “FIRST GIG (London)” *June 6th “DAY ON THE GREEN 1976 DAY 2” *June 26th “MINNEAPOLIS 1976” *July 3rd “SOPHIE: DETROIT 1976 EARLY SHOW” “MASONIC” TEMPLE 1976 (Late Show)” *July 23rd “ARROWHEAD STADIUM 1976” *August 27th “COMPLETE CAPE COD 1976” *September 12th: Anaheim performance ←★This work★・October 8th “PALLADIUM 1976”・October 10th "BOSTON 1976 DEFINITIVE EDITION"...and it looks like this. Most recently, there was the great masterpiece ``COMPLETE CAPE COD 1976 (Wardour-061)'' by master Dan Lumpinski, but this work is also Wizard's new masterpiece in response to that. In fact, the sound is superb, and no matter what point you check, such as the direct feel of the thick and thick core, the fine details, and the fresh sound, it easily exceeds the common sense of the 70's audience. I think it's hard to understand just by arranging beautiful phrases, so I compared it with Lumpinski's masterpiece ``COMPLETE CAPE COD 1976''... it's still unbeatable. Lampinski's work had a sharp, tight outline and shimmering high notes, but in contrast, Wizard's work is rich. Although the timbre of the ringing is a little dull and sepia, it is extremely natural and has plenty of analog-like density. If we were to visually compare this nuance, the Lumpinski Sound would be like champagne poured into a crystal glass, and this work would be like bourbon rock. Unlike Lampinski, which shines brightly with its transparency and fine granularity, the more you listen to this work, the more you discover the finer details, and the more you listen to it, the more you become absorbed in the depth of the sound. Moreover, this work is a brush-up of such a wizard master with even more meticulous mastering. In fact, the original sound that appeared on the internet had a slightly undulating bass tone, which inhibited the extension of the treble. Therefore, in this work, we have alleviated the muddiness of the bass and adjusted the balance with the treble. Of course, we not only simply raised the high notes, but also took care not to make the hiss noise too strong, while also sharply correcting the contours. The remaining dusty tape noise was also processed to create a glossy and smooth sound. What is depicted with such a rich sound is a full show full of interplay that has become even more intense over time. Actually, this day was a festival format with Rick Derringer, AEROSMITH, and STARZ, so the time was just over an hour. It was a short set that was like compressing “COMPLETE CAPE COD 1976”, but the uninterrupted concentration was amazing. The tension that builds up as each phrase is repeated is tremendous, and the momentum runs through the full show without slowing down at all. A joint tour with THE JAN HAMMER GROUP, which has a special shine in Jeff Beck's history. This is a masterpiece among the masterpieces that reproduced the scene from the original cassette of master John Wizard. Naturally, this work itself is an excellent new rock record, but it is also interesting to follow the evolution of the tour in our store collection, and it is also fun to compare the sound aesthetics with Dan Lampinski. It's a deep and profound piece that the deeper you go, the more you can enjoy it in a variety of ways. The best audience recording of "September 12, 1976 Anaheim Performance". This is one of the most famous products that has been digitized from the original cassette of historical master John Wizard, and it is important to check out the direct feel of the thick and thick core, the delicate details, and the fresh sound. It's wonderful, easily exceeding the common sense of the 70's audience. Moreover, this work has been further brushed up with careful mastering. The bass, which was a bit undulating in the net original sound, has been adjusted, and the balance with the treble range has also been adjusted. Furthermore, we have also processed the remaining dusty tape noise to create a glossy and smooth sound. This is the birth of a new masterpiece that allows you to experience the finest full-show masterful sound packed with interplay that has become even more intense over time. Angel Stadium, Anaheim, CA, USA 12th September 1976 TRULY AMAZING/PERFECT SOUND (63:06) 1. Intro 2. Oh Yeah? 3. Sister Andrea (Mahavishnu Orchestra) 4. Band Introductions 5. Darkness, Earth In Search Of A Sun 6. Earth (Still Our Only Home) 7. Freeway Jam 8. Scatterbrain 9. Diamond Dust 10. Superstition 11. Full Moon Boogie Jeff Beck - guitar Jan Hammer - keyboards Fernando Saunders - bass Tony Smith - drums Steve Kindler - violin
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