The performance in Japan in 1999 was a great success in both quality and quantity, perhaps because it was the first time in 10 years. The original recording that will become the new master piece is now available. This work is inspired by the "May 26, 1999: Aichi Welfare Pension Hall" performance. It is the super best audience recording. Speaking of coming to Japan in the "WHO ELSE!" era, the standard TV broadcast is famous, but we have also introduced many other outstanding titles such as "BLAST FROM THE EAST" and "ZEPP OSAKA 1999" . In addition to organizing the collection, let's first check the show's position from the schedule at that time.・May 23rd: Tokyo Bay NK Hall ・May 25th “BLAST FROM THE EAST (Kanagawa Prefectural Hall)” ・May 26th: Aichi Welfare Pension Hall ←★Here★ ・May 28th: Fukuoka Civic Hall・May 29th ``ZEPP OSAKA 1999'' ・May 30th: Osaka Festival Hall ・May 31st: Tokyo International Forum ・June 2nd ``DEFINITIVE TOKYO 1999 (International Forum)'' & TV broadcast ・June 3rd ``TOKYO 1999 FINAL NIGHT (International Forum)” *Note: Only representative works are shown on each day. That's all 9 performances. The main symbol is the TV broadcast pro shot, but the two super masterpieces "BLAST FROM THE EAST" & "ZEPP OSAKA 1999" are even better in terms of quality and performance. The Nagoya performance of this work is a live album that connects the two. And I'm surprised that the quality is not inferior to the super famous records... no, in a sense it is better. It has been made into a CD directly from the newly discovered source DAT brought through its own route, and although it is similar to "ZEPP OSAKA 1999" in the sense that it also absorbs passionate cheers, this work is even sharper and more brilliant. It's already a glaring terra terra that looks like the best sound board and official live record. In “ZEPP OSAKA 1999” there was a time (albeit a little) before the sound stabilized, but this work is super superb from the first sound of “What Mama Said”. Other than the vividness of the cheering, there is no feel of a guest record at all. Oh, no...there was another element that could be described as "audience-like." It feels natural. If you close your eyes and listen microscopically through headphones, you can even hear the sound of the hall, which can be heard microscopically, creating an exquisite luster, shine, and dynamism. In official works, the effects are created using effects, but in this work, only the sound of the venue is used, so there is a natural reality without any artificiality. In other words, while it is as beautiful as an official work, it has an unprocessed natural feel that is even better. It is no exaggeration to say that it is a live album of dignity that surpasses the official one. Moreover, what makes this work transcendent is not only the sound, but also the show itself, which is one of the best performances. The set may be the same as ``BLAST FROM THE EAST'' and ``ZEPP OSAKA 1999'', but this is a good opportunity, so let's organize it here. Who else! (9 songs)・What Mama Said/Psycho Sam/Brush With The Blues/Blast From The East/Declan/THX 138/Space For The Papa/Angel (Footsteps)/Even Odds Classics and others (10 songs)・Blow By・Blow: 'Cause We've Ended As Lovers Wired: Led Boots (★) / Blue Wind There and Back: Star Cycle / The Pump / You Never Know Guitar Shop: Savoy / Where Were You (★) /Big Block ・Others: A Day In The Life *Note: Songs marked with “★” cannot be heard in the standard pro shot of the Tokyo performance. ...and it looks like this. What is especially noteworthy is the performance, which is full of creativity and playfulness. Since then, it has been said that it will be as good as the Kanagawa performance (the day before it became a big name performance), and Jeff is actually in a good mood and seems to be really having fun. For the Beatles' "A Day In The Life," which became a hot topic, he tried to make noise by hitting the back of the neck, and for "Space For The Papa," he had the audience in the front row play the ending hit. In "Big Block," Jennifer plays the guitar carried behind her head...you can't see it because it's a live album, but the lively tension is clearly reflected in the freedom of the phrases flying around. . ``BLAST FROM THE EAST'' and ``ZEPP OSAKA 1999'' would be lucky if they were released once a year... No, they were super masterpieces that were released once every few years, but I didn't expect that there were amazing recordings recorded in between them. That was it. At that time, it was their first visit to Japan in 10 years, and the Japan tour was like condensing the good fortune of those 10 years all at once. In terms of quality, it is of official quality, and is a new masterpiece that makes even standard pro shots out of the question. Superb audience recording of the "May 26, 1999: Aichi Welfare Pension Hall" performance. It has been made into a CD from the newly discovered Omoto DAT, and it not only has a sound board-level direct feeling, but also a glaring terra terra like an official live version. From the first note of the first "What Mama Said", there is a tremendous sense of stability, and while it boasts the beauty of an official work, the unprocessed natural feeling is even better. Moreover, the performance is more lively than the standard Tokyo performance pro shot, and each phrase is full of creativity and play. It is no exaggeration to say that it is a live album of dignity that surpasses the official one. Live at Aichi Kouseinenkin Kaikan, Nagoya, Japan 26th May 1999 TRULY PERFECT SOUND(from Original Masters) Disc 1 (63:48) 1. Intro 2. What Mama Said 3. Psycho Sam 4. Brush With The Blues 5. Star Cycle 6 . Savoy 7. Blast From The East 8. A Day In The Life 9. Declan 10. THX 138 11. The Pump 12. Led Boots 13. Drums Solo Disc 2 (46:59) 1. 'Cause We've Ended As Lovers 2. Space For The Papa 3. Angel (Footsteps) 4. Even Odds 5. You Never Know 6. Blue Wind 7. Band Introductions 8. Where Were You 9. Big Block Jeff Beck - Guitar Jennifer Batten - Guitar & Guitar- Synthesizer Randy Hope-Taylor - Bass Steve Alexander - Drums
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